{"id":3640,"date":"2016-02-23T16:51:52","date_gmt":"2016-02-24T00:51:52","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3640"},"modified":"2016-03-08T10:07:37","modified_gmt":"2016-03-08T18:07:37","slug":"video-pick-of-the-week-milos-karadaglic-plays-the-beatles-come-together","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-milos-karadaglic-plays-the-beatles-come-together\/","title":{"rendered":"Video Pick of the Week: Milo\u0161 Karadaglic Plays the Beatles\u2019 \u2018Come Together\u2019"},"content":{"rendered":"<p>We\u2019re still upset that <a href=\"http:\/\/miloskaradaglic.com\/\" target=\"_blank\">Milo\u0161 Karadaglic<\/a> has been forced to abruptly cancel his tour of the U.S. and Europe because of a thumb injury, so we\u2019ll have to enjoy him vicariously through the wonder of video. Here he is with bassist Chris Hill playing Sergio Assad\u2019s inventive arrangement of the Beatles\u2019 1969 classic from <em>Abbey Road<\/em>, \u201cCome Together.\u201d The track appears on Milos&#8217; new album, <em><a href=\"http:\/\/amzn.to\/1TEnurS\" target=\"_blank\">Blackbird: The Beatles Album<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We\u2019re still upset that Milo\u0161 Karadaglic has been forced to abruptly cancel his tour of the U.S. and Europe because of a thumb injury, so we\u2019ll have to enjoy him vicariously through the wonder of video. Here he is with bassist Chris Hill playing Sergio Assad\u2019s inventive arrangement of the Beatles\u2019 1969 classic from Abbey Road, \u201cCome Together.\u201d The track appears on Milos&#8217; new album, Blackbird: The Beatles Album.<\/p>\n","protected":false},"author":11,"featured_media":3641,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-3640","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/milos-2.jpg?fit=708%2C481&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3640"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3640\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3641"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}