The 2014 iTunes Festival took a rare classical-guitar turn recently, when Montenegrin phenom Milos Karadaglic performed as part of a \u201cclassical\u201d installment of the typically pop-heavy month-long music showcase at the Roundhouse art center in London.<\/p>\n
Milos, as he is known professionally, performed works by Manuel de Falla, Consuelo Vel\u00e1zquez, and was joined by accordionist Ksenija Sidorova for a passionate take on Astor Piazzolla\u2019s Libertango<\/em>.<\/p>\n Other highlights of the September 28 show included a moody Milos version of Antonio Carlos Jobim\u2019s \u201cThe Girl from Ipanema,\u201d and the slow movement from Joaquin Rodrigo\u2019s Concierto de Aranjuez<\/em>.<\/p>\n The iTunes Festival has featured a classical segment since 2011, when Lang Lang performed with 2Cellos.<\/p>\n Milos follows up his iTunes concert on October 9 at London\u2019s Royal Festival Hall as part of A Night Under the Stars, where he\u2019ll perform Rodrigo\u2019s Concierto de Aranjuez<\/em> as part of a benefit for The Passage, a charity dedicated to curbing homelessness.<\/p>\n","protected":false},"excerpt":{"rendered":" The 2014 iTunes Festival took a rare classical-guitar turn recently, when Montenegrin phenom Milos Karadaglic performed as part of a \u201cclassical\u201d installment of the typically pop-heavy month-long music showcase at the Roundhouse art center in London. Milos, as he is known professionally, performed works by Manuel de Falla, Consuelo Vel\u00e1zquez, and was joined by accordionist Ksenija Sidorova for a passionate take on Astor Piazzolla\u2019s Libertango. Other highlights of the September 28 show included a moody Milos version of Antonio Carlos […]<\/p>\n","protected":false},"author":3,"featured_media":436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2014\/10\/milos-itunes.jpg?fit=574%2C398&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=435"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/435\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/436"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}