{"id":1828,"date":"2011-03-20T16:08:43","date_gmt":"2011-03-20T23:08:43","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=1828"},"modified":"2015-05-20T16:15:25","modified_gmt":"2015-05-20T23:15:25","slug":"march-2011","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/march-2011\/","title":{"rendered":"March 2011"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/cdn.shopify.com\/s\/files\/1\/0632\/7849\/products\/March_2011_cover_1024x1024.jpg?resize=410%2C582\" width=\"410\" height=\"582\" class=\"alignleft\" \/><\/p>\n<h2><b><a href=\"http:\/\/classicalguitar.myshopify.com\/collections\/back-issues\/products\/noi\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #331<\/b><\/p>\n<p>Guitar Foundation of America &#8211;  by Guy Traviss<br \/>\nA Brief History of the Classical Guitar in South Africa (Part 2) &#8211; by Avril Kinsey<br \/>\nVilla-Lobos and his Work with Three Guitar Icons (Part 2) &#8211; by Charles Postlewate<br \/>\nRincon Flamenco No. 61: SoundUnwound &#8211; by Paul Magnussen<br \/>\nProgressive Progressions (Part 5) &#8211; by Neil Smith<br \/>\nEleftheria Kotzia &#8211; by Guy Traviss<br \/>\nLetter from New York &#8211; by Julia Crowe<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/331'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/331') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/331';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #331 Guitar Foundation of America &#8211; by Guy Traviss A Brief History of the Classical Guitar in South Africa (Part 2) &#8211; by Avril Kinsey Villa-Lobos and his Work with Three Guitar Icons (Part 2) &#8211; by Charles Postlewate Rincon Flamenco No. 61: SoundUnwound &#8211; by Paul Magnussen Progressive Progressions (Part 5) &#8211; by Neil Smith Eleftheria Kotzia &#8211; by Guy Traviss Letter from New York &#8211; by Julia Crowe Magazine Subscribers: To [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-1828","post","type-post","status-publish","format-standard","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=1828"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/1828\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=1828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=1828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=1828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}