{"id":3542,"date":"2016-02-11T15:19:58","date_gmt":"2016-02-11T23:19:58","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3542"},"modified":"2016-03-08T09:59:34","modified_gmt":"2016-03-08T17:59:34","slug":"jason-vieaux-drops-by-for-acoustic-guitar-sessions","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/jason-vieaux-drops-by-for-acoustic-guitar-sessions\/","title":{"rendered":"Jason Vieaux Drops By for &#8216;Acoustic Guitar Sessions&#8217;"},"content":{"rendered":"<p>Grammy-winning guitarist (and cover subject of the <a href=\"http:\/\/classicalguitarmagazine.com\/summer-2015\/\" target=\"_blank\">Summer 2015 issue of <em>Classical Guitar<\/em><\/a>) <a href=\"http:\/\/www.jasonvieaux.com\/\" target=\"_blank\">Jason Vieaux<\/a> stopped by our offices to play some Bach and a fantastic arrangement of \u00a0the pop standard &#8216;What a Wonderful World&#8217; for <em>Acoustic Guitar Sessions<\/em>. We&#8217;ll be posting that video in the not-too-distant future. That lovely guitar is a custom model built by German luthier Gernot Wagner. (Photo by Joey Lusterman)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Grammy-winning guitarist (and cover subject of the Summer 2015 issue of Classical Guitar) Jason Vieaux stopped by our offices to play some Bach and a fantastic arrangement of \u00a0the pop standard &#8216;What a Wonderful World&#8217; for Acoustic Guitar Sessions. We&#8217;ll be posting that video in the not-too-distant future. That lovely guitar is a custom model built by German luthier Gernot Wagner. (Photo by Joey Lusterman) &nbsp;<\/p>\n","protected":false},"author":11,"featured_media":3543,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-3542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/JVieaux.jpg?fit=5184%2C3456&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3542"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3543"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}