{"id":1710,"date":"2014-03-15T11:47:41","date_gmt":"2014-03-15T18:47:41","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1710"},"modified":"2021-04-29T09:17:00","modified_gmt":"2021-04-29T16:17:00","slug":"march-2014","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/march-2014\/","title":{"rendered":"March 2014"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/March_2014_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-367-march-2014\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #367<\/b><\/p>\n<p>Tomatito, Soy Flamenco \u2013 by Th\u00e9r\u00e8se Wassily Saba<br \/>\nEuropean Festival Review, (Part Two) \u2013 by Guy Traviss<br \/>\nMaking a Living as a Classical Guitarist, No.29 \u2013 Celia Linde \u2013 by Lawrence del Casale<br \/>\nViews from Everywhere \u2013 Compiled by Th\u00e9r\u00e8se Wassily Saba<br \/>\n36th Guitar Course\/Festival, Chateau de Ligoure \u2013 by Chris Chilcott<br \/>\nMusic Matters, New music, do we really like it? \u2013 by Guy Traviss<br \/>\nObituary \u2013 Philip Rosheger (1950\u20132013)<br \/>\nMusic Supplement, Allegro in Re<br \/>\nMomentito \u2013 by Graham Wade<br \/>\nRincon Flamenco No.71: Reviews \u2013 by Paul Magnussen<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/367'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/367') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/367';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #367 Tomatito, Soy Flamenco \u2013 by Th\u00e9r\u00e8se Wassily Saba European Festival Review, (Part Two) \u2013 by Guy Traviss Making a Living as a Classical Guitarist, No.29 \u2013 Celia Linde \u2013 by Lawrence del Casale Views from Everywhere \u2013 Compiled by Th\u00e9r\u00e8se Wassily Saba 36th Guitar Course\/Festival, Chateau de Ligoure \u2013 by Chris Chilcott Music Matters, New music, do we really like it? \u2013 by Guy Traviss Obituary \u2013 Philip Rosheger (1950\u20132013) Music Supplement, [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1710","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1710"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1710\/revisions"}],"predecessor-version":[{"id":16123,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1710\/revisions\/16123"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}