{"id":4250,"date":"2016-05-18T11:55:54","date_gmt":"2016-05-18T18:55:54","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4250"},"modified":"2016-05-20T09:02:22","modified_gmt":"2016-05-20T16:02:22","slug":"video-pick-of-the-week-the-duarte-salazar-duo-plays-enrique-granados-danza-espanola-no-11-zambra","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-the-duarte-salazar-duo-plays-enrique-granados-danza-espanola-no-11-zambra\/","title":{"rendered":"Video Pick of the Week: The Duarte-Salazar Duo Plays Enrique Granados\u2019 \u2018Danza Espa\u00f1ola No. 11: Zambra\u2019"},"content":{"rendered":"

Spanish composer Enrique Granados (1867\u20131916) never wrote any music for the guitar, yet a number of his works have become core pieces of the classical-guitar repertoire, including this one, from his 12-part Danzas Espa<\/em>\u00f1ola<\/em>, written on piano in 1890, when he was just 23 years old.<\/p>\n

This marvelous version of \u201cNo. 11: Zambra\u201d (a Spanish Gypsy dance) comes from the Duarte-Salazar Duo<\/a>\u2014Mariana Duarte (Portugal) and Emerson Salazar (Chile), who met in Austria in 2007 when both were attending the Mozarteum University <\/a>of Salzburg, studying under Eliot Fisk and Ricardo Gall\u00e9n. They have been performing as a duo (in addition to solo appearances) since 2011. This piece is one of two from Granados\u2019 Danzas Espa<\/em>\u00f1ola<\/em> that appear on their superb new CD, Danzas de Fuego<\/a><\/em> (the other is “No. 6: Rondalla Aragonesa”). Also on the album is Astor Piazzolla\u2019s Tango Suite<\/em>, Alberto Ginastera\u2019s Tres Danzas Argentinas<\/em>, and six \u201cDanzas\u201d by Manuel de Falla. The Ginastera and half of the Falla pieces are the duo\u2019s own arrangements.<\/p>\n

The CD was recorded in Santiago, Chile, with the duo using guitars built by Stephan Connor (who wrote an article for the latest issue<\/a> of Classical Guitar<\/em> about building a pair of guitars in Granada, Spain). I highly recommend the disc! \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n

\"Print\"<\/p>\n","protected":false},"excerpt":{"rendered":"

Spanish composer Enrique Granados (1867\u20131916) never wrote any music for the guitar, yet a number of his works have become core pieces of the classical-guitar repertoire, including this one, from his 12-part Danzas Espa\u00f1ola, written on piano in 1890, when he was just 23 years old. This marvelous version of \u201cNo. 11: Zambra\u201d (a Spanish Gypsy dance) comes from the Duarte-Salazar Duo\u2014Mariana Duarte (Portugal) and Emerson Salazar (Chile), who met in Austria in 2007 when both were attending the Mozarteum […]<\/p>\n","protected":false},"author":11,"featured_media":4252,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,7],"tags":[],"class_list":["post-4250","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/05\/Duo-Duarte-Salazar.jpg?fit=1181%2C807&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4250"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4250\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4252"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}