{"id":4819,"date":"2016-08-19T11:01:25","date_gmt":"2016-08-19T18:01:25","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4819"},"modified":"2016-08-19T11:18:23","modified_gmt":"2016-08-19T18:18:23","slug":"video-pick-of-the-week-sharon-isbin-plays-vivaldi-with-new-yorks-salome-chamber-orchestra","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-sharon-isbin-plays-vivaldi-with-new-yorks-salome-chamber-orchestra\/","title":{"rendered":"Video Pick of the Week: Sharon Isbin Plays Vivaldi with New York\u2019s Salom\u00e9 Chamber Orchestra"},"content":{"rendered":"<p>Here\u2019s a wonderful mood elevator: The always magnificent <a href=\"http:\/\/www.sharonisbin.com\/index.html\">Sharon Isbin<\/a> performing the \u201cAllegro\u201d from Baroque composer Antonio Vivaldi\u2019s <em>Concerto in D Major RV 93<\/em> with the <a href=\"http:\/\/salomechamber.org\/\" target=\"_blank\">Salom\u00e9 Chamber Orchestra <\/a>in Grace Rainey Rogers Auditorium at New York City\u2019s Metropolitan Museum of Art a few years ago.<\/p>\n<p>This is one of just four works that <a href=\"https:\/\/en.wikipedia.org\/wiki\/Antonio_Vivaldi\" target=\"_blank\">Vivaldi<\/a> (1678-1741) wrote for lute\u2014when it was penned in the 1730s, it was for lute, two violins and basso continuo, but in modern times it is almost always performed with a string orchestra. A number of classical guitarists have recorded the short three-movement work through the years, including <a href=\"https:\/\/www.amazon.com\/gp\/product\/B000THCISQ\" target=\"_blank\">Isbin<\/a>, John Williams, and both Pepe and Angel Romero, to name a few.<\/p>\n<p>And because we don\u2019t want to leave you hanging with just the opening movement, here are links to the famous <a href=\"https:\/\/www.youtube.com\/watch?v=groob-baqHE\" target=\"_blank\">second movement<\/a> (labeled \u201cAndante\u201d on the video, but usually billed as \u201cLargo\u201d) and the <a href=\"https:\/\/www.youtube.com\/watch?v=SO16QyKba5U&amp;list=PLe_QmkxgeuZpTHdEddDMMbMZLIozc6FBZ\" target=\"_blank\">final \u201cAllegro\u201d<\/a> (which nicely shows the entire 15-piece chamber orchestra in action).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here\u2019s a wonderful mood elevator: The always magnificent Sharon Isbin performing the \u201cAllegro\u201d from Baroque composer Antonio Vivaldi\u2019s Concerto in D Major RV 93 with the Salom\u00e9 Chamber Orchestra in Grace Rainey Rogers Auditorium at New York City\u2019s Metropolitan Museum of Art a few years ago. This is one of just four works that Vivaldi (1678-1741) wrote for lute\u2014when it was penned in the 1730s, it was for lute, two violins and basso continuo, but in modern times it is [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":4822,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-4819","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/08\/isbin.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4819"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4819\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4822"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}