{"id":3229,"date":"2015-12-16T12:13:00","date_gmt":"2015-12-16T20:13:00","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3229"},"modified":"2015-12-16T12:13:00","modified_gmt":"2015-12-16T20:13:00","slug":"video-pick-of-the-week-giorgio-signoriles-ninna-nanna-a-donegal","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-giorgio-signoriles-ninna-nanna-a-donegal\/","title":{"rendered":"Video Pick of the Week: Giorgio Signorile&#8217;s &#8220;Ninna Nanna a Donegal&#8221;"},"content":{"rendered":"<p><iframe src=\"https:\/\/www.youtube.com\/embed\/oi-weKun9w8\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>This week&#8217;s video pick is by\u00a0the highly respected Italian composer and guitarist Giorgio Signorile (b. 1962). Signorile has had many of his works published through the years; in fact, in the forthcoming Spring 2016 issue of <em>Classical Guitar<\/em> (out in February) you&#8217;ll find a review of one of his works for guitar and flute, &#8220;November Landscapes.&#8221; Here, Signorile plays his solo piece &#8220;Ninna Nanna a Donegal,&#8221; which he dedicated to his daughter, Sveva.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week&#8217;s video pick is by\u00a0the highly respected Italian composer and guitarist Giorgio Signorile (b. 1962). Signorile has had many of his works published through the years; in fact, in the forthcoming Spring 2016 issue of Classical Guitar (out in February) you&#8217;ll find a review of one of his works for guitar and flute, &#8220;November Landscapes.&#8221; Here, Signorile plays his solo piece &#8220;Ninna Nanna a Donegal,&#8221; which he dedicated to his daughter, Sveva.<\/p>\n","protected":false},"author":11,"featured_media":3230,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-3229","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-watch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2015\/12\/Signorile.jpg?fit=2048%2C1366&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3229"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3229\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3230"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}