{"id":4413,"date":"2016-06-20T14:53:58","date_gmt":"2016-06-20T21:53:58","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4413"},"modified":"2016-06-20T14:53:58","modified_gmt":"2016-06-20T21:53:58","slug":"milos-tapped-to-be-judge-on-guitar-star-2016","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/milos-tapped-to-be-judge-on-guitar-star-2016\/","title":{"rendered":"Milo\u0161 Tapped to Be Judge on \u2018Guitar Star 2016\u2019"},"content":{"rendered":"<p>Followers of guitarist <a href=\"http:\/\/miloskaradaglic.com\/\" target=\"_blank\">Milo\u0161 Karadagli\u0107 <\/a>were understandably disappointed when he was forced to cancel his winter\/spring tour of the U.S. and Europe because of a thumb injury. Well, he is on the mend from that setback, set to return to the stage near summer\u2019s end. In the meantime, his many fans in in the UK (where he lives) are able to enjoy the personable and articulate musician in a different role\u2014as one of three judges on the newly started second season of Sky Arts\u2019 <em><a href=\"http:\/\/skyartsguitarstar.tv\/terms.html\" target=\"_blank\">Guitar Star<\/a><\/em> TV competition. He\u2019ll be joined by American music producer Tony Visconti\u2014best-known for the work he did with David Bowie through the years\u2014and master jazz\/pop guitarist George Benson. All three will also act as mentors for contestants, lending their particular expertise.<\/p>\n<p>The popular program is somewhat unusual, in that it features guitarists of all age groups and from many genres. It is, top say the least, eclectic. Wish we could see it here in the U.S.<\/p>\n<p>To kick off the week, here\u2019s a lovely video clip of Milo\u0161 in action several years ago, playing Enrique Granados\u2019 \u201cOriental,\u201d which appeared on Milo\u0161\u2019 <em>Mediterraneo<\/em> album.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/pPXKxus1sck\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Followers of guitarist Milo\u0161 Karadagli\u0107 were understandably disappointed when he was forced to cancel his winter\/spring tour of the U.S. and Europe because of a thumb injury. Well, he is on the mend from that setback, set to return to the stage near summer\u2019s end. In the meantime, his many fans in in the UK (where he lives) are able to enjoy the personable and articulate musician in a different role\u2014as one of three judges on the newly started second [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":4414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-4413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/06\/Guitar-star-2016.jpg?fit=614%2C413&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4413"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4413\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4414"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}