{"id":3312,"date":"2016-01-13T14:28:49","date_gmt":"2016-01-13T22:28:49","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3312"},"modified":"2016-03-09T12:50:13","modified_gmt":"2016-03-09T20:50:13","slug":"video-pick-of-the-week-david-russell-plays-un-sueno-en-la-foresta-by-barrios","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-david-russell-plays-un-sueno-en-la-foresta-by-barrios\/","title":{"rendered":"Video Pick of the Week: David Russell Plays &#8216;Un Sue\u00f1o en la Floresta&#8217; by Barrios"},"content":{"rendered":"<p>It seems as though at one time or another\u00a0<em>every<\/em> classical guitarist tries his or her hand(s) at playing Agustin Barrios&#8217; transcendently beautiful &#8220;Un Sue\u00f1o en la Floresta&#8221; (1918), with it&#8217;s haunting melody and memorable tremolo section. Here&#8217;s an exceptional interpretation by David Russell to brighten your day and also get you dreaming&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It seems as though at one time or another\u00a0every classical guitarist tries his or her hand(s) at playing Agustin Barrios&#8217; transcendently beautiful &#8220;Un Sue\u00f1o en la Floresta&#8221; (1918), with it&#8217;s haunting melody and memorable tremolo section. Here&#8217;s an exceptional interpretation by David Russell to brighten your day and also get you dreaming&#8230;<\/p>\n","protected":false},"author":11,"featured_media":3316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-3312","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/01\/RussellSueno.jpg?fit=750%2C499&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3312"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3312\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3316"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}