{"id":1751,"date":"2013-01-15T15:31:51","date_gmt":"2013-01-15T23:31:51","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1751"},"modified":"2015-05-15T15:37:56","modified_gmt":"2015-05-15T22:37:56","slug":"january-2013","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/january-2013\/","title":{"rendered":"January 2013"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/January_2013_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-353-january-2013\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #353<\/b><\/p>\n<p>Giulio Tampalini \u2013 by Guy Traviss<br \/>\n16th Kyustendil International Guitar Festival and Competition \u2013 by Paul Fowles<br \/>\nHoppstock and Willcocks \u2013 by Guy Traviss<br \/>\nStuart Mewburn \u2013 Interviewed by Guy Traviss<br \/>\nProgressive Progressions (Part 26) \u2013 by Neil Smith<br \/>\n7th Vrnjci International Classical Music Festival \u2013 by Paul Fowles<br \/>\nNurtingen International Guitar Festival \u2013 by Paul Fowles<br \/>\nMomentito \u2013 by Graham Wade<br \/>\nHow to make the best of a 30 minute Practise Session \u2013 by Carlos Bonell<\/p>\n<p><b>Digital Edition:\u00a0<\/b>To download this digital edition, we need to verify that your subscription to<em> Classical Guitar<\/em> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/353'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/353') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/353';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #353 Giulio Tampalini \u2013 by Guy Traviss 16th Kyustendil International Guitar Festival and Competition \u2013 by Paul Fowles Hoppstock and Willcocks \u2013 by Guy Traviss Stuart Mewburn \u2013 Interviewed by Guy Traviss Progressive Progressions (Part 26) \u2013 by Neil Smith 7th Vrnjci International Classical Music Festival \u2013 by Paul Fowles Nurtingen International Guitar Festival \u2013 by Paul Fowles Momentito \u2013 by Graham Wade How to make the best of a 30 minute Practise [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1751","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1751"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1751\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}