{"id":3656,"date":"2016-02-29T16:16:02","date_gmt":"2016-03-01T00:16:02","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3656"},"modified":"2016-03-08T09:46:16","modified_gmt":"2016-03-08T17:46:16","slug":"florida-museum-showcases-historic-guitars-contemporary-players","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/florida-museum-showcases-historic-guitars-contemporary-players\/","title":{"rendered":"Florida Museum Showcases Historic Guitars, Contemporary Players"},"content":{"rendered":"<p>If you\u2019re planning to be in the lovely Tampa-St. Petersburg area of west-central Florida sometime before the end of May, you really should drop by the <a href=\"http:\/\/www.fine-arts.org\/\" target=\"_blank\">Museum of Fine Arts <\/a>in St. Pete and check out \u201cThe Art of the Classical Guitar\u201d exhibit. Drawn largely from the collection of local philanthropists\/collectors Robb and Susan Hough, the exhibition is showcasing a slew of beautifully crafted instruments spanning the 1880s to the 1990s. You\u2019ll find an 1890 Spanish pine and bird&#8217;s-eye maple Antonio Torres guitar there, as well as a 1937 Hermann Hauser I\u2014said to be the \u201ctwin\u201d of Andres Segovia\u2019s beloved \u201937 Hauser (which is in the Metropolitan Museum of Art in New York)\u2014and lots more.<\/p>\n<p>The museum is also sponsoring a number of Sunday afternoon concerts in conjunction with the exhibit, including appearances by <a href=\"http:\/\/jasonvieaux.com\/\" target=\"_blank\">Jason Vieaux<\/a> (March 20), <a href=\"http:\/\/www.adamholzman.net\/\" target=\"_blank\">Adam Holzman<\/a> (April 17), <a href=\"http:\/\/www.jeremyjouve.com\/en\/\" target=\"_blank\">J\u00e9r\u00e9my Jouve<\/a> (May 1), and <a href=\"http:\/\/www.andrewyork.net\/\" target=\"_blank\">Andrew York<\/a> (May 15). Click <a href=\"http:\/\/www.fine-arts.org\/\" target=\"_blank\">here<\/a> for more info.<\/p>\n<figure id=\"attachment_3659\" aria-describedby=\"caption-attachment-3659\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-large wp-image-3659\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/york-1024x576.jpg?resize=1024%2C576\" alt=\"Andrew York\" width=\"1024\" height=\"576\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/york.jpg?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/york.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/york.jpg?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/york.jpg?w=1306&amp;ssl=1 1306w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-3659\" class=\"wp-caption-text\">Andrew York<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>If you\u2019re planning to be in the lovely Tampa-St. Petersburg area of west-central Florida sometime before the end of May, you really should drop by the Museum of Fine Arts in St. Pete and check out \u201cThe Art of the Classical Guitar\u201d exhibit. Drawn largely from the collection of local philanthropists\/collectors Robb and Susan Hough, the exhibition is showcasing a slew of beautifully crafted instruments spanning the 1880s to the 1990s. You\u2019ll find an 1890 Spanish pine and bird&#8217;s-eye maple [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":3658,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-3656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/02\/1890-torres.png?fit=1024%2C1024&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3656"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3658"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}