{"id":2883,"date":"2015-10-22T15:40:54","date_gmt":"2015-10-22T22:40:54","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=2883"},"modified":"2020-07-01T10:24:54","modified_gmt":"2020-07-01T17:24:54","slug":"throwback-thursday-julian-bream-plays-waltons-bagatelle-no-5","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/throwback-thursday-julian-bream-plays-waltons-bagatelle-no-5\/","title":{"rendered":"Throwback Thursday: Julian Bream Plays Walton&#8217;s &#8220;Bagatelle No. 5&#8221;"},"content":{"rendered":"<p>The prolific British composer William Walton&#8217;s opus <em>Five Bagatelles for Guitar<\/em> has been delighting professional guitarists and challenging\/vexing conscientious amateurs since the piece was first played in concert by Julian Bream (for whom it was written) in 1972. It was Walton&#8217;s first composition written for solo guitar, written at the age of 69.<\/p>\n<p>This performance, captured in 1982, features Bream playing the fifth of the five <em>Bagatelles<\/em>, which carries the directive &#8220;<em>con slancio<\/em>&#8220;: &#8220;with enthusiasm.&#8221; You&#8217;ll find plenty of that in this short but exciting clip.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The prolific British composer William Walton&#8217;s opus Five Bagatelles for Guitar has been delighting professional guitarists and challenging\/vexing conscientious amateurs since the piece was first played in concert by Julian Bream (for whom it was written) in 1972. It was Walton&#8217;s first composition written for solo guitar, written at the age of 69. This performance, captured in 1982, features Bream playing the fifth of the five Bagatelles, which carries the directive &#8220;con slancio&#8220;: &#8220;with enthusiasm.&#8221; You&#8217;ll find plenty of that [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":2884,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5,7],"tags":[145],"class_list":["post-2883","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-stories","category-watch","tag-julian-bream","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/10\/Bream-1980.jpg?fit=595%2C443&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=2883"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/2884"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=2883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=2883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=2883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}