{"id":2415,"date":"2015-08-12T10:20:01","date_gmt":"2015-08-12T17:20:01","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=2415"},"modified":"2021-04-29T09:16:59","modified_gmt":"2021-04-29T16:16:59","slug":"fall-2015","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/fall-2015\/","title":{"rendered":"Fall 2015"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignleft wp-image-2416\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/08\/379_COVER_NO-UPC.jpeg?resize=395%2C521\" alt=\"379_COVER_NO-UPC\" width=\"395\" height=\"521\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/08\/379_COVER_NO-UPC.jpeg?w=550&amp;ssl=1 550w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/08\/379_COVER_NO-UPC.jpeg?resize=227%2C300&amp;ssl=1 227w\" sizes=\"(max-width: 395px) 100vw, 395px\" \/><\/p>\n<h2><b><a href=\"http:\/\/store.elizabethl27.sg-host.com\/collections\/catalog\/products\/no-379-fall-2015\">Click here to buy this issue<\/a><\/b><\/h2>\n<p><b>Issue #379<\/b><\/p>\n<p>French guitarist and composer Roland Dyens continues to make bold moves in his career. Special Focus on guitar education, with articles about online learning resources, worldwide grade standards, and mastering a sight-reading exam. Also, interviews with guitarists Bradley Colten, Ben Woods, and Christina Sandsengen; remembering flamenco great Manuel Molina; a look at composer Terry Riley\u2019s works for guitar; review of the M\u00e9rida Extrema Trajan T25-CES guitar; new discs by the Los Angeles Guitar Quartet, David Leisner, Arturo Parra, Duo Joncol, Juan Martin and Chaparro de M\u00e1laga; print reviews including new pieces by Janko Raseta, Guy Chapalain, Ernest Cordero, and Manuel Barrueco\u2019s transcription of Bach\u2019s \u201cChaconne\u201d; Marcin Dylla in concert; New Products; guitar competition winners; much more.<\/p>\n<p><b>Magazine Subscribers:<\/b> To download this digital edition, we need to verify that your subscription to<i> Classical Guitar<\/i> Magazine is active. Please enter your contact information below to verify your account and download the PDF.<br \/>\n<iframe style=\"width:320px;\" src=\"\" width=\"300\" height=\"275\" onload=\"javascript: if(typeof ewt != 'undefined' &#038;&#038; ewt &#038;&#038; ewt.setIFrameSrc) ewt.setIFrameSrc(this, 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/379'); else if(this.src != 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/379') this.src = 'http:\/\/www.pages01.net\/stringletterpublishinginc\/Classical_Guitar\/2015_Issue_Gateways\/379';\" ><\/p>\n<p>Your browser does not support iframes.<\/p>\n<p><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Click here to buy this issue Issue #379 French guitarist and composer Roland Dyens continues to make bold moves in his career. Special Focus on guitar education, with articles about online learning resources, worldwide grade standards, and mastering a sight-reading exam. Also, interviews with guitarists Bradley Colten, Ben Woods, and Christina Sandsengen; remembering flamenco great Manuel Molina; a look at composer Terry Riley\u2019s works for guitar; review of the M\u00e9rida Extrema Trajan T25-CES guitar; new discs by the Los Angeles [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":2416,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[18],"tags":[],"class_list":["post-2415","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazine"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/08\/379_COVER_NO-UPC.jpeg?fit=550%2C725&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=2415"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2415\/revisions"}],"predecessor-version":[{"id":16111,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2415\/revisions\/16111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/2416"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=2415"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=2415"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=2415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}