{"id":4946,"date":"2016-09-16T09:46:27","date_gmt":"2016-09-16T16:46:27","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=4946"},"modified":"2016-09-15T11:49:15","modified_gmt":"2016-09-15T18:49:15","slug":"video-of-the-day-paco-de-lucia-in-1972","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-of-the-day-paco-de-lucia-in-1972\/","title":{"rendered":"Video of the Day: Paco de Luc\u00eda in 1972"},"content":{"rendered":"<p>By Greg Olwell<\/p>\n<p>Captured at the Taberna Madrile\u00f1a\u00a0in 1972, this historic video shows a young <strong><a href=\"http:\/\/classicalguitarmagazine.com\/de-lucia-children-film-doc-of-dad\/\">Paco de Luc\u00eda<\/a><\/strong> plays a powerful <a href=\"https:\/\/en.wikipedia.org\/wiki\/Buler%C3%ADas\">buler\u00edas<\/a>.<\/p>\n<p>Providing <em><a href=\"https:\/\/en.wikipedia.org\/wiki\/Flamenco#Comp.C3.A1s\">comp\u00e1s <\/a><\/em>for Paco are\u00a0no less than three other geniuses of flamenco, &#8220;Camar\u00f3n de la Isla&#8221; (Jos\u00e9 Monge Cruz),\u00a0&#8220;El Turronero&#8221; (Manche\u00f1o Manuel Pe\u00f1a), and Paco Cepero.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Greg Olwell Captured at the Taberna Madrile\u00f1a\u00a0in 1972, this historic video shows a young Paco de Luc\u00eda plays a powerful buler\u00edas. Providing comp\u00e1s for Paco are\u00a0no less than three other geniuses of flamenco, &#8220;Camar\u00f3n de la Isla&#8221; (Jos\u00e9 Monge Cruz),\u00a0&#8220;El Turronero&#8221; (Manche\u00f1o Manuel Pe\u00f1a), and Paco Cepero.<\/p>\n","protected":false},"author":20,"featured_media":4947,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[42,43,41],"class_list":["post-4946","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-watch","tag-flamenco","tag-madrid","tag-paco-de-lucia","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/09\/Paco.jpg?fit=1357%2C1023&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=4946"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/4946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/4947"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=4946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=4946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=4946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}