{"id":4581,"date":"2016-07-18T16:31:46","date_gmt":"2016-07-18T23:31:46","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4581"},"modified":"2021-04-29T11:26:39","modified_gmt":"2021-04-29T18:26:39","slug":"new-gear-the-alvarez-ac65hce-blends-elements-of-classical-and-steel-string-guitars","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/new-gear-the-alvarez-ac65hce-blends-elements-of-classical-and-steel-string-guitars\/","title":{"rendered":"New Gear: The Alvarez AC65HCE Blends Elements of Classical and Steel-String Guitars"},"content":{"rendered":"
From the Summer 2016 issue of Classical Guitar<\/em> magazine<\/a> | BY ADAM PERLMUTTER<\/h6>\n

To the uninitiated, a classical guitar isn\u2019t\u00a0much different from a steel-string acoustic. But to anyone more than casually acquainted with either instrument, the distinctions between the two aren\u2019t the slightest bit subtle. Different string types aside, a classical, with its wide neck and flat fretboard, feels a world apart from a steel-string, with its narrower neck and radiused fretboard. A crossover guitar like Alvarez\u2019s AC65HCE<\/a><\/strong> bridges the gap between the classical and the steel-string. With a long and relatively narrow neck, the guitar feels a lot like a steel-string, but sounds like a classical\u2014at a tiny fraction of the cost of a concert instrument.\"Alvarez<\/a><\/p>\n

TONALLY INSPIRING<\/strong><\/h3>\n

The AC65HCE is a member of Alvarez\u2019s Artist series of solid-topped guitars and ukuleles. It\u2019s built with old-school details like the Spanish heel neck joint and tapered fan bracing. But its 22-fret neck and 14th-fret neck-to-body junction are a departure from tradition, as is its truss rod, allowing, of course, for the adjustment of the neck\u2019s curvature. Smaller non-standard details include a strap button mounted at the end block and another on the neck heel.<\/p>\n

The big hunk of plastic that is the guitar\u2019s preamp notwithstanding, the AC65HCE is quite handsome, looking more like a boutique instrument than a budget offering. Its thinly grained cedar top has a warm amber glow, to which rosewood binding and a wooden mosaic rosette offer an elegant counterpoint.<\/p>\n

Imported low-price guitars, once notorious for their shoddy construction, have seen dramatic improvements in craftsmanship in the last couple decades, and the AC65HCE offers good evidence of this trend. It\u2019s built tidily from stem to stern. The frets are perfectly smooth, and so is the body\u2019s high-gloss finish; the inlay work is clean and precise; and inside the box, you won\u2019t find any glue gobs or other sloppiness.<\/p>\n

FEEL\u00a0AND SOUND<\/h4>\n

A nylon-string guitarist might at first feel disoriented on the AC65HCE, especially when venturing past the 12th fret. Conversely, steel-string players looking to branch out to the nylon-string will feel right at home, though the neck\u2019s side-dot position markers stop abruptly at the ninth fret, and this too can be disorienting.
\nThe AC65HCE\u2019s action is nice and low, and the guitar is a smooth player all around. Its nut\u201448mm as opposed to the customary 50mm\u2014not to mention its slender neck profile, makes it easy to play full barre chords and to fret bass notes with the thumb. It\u2019s a neck that will also feel great for a player with small hands.<\/p>\n

As would be expected of a guitar in its price range, the AC65HCE doesn\u2019t necessarily have the volume, projection, and sustain of a fine concert instrument. But, thanks to its solid cedar soundboard and mahogany back and sides, it does have a sweet, warm sound that works well for everything from Leo Brouwer etudes to solo bossa-nova arrangements to sophisticated pop accompaniment.<\/p>\n

The guitar\u2019s onboard LR Baggs electronics are a definite boon for any situation requiring amplification. When the guitar is plugged into a Fender Acoustasonic with the EQ controls on both the guitar and the amp set flat, it sounds very natural\u2014the Element undersaddle pickup was engineered to capture the movement of the soundboard rather than just the attack of the strings. Bass, mid, and treble sliders on the preamp allow for a wide tonal range, and the notch control works well to attenuate feedback when the amp is turned up.<\/p>\n

With its attractive sound, both amplified and acoustic, and excellent playability, the AC65HCE is an excellent gateway guitar for the steel-string player looking to get into the classical literature with an instrument that doesn\u2019t feel completely foreign. It\u2019s also a smart choice for the recording guitarist in need of fresh tonal colors.<\/p>\n

And, with a street price of under $500, the guitar is quite a bargain.<\/p>\n

AT A GLANCE
\nBODY\u00a0<\/strong>Solid western red cedar; mahogany back and sides; natural gloss finish<\/p>\n

NECK\u00a0<\/strong>Mahogany neck with rosewood fretboard; 650mm scale length; 48mm nut; chrome open-gear tuners<\/p>\n

EXTRAS\u00a0<\/strong>D\u2019Addario EJ45C Pro-Art\u00e9 Composite strings; LR Baggs Stagepro EQ and Element pickup<\/p>\n

PRICE\u00a0<\/strong>$679 list\/$429.99 street<\/p>\n

Made in China. alvarezguitars.com<\/a><\/strong><\/p>\n

Shop for this guitar on Amazon<\/a>.<\/p>\n

Adam Perlmutter<\/a><\/strong> transcribes, arranges, and engraves music\u00a0for numerous\u00a0publications.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

A crossover guitar like Alvarez\u2019s AC65HCE bridges the gap between the classical and the steel-string. <\/p>\n","protected":false},"author":2,"featured_media":4582,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"A crossover guitar like Alvarez\u2019s AC65HCE bridges the gap between the classical and the steel-string. ","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5],"tags":[144,143,247],"class_list":["post-4581","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","tag-alvarez","tag-review","tag-summer-2016-issue","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/07\/Alvarez-Classical-Guitar-AC65HCE-gear-Review-Classical-Gutitar-Magazine.jpg?fit=1250%2C467&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4581","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4581"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4581\/revisions"}],"predecessor-version":[{"id":16159,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4581\/revisions\/16159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4582"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4581"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4581"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4581"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}