{"id":5201,"date":"2016-10-25T16:37:55","date_gmt":"2016-10-25T23:37:55","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5201"},"modified":"2016-10-26T14:09:05","modified_gmt":"2016-10-26T21:09:05","slug":"new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more\/","title":{"rendered":"New Sheet Music Releases: Mark Houghton, Edvard Grieg, Frederic Hand, Dusan Bogdanovic, and More"},"content":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year.<\/p>\n<p>So, just as are now listing new classical guitar CD releases every other Tuesday here, we\u2019re now going use the Tuesdays in between those to announce new print music releases. As with the CDs, these are not reviews (some <em>will<\/em> be reviewed in the magazine, but frankly most will not), but we think it\u2019s important to at least get the word out about what\u2019s being offered to guitarists out there. Where possible, we\u2019ve linked the titles to the publisher\u2019s website, and stated the degree of difficulty (if provided by the publisher).\u00a0 <em>\u2014Blair Jackson<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Mark Houghton<\/strong> (pictured above)<strong><br \/>\n<\/strong><strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/25-sketches-completed-works\" target=\"_blank\">25 Sketches for Solo Guitar: The Complete Set<\/a><a href=\"http:\/\/www.productionsdoz.com\/en\/25-sketches-completed-works\"><br \/>\n<\/a><\/em><\/strong>\u00a0Les Productions D\u2019OZ, 52 pp.<\/p>\n<p>Contemporary British composer. Titles include <em>Rustic Dance<\/em>, <em>Jazz Scherzo<\/em>, <em>Steel Melancholy<\/em>, <em>Oriental<\/em>, and <em>Samba in D<\/em>. Intermediate. You can see him play <em>Rustic Dance<\/em> <a href=\"https:\/\/www.youtube.com\/watch?v=G1f2HEriMUs\" target=\"_blank\">here<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5202\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Dusan-225x300.jpg?resize=225%2C300\" alt=\"dusan\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Dusan.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Dusan.jpg?w=412&amp;ssl=1 412w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p><strong>Dusan Bogdanovic<br \/>\n<\/strong><strong><em><a href=\"http:\/\/classicalguitarmagazine.com\/new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more\/\" target=\"_blank\">12 Pr\u00e9ludes printaniers<\/a><\/em><\/strong> (for solo guitar)<br \/>\nDoberman-Yppan, 22 pp.<\/p>\n<p><strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/12-preludes-d-ete\" target=\"_blank\">12 Pr\u00e9ludes d\u2019\u00e9t\u00e9<\/a><\/em><\/strong> (for solo guitar)<br \/>\nDoberman-Yppan, 23 pp.<\/p>\n<p>Prolific Yugoslav composer\u2019s latest two volumes (sold separately) deal with spring and summer. Both are advanced.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5203\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Worms-223x300.jpg?resize=223%2C300\" alt=\"worms\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Worms.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Worms.jpg?w=250&amp;ssl=1 250w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/p>\n<p><strong>Claude Worms<br \/>\n<\/strong><a href=\"https:\/\/translate.googleusercontent.com\/translate_c?depth=1&amp;hl=en&amp;prev=search&amp;rurl=translate.google.com&amp;sl=fr&amp;u=http:\/\/www.henry-lemoine.com\/fr\/catalogue\/instrument\/Q&amp;usg=ALkJrhjLaeCCnryEvAUftfsQ4Ugc3_O_uA\" target=\"_blank\"><strong><em>Moto Perpetuo<\/em><\/strong> <\/a>(Buler\u00edas for two flamenco guitars)<br \/>\n\u00c9ditions Combre, 22 pp.<\/p>\n<p>Top French flamenco teacher and composer. Other books in this series (available at the same link as <em>Moto Perpetuo<\/em>) are <strong><em>Rosa sanluque<\/em><\/strong><strong><em>\u00f1a<\/em><\/strong> (Alegrias), <strong><em>Chac<\/em><\/strong><strong><em>\u00f3-Breva<\/em><\/strong> (Malahue\u00f1a), and <strong><em>Pirinaqueando<\/em><\/strong> (Siguriya)<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5204\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/paganini-226x300.jpg?resize=226%2C300\" alt=\"paganini\" width=\"226\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/paganini.jpg?resize=226%2C300&amp;ssl=1 226w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/paganini.jpg?w=600&amp;ssl=1 600w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/p>\n<p><strong>Niccol<\/strong><strong>\u00f2 Paganini (arr. Olivier Eidam)<br \/>\n<\/strong><strong><em><a href=\"http:\/\/dohr.de\/edition_dohr\/einzeltitel\/ismn1990.htm\" target=\"_blank\">Terzetto Concertante<\/a><\/em><\/strong> (for guitar trio)<br \/>\nEdition Dohr, 53 pp. plus parts<\/p>\n<p>Four-movement work originally written for viola, cello, and guitar.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Marcelo Fern<\/strong><strong>\u00e1ndez<br \/>\n<\/strong><a href=\"http:\/\/www.productionsdoz.com\/en\/six-studies\" target=\"_blank\"><strong><em>Six Studies<\/em><\/strong> <\/a>(for solo guitar)<br \/>\nLes Productions D\u2019Oz 15 pp.<\/p>\n<p>More from revered Argentine composer\/guitarist. Advanced. Also in this series: <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/sequentia-y-variaciones\">Sequentia y Variaciones<\/a><\/em><\/strong> (advanced) and <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/six-sketches-in-four-frets\">Six Sketches in Four Frets<\/a><\/em><\/strong> (intermediate).<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5205\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/cubanas-223x300.jpg?resize=223%2C300\" alt=\"Impression\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/cubanas.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/cubanas.jpg?w=250&amp;ssl=1 250w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/p>\n<p><strong>Ignacio Cervantes<\/strong> <strong>(trans. Marc Bat<\/strong><strong>\u00efni)<br \/>\n<\/strong><strong><em><a href=\"https:\/\/translate.googleusercontent.com\/translate_c?depth=1&amp;hl=en&amp;prev=search&amp;rurl=translate.google.com&amp;sl=fr&amp;u=http:\/\/www.henry-lemoine.com\/fr\/catalogue\/instrument\/Q&amp;usg=ALkJrhjLaeCCnryEvAUftfsQ4Ugc3_O_uA\">Danzas Cubanas<\/a><\/em><\/strong> (for two guitars)<br \/>\nEditions Lemoine, 31 pp.<\/p>\n<p>Cuban composer and pianist Cervantes (1847\u20131905) wrote 41 <em>Danzas Cubanas<\/em> and this volume offers two-guitar transcriptions of 14 of them.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5206\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Lily-221x300.jpg?resize=221%2C300\" alt=\"lily\" width=\"221\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Lily.jpg?resize=221%2C300&amp;ssl=1 221w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/Lily.jpg?w=225&amp;ssl=1 225w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><\/p>\n<p><strong>Francisco T<\/strong><strong>\u00e1rrega, Isaac Alb<\/strong><strong>\u00e9niz, Enrique Granados (arr. Lily Afshar)<br \/>\n<\/strong><strong><em><a href=\"http:\/\/www.melbay.com\/Products\/CategoryCenter\/G09\/guitar-classical-and-lute.aspx\" target=\"_blank\">Spanish Composers for Classical Guitar <\/a><\/em><\/strong>(for solo guitar)<br \/>\nMel Bay, 72 pp.<\/p>\n<p>Esteemed Iranian guitarist\/arranger Afshar offers \u201chits\u201d collection, including <em>Capricho Arabe<\/em>, <em>Lagrima<\/em>, <em>Asturias<\/em>, <em>Danza Espa<\/em><em>\u00f1iola No. 5<\/em>, <em>Recuerdos de la Alhambra<\/em>, et al. Multiple skill levels. Other new releases arranged and edited by Afshar for Mel Bay include <strong><em><a href=\"http:\/\/www.melbay.com\/Products\/CategoryCenter\/G09\/guitar-classical-and-lute.aspx\" target=\"_blank\">Scarlatti and Weiss for Guitar<\/a><\/em><\/strong> (32 pp., intermediate), and Granados\u2019 <strong><em><a href=\"http:\/\/www.melbay.com\/Products\/CategoryCenter\/G09\/guitar-classical-and-lute.aspx\" target=\"_blank\">Valses Po\u00e9ticos<\/a><\/em><\/strong> (28 pp. intermediate-advanced)<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5207\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/verdery-225x300.jpg?resize=225%2C300\" alt=\"verdery\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/verdery.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/verdery.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p><strong>Benjamin Verdery<br \/>\n<\/strong><strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/what-he-said\">What He Said<\/a> <\/em><\/strong>(for two guitars)<br \/>\nDoberman-Yppan, 12 pp. plus parts<\/p>\n<p>Yale professor\/composer\/guitarist verdery wrote this piece in the memory of luthier Thomas Humphrey and dedicated it to S\u00e9rgio and Odair Assad.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Nick Fletcher<br \/>\n<\/strong><strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/sonate-no-1-2527\">Sonata No. 1<\/a> <\/em><\/strong>(for solo guitar)<br \/>\n(Productions D\u2019Oz)<\/p>\n<p>British composer Fletcher is represented by 45 titles in the D\u2019Oz catalog. If you like this one you might also try <strong><em><a href=\"With%20some%2045%20titles%20in%20the%20D\u2019Oz%20catalog,\">Sonata No. 2<\/a><\/em><\/strong>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5209\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/grieg-225x300.gif?resize=225%2C300\" alt=\"grieg\" width=\"225\" height=\"300\" \/><\/p>\n<p><strong>Edvard Grieg (arr. Chris Dumigan)<br \/>\n<\/strong><strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/lyric-pieces-op-38\">Lyric Pieces, Op. 38<\/a><\/em><\/strong> (for two guitars)<br \/>\nLes Productions D\u2019Oz, 20 pp. plus parts<\/p>\n<p>Regular <em>Classical Guitar<\/em> mag writer Dumigan is also a composer, arranger, and guitarist, and has arranged all 66 <em>Lyric Pieces<\/em> by Norwegian composer Grieg (1843-1907) for two guitars, spread out over ten volumes, with multiple pieces in each. So far, the first five books have been released, with five more to come. This one contains eight, and is labeled advanced. Others in the series so far include <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/lyric-pieces-op-54\">Op.54<\/a><\/em><\/strong> (advanced), <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/lyric-pieces-op-47\">Opus 47<\/a><\/em><\/strong> (advanced), <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/lyric-pieces-op-43\">Opus 43<\/a><\/em><\/strong> (advanced), and <strong><em><a href=\"http:\/\/www.productionsdoz.com\/en\/lyric-pieces-op-12\" target=\"_blank\">Opus 12<\/a><\/em><\/strong> (intermediate).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year. So, just as are now listing new classical guitar CD releases every other Tuesday here, we\u2019re now going use the Tuesdays in between those to announce new print music releases. As with [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/10\/houghton.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5201"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5201\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5211"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}