{"id":4334,"date":"2016-06-03T11:00:47","date_gmt":"2016-06-03T18:00:47","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4334"},"modified":"2016-06-03T11:00:47","modified_gmt":"2016-06-03T18:00:47","slug":"video-pick-of-the-week-scott-tennant-plays-eduardo-sainz-de-la-mazas-campanas-del-alba","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-scott-tennant-plays-eduardo-sainz-de-la-mazas-campanas-del-alba\/","title":{"rendered":"Video Pick of the Week: Scott Tennant Plays Eduardo S\u00e1inz De La Maza&#8217;s &#8216;Campanas del Alba&#8217;"},"content":{"rendered":"<p>Eduardo S\u00e1inz de la Maza (1903\u20131982) never achieved the wide international recognition of his older brother, Regino (1896\u20131981; he famously premiered Rodrigo&#8217;s <em>Concierto de Aranjuez<\/em>, which was dedicated to him), but he was known as a fine guitarist himself and, even more, a superb composer. Here, guitarist <a href=\"http:\/\/www.scott-tennant.net\/\" target=\"_blank\">Scott Tennant<\/a> of the <a href=\"http:\/\/www.lagq.com\/\" target=\"_blank\">Los Angeles Guitar Quartet<\/a> (and a wonderful solo performer) plays one of\u00a0Eduardo S\u00e1inz de la Maza&#8217;s most famous and lyrical pieces, &#8220;Campanas del Alba&#8221; (&#8220;Bells of Dawn&#8221;), at the 2011\u00a0<a href=\"http:\/\/crownguitarfest.org\/\" target=\"_blank\">Crown of the Continent Guitar Festival<\/a> in beautiful Bigfork, Montana.<\/p>\n<figure id=\"attachment_4339\" aria-describedby=\"caption-attachment-4339\" style=\"width: 252px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" decoding=\"async\" class=\"size-full wp-image-4339\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/06\/Eduardo.jpg?resize=252%2C378\" alt=\"Eduardo S\u00e1inz de la Maza\" width=\"252\" height=\"378\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/06\/Eduardo.jpg?w=252&amp;ssl=1 252w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/06\/Eduardo.jpg?resize=200%2C300&amp;ssl=1 200w\" sizes=\"(max-width: 252px) 100vw, 252px\" \/><figcaption id=\"caption-attachment-4339\" class=\"wp-caption-text\">Eduardo S\u00e1inz de la Maza<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Eduardo S\u00e1inz de la Maza (1903\u20131982) never achieved the wide international recognition of his older brother, Regino (1896\u20131981; he famously premiered Rodrigo&#8217;s Concierto de Aranjuez, which was dedicated to him), but he was known as a fine guitarist himself and, even more, a superb composer. Here, guitarist Scott Tennant of the Los Angeles Guitar Quartet (and a wonderful solo performer) plays one of\u00a0Eduardo S\u00e1inz de la Maza&#8217;s most famous and lyrical pieces, &#8220;Campanas del Alba&#8221; (&#8220;Bells of Dawn&#8221;), at the [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":4338,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,7],"tags":[],"class_list":["post-4334","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/06\/tennant.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4334","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4334"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4334\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4338"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}