{"id":16271,"date":"2021-05-28T05:00:00","date_gmt":"2021-05-28T12:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16271"},"modified":"2021-05-27T15:14:08","modified_gmt":"2021-05-27T22:14:08","slug":"classical-guitar-music-to-play-cadiz-by-albeniz-arr-david-hill","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-cadiz-by-albeniz-arr-david-hill\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Cadiz\u2019 by Alb\u00e9niz (Arr. David Hill)"},"content":{"rendered":"\n
Edited by Neil Smith<\/h5>\n\n\n\n

Some years ago, the BBC broadcast this work played by Ricardo Vi\u00f1es (1875-1943) who was apparently Isaac Alb\u00e9niz’s favourite interpreter. The tempo and style of the recording is indeed similar to many guitar recordings, perhaps we guitarists copy him!<\/p>\n\n\n\n

In addition certain features are marked and should be given attention. First, Vi\u00f1es articulates the opening bass pattern (A, E, E, A sharp, B) so distinctly here and whenever it returns. Second, he makes a very clear distinction between \u201cPoco Rit\u201d and \u201cMotto Rit\u201d and at bars 35-36, the halting effect is exaggerated. Third, the Coda is not played crescendo (as is often the case) but almost Perpendosi, with the chord soft at the close. Entering bar 29 etc., into C major, he rushes the tempo a little and plays the theme stronger than previously. The recording was part of a series including Alb\u00e9niz favourites such as Granada, Torre Bermeja and Orientale.<\/p>\n\n\n\n

\n\n\n\n

Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n

\n\n\n\n
\"Albeniz<\/a>
Page<\/em> 1\/3<\/figcaption><\/figure>\n\n\n\n
\"Albeniz<\/a>
Page 2\/3<\/em><\/figcaption><\/figure>\n\n\n\n
\"Albeniz<\/a>
Page 3\/3<\/em><\/figcaption><\/figure>\n\n\n\n

This music supplement was originally printed in the January 1991 issue of <\/em>Classical Guitar.<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

The BBC broadcast this work played by Ricardo Vi\u00f1es who was apparently Alb\u00e9niz’s favourite interpreter. Certain features are marked and should be given attention.<\/p>\n","protected":false},"author":23,"featured_media":16276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The BBC broadcast this work played by Ricardo Vi\u00f1es who was apparently Alb\u00e9niz's favourite interpreter. Certain features are marked and should be given attention.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[46],"class_list":["post-16271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/albeniz-cadiz.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16271"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16271\/revisions"}],"predecessor-version":[{"id":16275,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16271\/revisions\/16275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16276"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}