{"id":5155,"date":"2016-10-18T16:58:01","date_gmt":"2016-10-18T23:58:01","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5155"},"modified":"2016-10-19T09:02:14","modified_gmt":"2016-10-19T16:02:14","slug":"recent-releases-tuesday-bach-new-music-from-canada-sor-and-more","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/","title":{"rendered":"Recent Releases Tuesday: Bach, New Music from Canada, Sor, and More"},"content":{"rendered":"<p>Here&#8217;s the second installment of our new bi-weekly accounting of recent classical guitar CD releases. As we mentioned last time, these are not reviews per se, but more <em>announcements<\/em> that list the pieces and composers played, with just a few notes about the discs. Some of these may be properly reviewed in a forthcoming issue, some not. You might be able to hear some of these may on Apple Music or Spotify, but we also hope you&#8217;ll support artists by actually buying their music, too!<\/p>\n<p>And if you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>\u2014<em>Blair Jackson (Editor, <\/em>Classical Guitar<em>)<\/em><\/p>\n<p><em><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5156\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/sor-cover-300x300.jpg?resize=300%2C300\" alt=\"sor-cover\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/sor-cover.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/sor-cover.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/sor-cover.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/sor-cover.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<\/em><strong><em>Sor: 24 Progressive Lessons; 6 Little Pieces<br \/>\n<\/em><\/strong><strong>Norbert Kraft, Jeffrey McFadden<br \/>\n<\/strong>(Naxos)<\/p>\n<p>Guitarists <a href=\"http:\/\/www.naxos.com\/person\/Norbert_Kraft_400\/400.htm\" target=\"_blank\">Norbert Kraft <\/a>and <a href=\"http:\/\/www.jeffreymcfadden.com\/\" target=\"_blank\">Jeffrey McFadden<\/a> split duties on 30 short pieces by Fernando Sor (1778\u20131839)\u2014<em>24 Progressive Lessons, Op. 31<\/em>, and <em>6 Little Pieces, Op. 32<\/em>, both originally published in France around 1828, but still relevant to guitarists today. The playing and recording both sparkle with life, and longtime <em>Classical Guitar<\/em> writer Graham Wade contributed the informative notes.<\/p>\n<p>You can sample and buy the CD <a href=\"http:\/\/amzn.to\/2dZAPer\" target=\"_blank\">here<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5158\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Steve-Cowan-Pour-Guitare--300x270.jpg?resize=300%2C270\" alt=\"steve-cowan-pour-guitare\" width=\"300\" height=\"270\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Steve-Cowan-Pour-Guitare-.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Steve-Cowan-Pour-Guitare-.jpg?resize=768%2C691&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Steve-Cowan-Pour-Guitare-.jpg?resize=1024%2C922&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Steve-Cowan-Pour-Guitare-.jpg?w=1111&amp;ssl=1 1111w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong><em>Pour Guitare<br \/>\n<\/em><\/strong><strong>Steve Cowan<br \/>\n<\/strong>(stevecowanmusic.com)<\/p>\n<p><a href=\"http:\/\/www.stevecowanmusic.com\/\" target=\"_blank\">Steve Cowan<\/a> is one of Canada\u2019s top contemporary classical guitarists and this time out he\u2019s made a bracing CD consisting of eight pieces by Canadian composers, including himself: five for solo guitar, two for guitar duo (Cowan and Fran\u00e7ois Bergeron), and one for guitar and (seriously strange) electronics. Most of it is in a modern idiom, with considerable dissonance, unpredictable rhythms and unusual melodies.<\/p>\n<p><em>Pour Guitare<\/em> (Vivier); <em>Danse Burlesque<\/em> (Mehdizadeh); <em>Intermezzo, Op. 80<\/em> (Hetu); <em>Dreaded Sea Voyage<\/em> (Staniland); <em>Shadow Prism<\/em> (Noble); <em>L\u2019Ineffable Secret des Images Rupestres<\/em> (Bergeron); <em>Canzona<\/em> (Ag\u00f3cs); <em>Changeling<\/em> (Cowan)<\/p>\n<p>The CD is available from <a href=\"https:\/\/www.cdbaby.com\/cd\/stevecowan\" target=\"_blank\">CD Baby<\/a>.<\/p>\n<p>Here\u2019s a video of Cowan playing Claude Vivier&#8217;s title track from the CD:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/TEhqXqW5zT0\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5159\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/katrincover.png?resize=298%2C298\" alt=\"katrincover\" width=\"298\" height=\"298\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/katrincover.png?w=298&amp;ssl=1 298w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/katrincover.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/katrincover.png?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/><\/p>\n<p><strong><em>Joie de Vivre<br \/>\n<\/em><\/strong><strong>Katrin Endrikat<br \/>\n<\/strong>katrinendikat.com<\/p>\n<p>Another pleasant outing from German guitarist <a href=\"http:\/\/katrinendrikat.com\/\" target=\"_blank\">Katrin Endrikat<\/a>, this time comprised entirely of works by Spanish and South American composers. Paolo Bellinati\u2019s <em>Jongo<\/em> is fast becoming one of the most-recorded contemporary guitar pieces, though it has a long way to go to catch up to T\u00e1rrega\u2019s <em>Recuerdos de la Alhambra<\/em>, which is also here.<\/p>\n<p><em>Suite del Recuerdo<\/em> (Merlin); <em>Sonatina for Guitar<\/em> (Torroba); <em>Danza Paraguaya<\/em> (Barrios); <em>El Marabino<\/em> (Lauro); <em>El Noi de la Mare<\/em> (Traditional\/Llobet); <em>Recuerdos de la Alhambra<\/em> (T\u00e1rrega); <em>Villanesca<\/em> (Granados); <em>Sevilla <\/em>(Alb\u00e9niz); <em>Jongo<\/em> (Bellinati)<\/p>\n<p>Listen to samples and link to sellers <a href=\"http:\/\/katrinendrikat.com\/cds\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5160\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/infusion-298x300.jpg?resize=298%2C300\" alt=\"infusion\" width=\"298\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/infusion.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/infusion.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/infusion.jpg?w=497&amp;ssl=1 497w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/infusion.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 298px) 100vw, 298px\" \/><\/p>\n<p><strong><em>Infusion<br \/>\n<\/em><\/strong><strong>Jason Vieaux and Julien Labro<br \/>\n<\/strong>(Azica)<\/p>\n<p>Always on the hunt for something a little different, <a href=\"http:\/\/jasonvieaux.com\/\" target=\"_blank\">Jason Vieaux<\/a> teams up with French accordion\/bandoneon phenom <a href=\"http:\/\/julienlabro.com\/\" target=\"_blank\">Julien Labro<\/a> for an invigorating program encompassing Brouwer, Gnattali, Piazzolla, Pat Metheny, and the mid-\u201980s pop group Tears for Fears. The Gnattali also features bass and drums.<\/p>\n<p><em>Tres Danzas Concertantes<\/em> (Brouwer); <em>Antonia<\/em> (Metheny); <em>Suite Retratos<\/em> (Gnattali); <em>Escualo<\/em> (Piazzolla); <em>Everybody Wants to Rule the World<\/em> (Orzabel, Stanley, Hughes)<\/p>\n<p>It&#8217;s available from <a href=\"http:\/\/amzn.to\/2esaepK\" target=\"_blank\">Amazon<\/a>, of course.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5161\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne-300x300.jpg?resize=300%2C300\" alt=\"yenne\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/yenne.jpg?w=1200&amp;ssl=1 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong><em>Beautiful<br \/>\n<\/em><\/strong><strong>Yenne Lee<br \/>\n<\/strong><a href=\"http:\/\/www.yennelee.com\/\" target=\"_blank\">(yennelee.com)<\/a><\/p>\n<p>Depending on your taste and inclinations, this is either a pretty CD of beloved, wedding-safe, (mostly) middle-of-the-road pop tunes, or a too-sweet confection lacking in drama and dynamics and any sort of edge. &#8220;The Water Is Wide&#8221; and &#8220;Desperado&#8221; are nicely handled.<\/p>\n<p><em>Water Is Wide<\/em> (Traditional); <em>If<\/em> (Gates); <em>Lovin\u2019 You<\/em> (Ripperton, Rudolph); <em>Just the Way You Are<\/em> (Joel); <em>Yesterday Once More<\/em> (Bettis, Carpenter); <em>Desperado <\/em>(Henley, Frey); <em>Say You Love Me<\/em> (Austin); <em>One Fine Day<\/em> (King, Goffin); <em>You Needed Me<\/em> (Goodrum); <em>He Was Beautiful (Cavatina)<\/em> (Myers, Laine)<\/p>\n<p>Here&#8217;s the <a href=\"http:\/\/amzn.to\/2esbSYz\" target=\"_blank\">Amazon link<\/a>, which includes samples.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5163\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/segre-300x263.jpg?resize=300%2C263\" alt=\"INLAY_04-01\" width=\"300\" height=\"263\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/segre.jpg?resize=300%2C263&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/segre.jpg?resize=768%2C672&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/segre.jpg?w=850&amp;ssl=1 850w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong><em>Bach<br \/>\n<\/em><\/strong><strong>Emanuele Segre<br \/>\n<\/strong>(Limen)<\/p>\n<p>Superb CD\/DVD package finds Italian guitarist <a href=\"http:\/\/www.emanuelesegre.com\/\" target=\"_blank\">Emanuele Segre<\/a> in top form throughout this all-Bach program. The DVD is beautifully shot.<\/p>\n<p><em>Suite BWV 995<\/em>; <em>Suite BWV 997<\/em>; <em>Prelude, Fugue and Allegro BWV 998<\/em><\/p>\n<p>Learn more about Segre and watch the trailer for the package<a href=\"https:\/\/www.youtube.com\/watch?v=_UH0NmU5uYQ\" target=\"_blank\"> here<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s the second installment of our new bi-weekly accounting of recent classical guitar CD releases. As we mentioned last time, these are not reviews per se, but more announcements that list the pieces and composers played, with just a few notes about the discs. Some of these may be properly reviewed in a forthcoming issue, some not. You might be able to hear some of these may on Apple Music or Spotify, but we also hope you&#8217;ll support artists by [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5165,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Emanuele-Segre-lago-dOrta.jpg?fit=640%2C480&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5155","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5155"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5155\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5165"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5155"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5155"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5155"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}