{"id":16298,"date":"2021-06-11T05:00:00","date_gmt":"2021-06-11T12:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16298"},"modified":"2021-06-07T12:08:59","modified_gmt":"2021-06-07T19:08:59","slug":"classical-guitar-music-to-play-gavotte-by-j-s-bach-arr-s-kenyon","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-gavotte-by-j-s-bach-arr-s-kenyon\/","title":{"rendered":"Classical Guitar Music to Play: Gavotte by J.S. Bach (Arr. S. Kenyon)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>In this trio arrangement by Stephen Kenyon, less experienced players will find this setting fits on the fingerboard without undue difficulty. Take care however to play similar figurations neatly, consistently: The temptation to play open E at the end of bar 6 (Gtr 1) should be avoided, for example. And later, in Gtr 3, bar 10, the second D sharp sounds better curtailed as the lower E appears in the bass voice, thereby avoiding the exposed clash and at the same time implying the entry of a lower part.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1122\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?resize=800%2C1122&#038;ssl=1\" alt=\"Classical Guitar music notation J.S. Bach Gavotte for trio guitar page 1\" class=\"wp-image-16299\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?resize=214%2C300&amp;ssl=1 214w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?resize=285%2C400&amp;ssl=1 285w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?resize=768%2C1077&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-1.jpg?resize=770%2C1080&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><figcaption><em>Page <\/em>1<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"649\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?resize=800%2C649&#038;ssl=1\" alt=\"Classical Guitar music notation J.S. Bach Gavotte for trio guitar page 1\" class=\"wp-image-16301\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?resize=300%2C243&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?resize=493%2C400&amp;ssl=1 493w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?resize=768%2C623&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/Bach-gavotte-2.jpg?resize=770%2C625&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><figcaption><em>Page 2<\/em><\/figcaption><\/figure>\n\n\n\n<p><em>This music supplement was originally printed in the June 1990 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-classical-guitar wp-block-embed-classical-guitar\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"TOKQX89C7j\"><a href=\"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-andres-segovia-plays-gavottes-1-2-from-bachs-sixth-cello-suite\/\">Video Pick of the Week: Andr\u00e9s Segovia Plays Gavottes 1 &#038; 2 from Bach\u2019s Sixth Cello Suite<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Video Pick of the Week: Andr\u00e9s Segovia Plays Gavottes 1 &#038; 2 from Bach\u2019s Sixth Cello Suite&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-andres-segovia-plays-gavottes-1-2-from-bachs-sixth-cello-suite\/embed\/#?secret=TOKQX89C7j\" data-secret=\"TOKQX89C7j\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In this trio arrangement by Stephen Kenyon, less experienced players will find this setting fits on the fingerboard without undue difficulty. <\/p>\n","protected":false},"author":23,"featured_media":16302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"In this trio arrangement by Stephen Kenyon, less experienced players will find this setting fits on the fingerboard without undue difficulty. ","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[138,46],"class_list":["post-16298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-js-bach","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/CG-Bach-Gavotte.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16298"}],"version-history":[{"count":3,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16298\/revisions"}],"predecessor-version":[{"id":16311,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16298\/revisions\/16311"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16302"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}