{"id":16415,"date":"2021-06-25T05:00:00","date_gmt":"2021-06-25T12:00:00","guid":{"rendered":"https:\/\/classicalguitarmagazine.com\/?p=16415"},"modified":"2021-06-24T14:59:13","modified_gmt":"2021-06-24T21:59:13","slug":"classical-guitar-music-to-play-romanza-by-grieg-tr-tarrega","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-romanza-by-grieg-tr-tarrega\/","title":{"rendered":"Classical Guitar Music to Play: \u2019Romanza\u2019 by Grieg (Tr. T\u00e1rrega)"},"content":{"rendered":"\n<h5 class=\"wp-block-heading\">Edited by Neil Smith<\/h5>\n\n\n\n<p>The fingering here uses some long reaches on the left hand. These are necessary and one must remember that most modern guitars are longer in scale than the T\u00e1rrega period. The slurred tenths sound effective and are worth using.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong><em><a rel=\"noreferrer noopener\" href=\"https:\/\/classicalguitarmagazine.com\/musictoplay\/\" target=\"_blank\">Check out more classical guitar music to play here<\/a><\/em><\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?ssl=1\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"800\" height=\"1155\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?resize=800%2C1155&#038;ssl=1\" alt=\"Grieg &quot;romanza&quot; classical guitar sheet music\" class=\"wp-image-16416\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?resize=208%2C300&amp;ssl=1 208w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?resize=277%2C400&amp;ssl=1 277w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?resize=768%2C1109&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/grieg-romanza.jpg?resize=770%2C1112&amp;ssl=1 770w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/figure>\n\n\n\n<p><em>This article originally appeared in the September 1990 issue of <\/em>Classical Guitar<em>.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-classical-guitar wp-block-embed-classical-guitar\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"ceVQHEey2Q\"><a href=\"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-romanza-by-schumman-arr-tarrega\/\">Classical Guitar Music to Play: &#8216;Romanza&#8217; by Schumman (arr. T\u00e1rrega)<\/a><\/blockquote><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Classical Guitar Music to Play: &#8216;Romanza&#8217; by Schumman (arr. T\u00e1rrega)&#8221; &#8212; Classical Guitar\" src=\"https:\/\/classicalguitarmagazine.com\/classical-guitar-music-to-play-romanza-by-schumman-arr-tarrega\/embed\/#?secret=ceVQHEey2Q\" data-secret=\"ceVQHEey2Q\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/store.acousticguitar.com\/products\/digital-archive-2009-2019\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" decoding=\"async\" width=\"600\" height=\"200\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?resize=600%2C200&#038;ssl=1\" alt=\"Classical Guitar: the digital archive instand download\" class=\"wp-image-16627\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/08\/AG-SUB-SALE-HEADER-1.png?resize=300%2C100&amp;ssl=1 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/a><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n","protected":false},"excerpt":{"rendered":"<p>The fingering for this Edvard Grieg &#8220;Romanza&#8221; transcription by Francisco T\u00e1rrega uses some long reaches on the left hand.<\/p>\n","protected":false},"author":23,"featured_media":16417,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"The fingering for this Edvard Grieg \"Romanza\" transcription by Francisco T\u00e1rrega uses some long reaches on the left hand.","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8],"tags":[46],"class_list":["post-16415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classics","tag-musictoplay"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2021\/06\/gried-romanza-featured-image.jpg?fit=800%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=16415"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16415\/revisions"}],"predecessor-version":[{"id":16418,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/16415\/revisions\/16418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/16417"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=16415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=16415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=16415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}