{"id":16277,"date":"2021-06-04T05:00:00","date_gmt":"2021-06-04T12:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16277"},"modified":"2021-06-02T14:10:59","modified_gmt":"2021-06-02T21:10:59","slug":"classical-guitar-music-to-play-little-lullaby-by-adrian-ingram","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-little-lullaby-by-adrian-ingram\/","title":{"rendered":"Classical Guitar Music to Play: \u2018Little Lullaby\u2019 by Adrian Ingram"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>This piece features an interesting mixture of chord textures for the less advanced player. Although quite regular bass lines are in use, the upper voicing produces a variety of 7th chords together with an unusual flavour in the dissonances. Technically, I use finger 1 in bar 13 for the C and finger 2 for bass F. This connects the figuration across bars 12-14.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"607\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?resize=800%2C607&#038;ssl=1\" alt=\"Little Lullaby by Adrian Ingram guitar sheet music\" class=\"wp-image-16278\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?resize=300%2C228&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?resize=527%2C400&amp;ssl=1 527w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?resize=768%2C583&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/Little-lullaby.jpg?resize=770%2C584&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the January 1991 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This piece features an interesting mixture of chord textures for the less advanced player. <\/p>\n","protected":false},"author":23,"featured_media":16279,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"This piece features an interesting mixture of chord textures for the less advanced player. ","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[46],"class_list":["post-16277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/05\/little-lullaby-image.jpg?fit=800%2C560&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16277"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16277\/revisions"}],"predecessor-version":[{"id":16280,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16277\/revisions\/16280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16279"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}