{"id":1741,"date":"2013-06-15T14:57:16","date_gmt":"2013-06-15T21:57:16","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1741"},"modified":"2015-05-29T10:54:03","modified_gmt":"2015-05-29T17:54:03","slug":"june-2013","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/june-2013\/","title":{"rendered":"June 2013"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/June_2013_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-358-june-2013\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #358<\/b><\/p>\n<p>Carlos Barbosa-Lima \u2013 by Nancy Castro<br \/>\nIvor Mairants Guitar Award<br \/>\nMaking a Living as a Classical Guitarist, No.26 \u2013 Tali Roth \u2013 by Lawrence del Casale<br \/>\nMichaeltchie \u2013 Interviewed by Guy Traviss<br \/>\nObituary \u2013 Stephen Dodgson (1924\u20132013) \u2013 by Graham Wade<br \/>\nTributes \u2013 Stephen Dodgson (1924\u20132013) \u2013 Compiled by Th\u00e9r\u00e8se Wassily Saba<br \/>\nAdelaide International Guitar Festival \u2013 A report by Th\u00e9r\u00e8se Wassily Saba<br \/>\nObituary \u2013 Coraz\u00f3n Otero (1944\u20132013) \u2013 by Graham Wade<br \/>\nGuitare Alla Grande \u2013 by Heather Morand Clark<br \/>\nA Practice Session in Three Parts \u2013 by Carlos Bonell<br \/>\nOlga Pierri \u2013 An interview by Th\u00e9r\u00e8se Wassily Saba<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/358'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/358') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/358';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #358 Carlos Barbosa-Lima \u2013 by Nancy Castro Ivor Mairants Guitar Award Making a Living as a Classical Guitarist, No.26 \u2013 Tali Roth \u2013 by Lawrence del Casale Michaeltchie \u2013 Interviewed by Guy Traviss Obituary \u2013 Stephen Dodgson (1924\u20132013) \u2013 by Graham Wade Tributes \u2013 Stephen Dodgson (1924\u20132013) \u2013 Compiled by Th\u00e9r\u00e8se Wassily Saba Adelaide International Guitar Festival \u2013 A report by Th\u00e9r\u00e8se Wassily Saba Obituary \u2013 Coraz\u00f3n Otero (1944\u20132013) \u2013 by Graham Wade [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1741","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1741"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1741\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}