{"id":5267,"date":"2016-11-01T14:44:55","date_gmt":"2016-11-01T21:44:55","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5267"},"modified":"2018-01-14T20:49:45","modified_gmt":"2018-01-15T04:49:45","slug":"new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/","title":{"rendered":"New Releases Tuesday: CDs from Virginia Luque, Jon Gjylaci, Fabiano Borges, and More"},"content":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the <em>Classical Guitar<\/em> office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of these will be reviewed in the magazine, some not. But we want to at least mention them all.<\/p>\n<p>To see our previous listings:<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\" target=\"_blank\" rel=\"noopener\">October 4:<\/a> Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\" target=\"_blank\" rel=\"noopener\">October 18:<\/a> Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5271\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/virginialuque7.jpg?resize=200%2C200\" alt=\"virginialuque7\" width=\"200\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/virginialuque7.jpg?w=200&amp;ssl=1 200w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/virginialuque7.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/virginialuque7.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><br \/>\n<strong><em>All About Bach, Volume 1<br \/>\n<\/em><\/strong><strong>Virginia Luque<br \/>\n<\/strong>(Iberia Productions)<\/p>\n<p><strong><em>Duo Virtuosi<br \/>\n<\/em><\/strong><strong>Bojidara Kouzmanova and Virginia Luque<br \/>\n<\/strong>(Iberia Productions)<\/p>\n<p>Two more from the label run by New York-based Spanish guitarist <a href=\"http:\/\/www.virginialuque.com\/\">Virginia Luque<\/a>. <em>All About Bach<\/em> consists of solo guitar versions of selected movements from various cello and lute suites, violin partitas and a violin sonata. <em>Duo Virtuosi<\/em>\u00a0(that&#8217;s the cover at the top) nicely pairs Luque with Bulgarian violinist Kouzmanova on selected movements from pieces by Heitor Villa-Lobos, Manuel de Falla, Enrique Granados, Astor Piazzolla, and Federico Garcia Lorca, as well as a premiere written by Luque herself.<\/p>\n<p><em>Bach<\/em>:<br \/>\n<em>Cello Suite No. 1 BWV 1007<\/em>: \u201cPrelude\u201d; <em>Lute Suite No. 2 in C minor BWV 997 <\/em>(mislabeled on the CD as BWV 996): \u201cPrelude,\u201d \u201cGigue,\u201d \u201cDouble\u201d; <em>Violin Partita No. 2 BWV 1004<\/em>: \u201cChaconne\u201d; <em>Violin Partita No. 1 in B minor BWV 1002<\/em>: \u201cDouble,\u201d \u201cTempo do Borea\u201d; <em>Violin Sonata No. 2 in A minor BWV 1003<\/em>: \u201cGrave,\u201d \u201cAndante,\u201d \u201cFugue\u201d; <em>Suite in E minor for Lute BWV 996<\/em>: \u201cBour\u00e9e\u201d; <em>Violin Partita No. 3 BWV 1006<\/em>: \u201cPrelude\u201d<\/p>\n<p><em>Virtuosi<\/em>:<br \/>\n<em>Alma argentina<\/em> (Luque); \u201cCantilana\u201d (Villa-Lobos, from <em>Bachianas brasileiras No. 5<\/em>); \u201cPa\u00f1o Moruno,\u201d \u201cAsturiana,\u201d \u201cNana,\u201d \u201cCanci\u00f3n,\u201d \u201cPolo\u201d (de Falla, from <em>Siete Canciones Populares Espa<\/em><em>\u00f1iolas<\/em>); \u201cDe aquel majo amante\u201d (Granados, from <em>Maja dolorosa<\/em>); <em>La Maya de Goya<\/em> (Granados); \u201cEl caf\u00e9 de Chinitas,\u201d \u201cNana de Sevilla,\u201d \u201cSevillanas del siglo XVIII\u201d (Lorca, from <em>Canciones Populares<\/em>); \u201cBordello 1900,\u201d \u201cCaf\u00e9 1930\u201d (Piazzolla, from <em>Histoire du Tango<\/em>); <em>Libertango<\/em> (Piazzolla)<\/p>\n<p>Click to preview and\/or purchase <a href=\"http:\/\/www.cdbaby.com\/cd\/virginialuque7\"><em>All About Bach<\/em><\/a> and <a href=\"http:\/\/www.cdbaby.com\/cd\/virginialuque6\"><em>Duo Virtuosi<\/em><\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5272\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci-300x300.jpg?resize=300%2C300\" alt=\"gjylaci\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><strong><em>Edges of Thought<br \/>\n<\/em><\/strong><strong>Jon Gjylaci<br \/>\n<\/strong>(Manchester Strings Records)<\/p>\n<p>Wonderful outing by Albanian guitarist living in England dips back to Alb\u00e9niz, Chopin, and Satie, but also a diverse group of contemporary composers, such as Leo Brouwer, Jorge Morel, Gary Ryan, and Miroslav Tadi\u0107. The Manchester UK\u2013based Northern String Quartet and percussionist Michael Walker add significant color to a number of tracks.<\/p>\n<p><em>Asturias<\/em>, <em>Rumores de la Caleta<\/em> (Alb\u00e9niz); <em>Valse, Op. posthume 69 No. 1<\/em> and <em>No. 2<\/em> (Chopin); Indifference (Colombo\/Murena); Un Die de Novembre (Brouwer); From Laments, Dances and Lullabies, Vol. 1: \u201cRustemul,\u201d \u201cMacedonian Girl,\u201d \u201cWalkdance\u201d (Tadi\u0107); <em>Benga Beat<\/em>, <em>Hot Club Fran<\/em><em>\u00e7ais<\/em> (Ryan); <em>Danza Brasilera<\/em> (Morel); <em>Gnossienne No. 1<\/em> (Satie)<\/p>\n<p>Physical CD is available from <a href=\"http:\/\/www.jongjylaci.com\/release\/458\/edges-thought#.WBOYKsnZ7fc\">Jon\u2019s website<\/a>; digital download from <a href=\"http:\/\/amzn.to\/2fnW5gF\">Amazon<\/a>.<\/p>\n<p>Watch Jon play Gary Ryan&#8217;s\u00a0<em>Hot Club Fran<\/em><em>\u00e7ais <\/em>below:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/Qfic9D3lh04\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5275\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/fabiano.jpg?resize=230%2C230\" alt=\"fabiano\" width=\"230\" height=\"230\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/fabiano.jpg?w=230&amp;ssl=1 230w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/fabiano.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/fabiano.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><br \/>\n<strong><em>\u00a1Latinoamerica!<br \/>\n<\/em><\/strong><strong>Fabiano Borges<br \/>\n<\/strong>(self-made)<\/p>\n<p>Ambitious and highly satisfying double-CD set by versatile, award-winning Brazilian 7-string guitarist and composer contains many pieces by Borges, as well as varied contributions from other Brazilians, and writers from Argentina, Bolivia and Peru; a veritable musical tour of South America. Scattered harmonica, second guitar, guitar quartet, percussion, and bass clarinet, add richness to a number of tracks.<\/p>\n<p>Disc 1:<em> Ga<\/em><em>\u00facho Sem Fronteira<\/em> (Borges); <em>Dos Piezas Latinoamericanas<\/em> (Borges), <em>Duas Pe<\/em><em>\u00e7as Brasileiras<\/em> (Borges); <em>Sanfona<\/em> (Gismonti); <em>Sons de Carrilh<\/em><em>\u00f5es<\/em> (Pernambuco); <em>El 180<\/em> (Chazarreta\/Acuna\/Ruiz); <em>Payadora<\/em> (Plaza); <em>Evocando Manuel Bandeira<\/em> (Tacuchian); <em>Estudio de Concerto<\/em> (Zedog); <em>Brumas<\/em> (C\u00e1seres); <em>Valsa-Ch<\/em><em>\u00f4ro<\/em> (Borges)<\/p>\n<p>Disc 2: <em>Suite Sudamericana<\/em> (Borges); <em>Apanhe-te, Cavaquinho<\/em> (Nazareth); <em>Pequena Suite<\/em> <em>Nordestina<\/em> (Borges); <em>Homenaje a Eduardo Martin<\/em> (Castillo); <em>La Humilde<\/em> (Diaz, Valles); <em>Milena<\/em> (Caelano); <em>Cabeza Loca<\/em> (Castro); <em>Janelas da Alma<\/em> (Borges)<\/p>\n<p>Click to hear samples and purchase through <a href=\"http:\/\/www.tratore.com.br\/um_cd.php?id=8003\">Tratore<\/a> or <a href=\"https:\/\/itunes.apple.com\/us\/album\/id1081680706\">iTunes<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5274\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/baschiera.jpg?resize=200%2C200\" alt=\"baschiera\" width=\"200\" height=\"200\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/baschiera.jpg?w=200&amp;ssl=1 200w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/baschiera.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/baschiera.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/p>\n<p><strong><em>Sauguet: Complete Music for Guitar<br \/>\n<\/em><\/strong><strong>Alfonso Baschiera<br \/>\n<\/strong>(Brilliant Classics)<\/p>\n<p>French composer Henri Sauguet (1901\u20131989) was a student of Erik Satie\u2019s early on and eventually wrote chamber music, symphonies, ballets, operas and some pieces for guitar (beginning in the late 1950s). One of the four main multi-part pieces features flute, another cello. Plenty of intriguing miniatures within these modern but always accessible works.<\/p>\n<p><em>Cadence<\/em>; <em>Trois Pr\u00e9ludes<\/em>; <em>Six Pi\u00e8ces facile<\/em>; <em>Musique pour Claudel No. 1<\/em>; <em>Musique pour Claudel No. 2<\/em>; <em>Soliloque<\/em>; <em>Reverence a Johann Sebastian Bach<\/em><\/p>\n<p><em>\u00a0<\/em>You can sample and buy the CD or digital album <a href=\"http:\/\/amzn.to\/2ejBxBM\">here<\/a><em>. <\/em>And here are the individual tracks on <a href=\"https:\/\/www.youtube.com\/results?search_query=alphonso+baschiera+sauguet\">YouTube<\/a>.<\/p>\n<p><em>\u00a0<img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5276\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/miscellanea-292x300.jpg?resize=292%2C300\" alt=\"miscellanea\" width=\"292\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/miscellanea.jpg?resize=292%2C300&amp;ssl=1 292w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/miscellanea.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 292px) 100vw, 292px\" \/><\/em><\/p>\n<p><strong><em>In Swirling Modes: Music by Atanas Ourkouzounov<br \/>\n<\/em><\/strong><strong><em>Miscelanea Guitar Quartet<br \/>\n<\/em><\/strong>(Doberman-Yppan)<\/p>\n<p>The Salzburg, Austria\u2013based <a href=\"http:\/\/miscelaneaguitarquartet.com\/\">Miscelanea Guitar Quartet<\/a>\u2014<a href=\"http:\/\/www.kostastosidis.com\/\">Kostas Tosidis<\/a>, <a href=\"https:\/\/soundcloud.com\/alejandrodiazbandres\">Alejandro Diaz Bandres<\/a>, <a href=\"https:\/\/www.facebook.com\/yorgos.pervolarakis\">Yorgos Pervolarakis<\/a>, and Manos Anastassakis\u2014specialize in pieces by contemporary composers and this disc is devoted entirely to <em>tres moderne<\/em> works by the prolific Bulgarian composer\/guitarist <a href=\"http:\/\/www.ourkouzounov.info\/\">Atanas Ourkouzounov<\/a>. Most of the pieces written were written since 2012 and two were commissioned by Miscelanea. Off-kilter rhythms, dissonant clashes, harmonics galore, and deep silences mark this challenging outing by the talented quartet.<\/p>\n<p><em>Cinq illusions sonores<\/em>; <em>Swirling Modes<\/em>; <em>Divertimento<\/em>, <em>Broken Dance<\/em>, <em>4 figures acoustiques<\/em>; <em>Revolving Lantern<\/em><\/p>\n<p>You can listen to samples and purchase the CD <a href=\"http:\/\/www.productionsdoz.com\/en\/swirling-mode-miscelanea-guitar-quartet\">here<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5277\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/jp.jpg?resize=224%2C225\" alt=\"jp\" width=\"224\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/jp.jpg?w=224&amp;ssl=1 224w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/jp.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/jp.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/p>\n<p><strong><em>Solo Flight: The Music of Lenny Breau and Django Reinhardt<br \/>\n<\/em><\/strong><strong>J.P. McShane<br \/>\n<\/strong>(jpmcshane.com)<\/p>\n<p>New York\u2013based classical guitarist\/teacher <a href=\"http:\/\/www.jpmcshane.com\/\">J.P. McShane<\/a> offers fresh, inspired interpretations of five pieces either written or recorded by late jazz guitar great Lenny Breau (including McCoy Tyner\u2019s \u201cVisions\u201d), and five more based on improvisations by Django Reinhardt. <em>New York City<\/em> features singer Jaclyn Taylor.<\/p>\n<p><em>Days of Wine &amp; Roses<\/em>, <em>Visions<\/em>, <em>Batucada<\/em>, <em>Celtic Dream Stream<\/em>, <em>New York City<\/em>, <em>Five Improvisations<\/em><\/p>\n<p><em>\u00a0<\/em>Hear samples and buy <a href=\"http:\/\/www.jpmcshane.com\/the-music-of-django-reinhardt-and-lenny-breau.html\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the Classical Guitar office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of these will be reviewed in the magazine, some not. But we want to at least mention them all. To see our previous listings: October 4: Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/DueVirtuossi_Passions.jpg?fit=713%2C708&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5267","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5267"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5267\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5284"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5267"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}