{"id":3925,"date":"2016-03-29T09:29:35","date_gmt":"2016-03-29T16:29:35","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=3925"},"modified":"2016-03-30T09:32:37","modified_gmt":"2016-03-30T16:32:37","slug":"video-pick-of-the-week-sharon-isbin-plays-albenizs-mallorca-at-18","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-sharon-isbin-plays-albenizs-mallorca-at-18\/","title":{"rendered":"Video Pick of the Week: Sharon Isbin Plays Alb\u00e9niz\u2019s &#8216;Mallorca&#8217; at 18"},"content":{"rendered":"<p>Here&#8217;s a fun one: The magnificent Sharon Isbin&#8217;s beautiful rendering of Issac\u00a0Alb\u00e9niz\u2019s &#8220;Mallorca,&#8221; performed on TV in 1975, when she was just 18. Of course, she&#8217;s only gotten better through the years, but what poise and expressiveness she had at such a young age, too. The competition referred to in the intro is most likely the 1975 Toronto classical guitar competition, where she won 1st prize.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a fun one: The magnificent Sharon Isbin&#8217;s beautiful rendering of Issac\u00a0Alb\u00e9niz\u2019s &#8220;Mallorca,&#8221; performed on TV in 1975, when she was just 18. Of course, she&#8217;s only gotten better through the years, but what poise and expressiveness she had at such a young age, too. The competition referred to in the intro is most likely the 1975 Toronto classical guitar competition, where she won 1st prize.<\/p>\n","protected":false},"author":11,"featured_media":3926,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-3925","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/03\/isbin-75.jpg?fit=480%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=3925"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/3925\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/3926"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=3925"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=3925"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=3925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}