{"id":2985,"date":"2015-11-05T16:27:22","date_gmt":"2015-11-06T00:27:22","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=2985"},"modified":"2015-11-10T09:57:10","modified_gmt":"2015-11-10T17:57:10","slug":"video-pick-o-the-week-duo-assad-and-romero-lubambo","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-o-the-week-duo-assad-and-romero-lubambo\/","title":{"rendered":"Video Pick o&#8217; the Week: Duo Assad and Romero Lubambo"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-2989\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/11\/assads-and-lubambo.jpg?resize=640%2C411\" alt=\"assads and lubambo\" width=\"640\" height=\"411\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/11\/assads-and-lubambo.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/11\/assads-and-lubambo.jpg?resize=300%2C193&amp;ssl=1 300w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><iframe src=\"https:\/\/www.youtube.com\/embed\/BqOmDYYSFM4\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br clear=\"all\"><\/p>\n<p>This being the 50th anniversary of the sublime musical partnership of Brazilian brothers <a href=\"http:\/\/assadbrothers.com\/\" target=\"_blank\"><strong>Sergio and Odair Assad<\/strong><\/a> (Duo Assad) we&#8217;re occasionally highlighting videos of the pair in action. In this one, however, the spotlight is on a trio: the Assads are joined by their countryman, <a href=\"http:\/\/www.romerolubambo.com\/\" target=\"_blank\"><strong>Romero Lubambo<\/strong><\/a>, who has been an in-demand performer and session guitarist in New York since the early &#8217;80s (while remaining popular in his homeland, too). Here, they perform Carlos Lyra&#8217;s aptly titled &#8220;Influencia do Jazz,&#8221; (arranged by Sergio) at the One World Theatre in Austin, Texas, on October 21, 2015, just a few weeks ago. The concert was presented by Austin Classical Guitar.<\/p>\n<p>An exclusive interview with Romero Lubambo appears in the Winter 2015 issue of <em>Classical Guitar<\/em>, out now.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This being the 50th anniversary of the sublime musical partnership of Brazilian brothers Sergio and Odair Assad (Duo Assad) we&#8217;re occasionally highlighting videos of the pair in action. In this one, however, the spotlight is on a trio: the Assads are joined by their countryman, Romero Lubambo, who has been an in-demand performer and session guitarist in New York since the early &#8217;80s (while remaining popular in his homeland, too). Here, they perform Carlos Lyra&#8217;s aptly titled &#8220;Influencia do Jazz,&#8221; [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":2989,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-2985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-watch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/11\/assads-and-lubambo.jpg?fit=640%2C411&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=2985"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/2985\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/2989"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=2985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=2985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=2985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}