{"id":3595,"date":"2016-02-17T11:31:21","date_gmt":"2016-02-17T19:31:21","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3595"},"modified":"2017-02-21T14:13:16","modified_gmt":"2017-02-21T22:13:16","slug":"video-pick-of-the-week-andres-segovia-plays-gavottes-1-2-from-bachs-sixth-cello-suite","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-andres-segovia-plays-gavottes-1-2-from-bachs-sixth-cello-suite\/","title":{"rendered":"Video Pick of the Week: Andr\u00e9s Segovia Plays Gavottes 1 &#038; 2 from Bach\u2019s Sixth Cello Suite"},"content":{"rendered":"<p>Happy 124th birthday (February 21) to the Maestro\u2014Andr\u00e9s Segovia, unquestionably the most influential guitarist of the modern era. \u00a0We are fortunate that so much of Segovia\u2019s long career\u2014he played into his 90s\u2014was documented on recordings (beginning in the 1920s), television, and video. Here, in his later years, but still playing with great feeling, he performs the two <em>Gavottes<\/em> from J.S. Bach\u2019s <em>Cello Suite No. 6 in D Major<\/em>, BWV 1012.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Happy 124th birthday (February 21) to the Maestro\u2014Andr\u00e9s Segovia, unquestionably the most influential guitarist of the modern era. \u00a0We are fortunate that so much of Segovia\u2019s long career\u2014he played into his 90s\u2014was documented on recordings (beginning in the 1920s), television, and video. Here, in his later years, but still playing with great feeling, he performs the two Gavottes from J.S. Bach\u2019s Cello Suite No. 6 in D Major, BWV 1012.<\/p>\n","protected":false},"author":11,"featured_media":3601,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-3595","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/Andres-Segovia-Performance.png?fit=1269%2C662&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3595"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3595\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3601"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}