{"id":1706,"date":"2014-04-14T16:25:05","date_gmt":"2014-04-14T23:25:05","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1706"},"modified":"2021-04-29T09:17:00","modified_gmt":"2021-04-29T16:17:00","slug":"april-2014-2","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/april-2014-2\/","title":{"rendered":"April 2014"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/April_2014_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-368-april-2014\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #368<\/b><\/p>\n<p>Vladislav Bl\u00e1ha \u2013 by Guy Traviss<br \/>\nPerformance Anxiety \u2013 by Guy Traviss<br \/>\n21st Liechtensteiner Gitarrentage \u2013 A report by Th\u00e9r\u00e8se Wassily Saba<br \/>\nRincon Flamenco No.72: DVD\/CD Review \u2013 by Paul Magnussen<br \/>\nMusic Supplement, Tricia<br \/>\nMilos Karadaglic \u2013 by Guy Traviss<br \/>\nThe Five Time Test for Playing without Mistakes \u2013 by Carlos Bonell<br \/>\nMomentito \u2013 by Graham Wade<br \/>\nMusic Matters, Times Music Critic Richard Morrison on Dance and Media \u2013 by Guy Traviss<br \/>\nObituary \u2013 Paco de Luc\u00eda (1947\u20132014) \u2013 by Paul Magnussen<br \/>\nViews from Everywhere \u2013 Compiled by Th\u00e9r\u00e8se Wassily Saba<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/368'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/368') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/368';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #368 Vladislav Bl\u00e1ha \u2013 by Guy Traviss Performance Anxiety \u2013 by Guy Traviss 21st Liechtensteiner Gitarrentage \u2013 A report by Th\u00e9r\u00e8se Wassily Saba Rincon Flamenco No.72: DVD\/CD Review \u2013 by Paul Magnussen Music Supplement, Tricia Milos Karadaglic \u2013 by Guy Traviss The Five Time Test for Playing without Mistakes \u2013 by Carlos Bonell Momentito \u2013 by Graham Wade Music Matters, Times Music Critic Richard Morrison on Dance and Media \u2013 by Guy Traviss [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1706","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1706"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1706\/revisions"}],"predecessor-version":[{"id":16122,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1706\/revisions\/16122"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}