{"id":1790,"date":"2012-01-19T16:50:51","date_gmt":"2012-01-20T00:50:51","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1790"},"modified":"2015-05-20T14:06:12","modified_gmt":"2015-05-20T21:06:12","slug":"january-2012","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/january-2012\/","title":{"rendered":"January 2012"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/January_2012_cover_1024x1024.jpg?resize=400%2C582\" width=\"400\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/no-341-january-2012\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #341<\/b><\/p>\n<p>Classical Guitar NewsCompiled by Th\u00e9r\u00e8se Wassily Saba<br \/>\nMichael O&#8217;Leary on Guitar Lutherie by Guy Traviss<br \/>\n19th Koblenz International Guitar Festival and Academy &#8211; by Th\u00e9r\u00e8se Wassily Saba<br \/>\nPlay Koyunbaba &#8211; by Joe Hagedorn<br \/>\nRichard Patterson and the OMNI Foundation &#8211; An interview by Therese Wassily Saba<br \/>\nRincon Flamenco No.64: Moraito &#8211; by Paul Magnussen<br \/>\n20th BRNO International Guitar Festival &#8211; by Paul Fowles<br \/>\nProgressive Progressions (Part 15) &#8211; by Neil Smith<br \/>\nLetter from New York &#8211; by Julia Crowe<br \/>\nObituary &#8211; Michael Watson (1923-2011)<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/341'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/341') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/341';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #341 Classical Guitar NewsCompiled by Th\u00e9r\u00e8se Wassily Saba Michael O&#8217;Leary on Guitar Lutherie by Guy Traviss 19th Koblenz International Guitar Festival and Academy &#8211; by Th\u00e9r\u00e8se Wassily Saba Play Koyunbaba &#8211; by Joe Hagedorn Richard Patterson and the OMNI Foundation &#8211; An interview by Therese Wassily Saba Rincon Flamenco No.64: Moraito &#8211; by Paul Magnussen 20th BRNO International Guitar Festival &#8211; by Paul Fowles Progressive Progressions (Part 15) &#8211; by Neil Smith Letter [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1790","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1790"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1790\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1790"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1790"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}