{"id":1743,"date":"2013-05-15T15:03:33","date_gmt":"2013-05-15T22:03:33","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1743"},"modified":"2015-05-29T10:56:18","modified_gmt":"2015-05-29T17:56:18","slug":"may-2013","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/may-2013\/","title":{"rendered":"May 2013"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/May_2013_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-357-may-2013\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #357<\/b><\/p>\n<p>Ian Watt &#8211; Interviewed by Graham Wade<br \/>\nMaking a Living as a Classical Guitarist, No.25 &#8211; Alberto Rodr\u00edguez Ortiz &#8211; by Lawrence del Casale<br \/>\nTarik O\u2019Regan &#8211; Interviewed by Guy Traviss<br \/>\nThe Men with the Golden Guitar: Stewart French and Tarik O\u2019Regan &#8211; Meet Guy Traviss<br \/>\nBen Maddock &#8211; Interviewed by Guy Traviss<br \/>\nCarlos Pi\u00f1ana &#8211; Noberto Torres<br \/>\nViews from Everywhere &#8211; Compiled by Th\u00e9r\u00e8se Wassily Saba<br \/>\nFinding Gold in Munich &#8211; An interview by Th\u00e9r\u00e8se Wassily Saba<br \/>\n30th Anniversary of Sebastian Dom\u00ednguez\u2019s Radio Programmes &#8211; by Mar\u00eda Isabel Siewers<br \/>\nRincon Flamenco No.68: Reviews &#8211; by Paul Magnussen<br \/>\nMore Things About Strings &#8211; by Carlos Bonell<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/357'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/357') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/357';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #357 Ian Watt &#8211; Interviewed by Graham Wade Making a Living as a Classical Guitarist, No.25 &#8211; Alberto Rodr\u00edguez Ortiz &#8211; by Lawrence del Casale Tarik O\u2019Regan &#8211; Interviewed by Guy Traviss The Men with the Golden Guitar: Stewart French and Tarik O\u2019Regan &#8211; Meet Guy Traviss Ben Maddock &#8211; Interviewed by Guy Traviss Carlos Pi\u00f1ana &#8211; Noberto Torres Views from Everywhere &#8211; Compiled by Th\u00e9r\u00e8se Wassily Saba Finding Gold in Munich &#8211; [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1743","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1743","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1743"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1743\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1743"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1743"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1743"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}