{"id":1788,"date":"2012-02-19T16:45:44","date_gmt":"2012-02-20T00:45:44","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1788"},"modified":"2015-05-19T16:50:29","modified_gmt":"2015-05-19T23:50:29","slug":"february-2012","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/february-2012\/","title":{"rendered":"February 2012"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/February_2012_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-342-february-2012\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #342<\/b><\/p>\n<p>Classical Guitar News &#8211; Compiled by Therese Wassily Saba<br \/>\nWilliam Kanengiser &#8211; by Guy Traviss<br \/>\nThe Ingenious Gentleman Don Quixote &#8211; by Guy Traviss<br \/>\nCadenza Music &#8211; by Guy Traviss<br \/>\n12th Hersbruck International Guitar Festival -by Paul Fowles<br \/>\nGruppetto<br \/>\nNew Polish Guitar Concertos &#8211; by Zbigniew Dubiella<br \/>\nRaymond Burley Signature Guitar &#8211; by Guy Traviss<br \/>\nProgressive Progressions (Part 16) &#8211; by Neil Smith<br \/>\nWest Dean 2012 Booking Form<br \/>\n2011 Peak District Guitar Ensemble Weekend &#8211; by Allix Cotton<br \/>\nLetter from New York &#8211; by Julia Crowe<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/342'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/342') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/342';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #342 Classical Guitar News &#8211; Compiled by Therese Wassily Saba William Kanengiser &#8211; by Guy Traviss The Ingenious Gentleman Don Quixote &#8211; by Guy Traviss Cadenza Music &#8211; by Guy Traviss 12th Hersbruck International Guitar Festival -by Paul Fowles Gruppetto New Polish Guitar Concertos &#8211; by Zbigniew Dubiella Raymond Burley Signature Guitar &#8211; by Guy Traviss Progressive Progressions (Part 16) &#8211; by Neil Smith West Dean 2012 Booking Form 2011 Peak District Guitar [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1788","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1788"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1788\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}