{"id":557,"date":"2014-10-28T10:21:10","date_gmt":"2014-10-28T17:21:10","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=557"},"modified":"2016-10-26T09:20:55","modified_gmt":"2016-10-26T16:20:55","slug":"george-sakellariou-toccata-and-fugue-in-d-minor","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/george-sakellariou-toccata-and-fugue-in-d-minor\/","title":{"rendered":"George Sakellariou: &#8216;Toccata and Fugue in D minor&#8217;"},"content":{"rendered":"<p>Here is<span style=\"color: #111111;\">\u00a0Sakellariou<\/span>\u00a0performing Bach&#8217;s &#8216;Toccata and Fugue in D minor&#8217; (BWV 565), a piece\u00a0that has become a fixture in haunted houses and spooky cinema.<\/p>\n<p>Happy Halloween!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here is\u00a0Sakellariou\u00a0performing Bach&#8217;s &#8216;Toccata and Fugue in D minor&#8217; (BWV 565), a piece\u00a0that has become a fixture in haunted houses and spooky cinema. Happy Halloween!<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[7],"tags":[],"class_list":["post-557","post","type-post","status-publish","format-video","hentry","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}