{"id":1645,"date":"2014-12-01T14:16:56","date_gmt":"2014-12-01T22:16:56","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1645"},"modified":"2021-04-29T09:16:59","modified_gmt":"2021-04-29T16:16:59","slug":"december-2014","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/december-2014\/","title":{"rendered":"December 2014"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2014\/11\/December-2014-cover.jpg\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2014\/11\/December-2014-cover-726x1024.jpg?resize=400%2C582\" alt=\"December 2014 cover\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/a><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-376-december-2014\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #376<\/b><\/p>\n<p>Julian Bream \u2013 Interviewed by Th\u00e9r\u00e8se Wassily Saba<br \/>\nMilos Karadaglic \u2013 by Guy Traviss<br \/>\nWest Dean International Guitar Festival and Summer School \u2013 by Guy Traviss<br \/>\nOlga Praguer Coelho, The Unpublished Interview (Part 3) \u2013 by Marcelo Kayath<br \/>\n15th Hersbruck International Guitar Festival \u2013 by Paul Fowles<br \/>\nAbel Carlevaro: The Left Hand and the Vital Role of the Arm (Part 3) \u2013 by Jad Azkoul<br \/>\nQuestions \u2013 by Carlos Bonell<br \/>\nNurtingen International Guitar Festival \u2013 by Paul Fowles<br \/>\nBrian Whitehouse, The man behind the Classical Guitar Centre in Birmingham \u2013 by Guy Traviss<br \/>\nThe 47th International Classical Guitar Competition Pittaluga \u2013 by Eleftheria Kotzia<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/376'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/376') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/376';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #376 Julian Bream \u2013 Interviewed by Th\u00e9r\u00e8se Wassily Saba Milos Karadaglic \u2013 by Guy Traviss West Dean International Guitar Festival and Summer School \u2013 by Guy Traviss Olga Praguer Coelho, The Unpublished Interview (Part 3) \u2013 by Marcelo Kayath 15th Hersbruck International Guitar Festival \u2013 by Paul Fowles Abel Carlevaro: The Left Hand and the Vital Role of the Arm (Part 3) \u2013 by Jad Azkoul Questions \u2013 by Carlos Bonell Nurtingen International [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1645","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1645"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1645\/revisions"}],"predecessor-version":[{"id":16114,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1645\/revisions\/16114"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}