{"id":1639,"date":"2015-03-01T14:00:10","date_gmt":"2015-03-01T22:00:10","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1639"},"modified":"2021-04-29T09:16:59","modified_gmt":"2021-04-29T16:16:59","slug":"spring-2015","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/spring-2015\/","title":{"rendered":"Spring 2015"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/02\/CG_377.jpg?resize=400%2C527\" width=\"400\" height=\"527\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/catalog\/products\/issue-377-spring-2015\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #377<\/b><\/p>\n<p>While the Spring 2015 issue of <em>Classical Guitar<\/em> is the 377th to date, it is Stringletter\u2019s first. We are thrilled to be publishing <em>Classical Guitar<\/em> now, and our first issue reflects our passion for not only the magazine, but also the instruments (Kenny Hill Guitar Co., the baroque era chitarra battente), the guitarists (Sharon Isbin, LAGQ, Paco De Lucia, the Romeros, Ana Vidovic), the composers (Jean Marie Raymond, Nick Fletcher, Domenico Scarlatti), the scholars (San Francisco Conservatory of Music\u2019s Guitar Program), the rich history of classical guitar (Francesco Corbetta, Frantz Casseus), and more.<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/377'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/377') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/377';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #377 While the Spring 2015 issue of Classical Guitar is the 377th to date, it is Stringletter\u2019s first. We are thrilled to be publishing Classical Guitar now, and our first issue reflects our passion for not only the magazine, but also the instruments (Kenny Hill Guitar Co., the baroque era chitarra battente), the guitarists (Sharon Isbin, LAGQ, Paco De Lucia, the Romeros, Ana Vidovic), the composers (Jean Marie Raymond, Nick Fletcher, Domenico Scarlatti), [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1639","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1639"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1639\/revisions"}],"predecessor-version":[{"id":16113,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1639\/revisions\/16113"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}