{"id":1747,"date":"2013-03-15T15:16:24","date_gmt":"2013-03-15T22:16:24","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1747"},"modified":"2015-05-29T10:57:45","modified_gmt":"2015-05-29T17:57:45","slug":"march-2013","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/march-2013\/","title":{"rendered":"March 2013"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/March_2013_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-355-march-2013\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #355<\/b><\/p>\n<p>Sean Shibe \u2013 by Guy Traviss<br \/>\n13th Hersbruck International Guitar Festival \u2013 by Paul Fowles<br \/>\nFirst Brussels International Guitar Festival \u2013 by Eleftheria Kotzia<br \/>\nWhere Does Your Guitar Come From \u2013 by Guy Traviss<br \/>\nThe Contemporary Guitar Concerto (Part 2) \u2013 by Charles Postlewate and dedicated to the memory of Colin Cooper<br \/>\nKoblenz International Guitar Festival and Academy \u2013 20th Anniversary \u2013 by Th\u00e9r\u00e8se Wassily Saba<br \/>\nStephen Eden \u2013 Interviewed by Guy Traviss<br \/>\nGuitar Practice: Brain Rules All \u2013 by Carlos Bonell<br \/>\nObituary \u2013 Sirchard Rodney Bennett (1936\u20132012)<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<\/p>\n<p><iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/355'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/355') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/355';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #355 Sean Shibe \u2013 by Guy Traviss 13th Hersbruck International Guitar Festival \u2013 by Paul Fowles First Brussels International Guitar Festival \u2013 by Eleftheria Kotzia Where Does Your Guitar Come From \u2013 by Guy Traviss The Contemporary Guitar Concerto (Part 2) \u2013 by Charles Postlewate and dedicated to the memory of Colin Cooper Koblenz International Guitar Festival and Academy \u2013 20th Anniversary \u2013 by Th\u00e9r\u00e8se Wassily Saba Stephen Eden \u2013 Interviewed by Guy [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1747","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1747"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1747\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}