{"id":5622,"date":"2016-12-06T16:37:05","date_gmt":"2016-12-07T00:37:05","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5622"},"modified":"2016-12-06T16:49:32","modified_gmt":"2016-12-07T00:49:32","slug":"recent-releases-tuesday-sheet-music-from-joaquin-rodrigo-raul-maldonado-laurent-meneret-ferdinando-carulli-and-others","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-joaquin-rodrigo-raul-maldonado-laurent-meneret-ferdinando-carulli-and-others\/","title":{"rendered":"Recent Releases Tuesday: Sheet Music from Joaqu\u00edn Rodrigo, Raul Maldonado, Laurent M\u00e9neret, Ferdinando Carulli, and Others"},"content":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year.<\/p>\n<p>So, just as we are now listing new classical guitar CD releases every other Tuesday here, we\u2019re now going use the Tuesdays in between those to announce new print music releases. As with the CDs, these are not reviews (some\u00a0<em>will<\/em>\u00a0be reviewed in the magazine, but frankly most will not), but we think it\u2019s important to at least get the word out about what\u2019s being offered to guitarists out there. Where possible, we\u2019ve linked the titles to the publisher\u2019s website, and stated the degree of difficulty (if provided by the publisher or it\u2019s obvious).\u00a0\u00a0<em>\u2014Blair Jackson<\/em><\/p>\n<p>Here is a link to our previous listings from\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more\/\">October 25<\/a>, <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-sergio-assad-atanas-ourkouzounov-niccolo-paganini-olivier-bensa-and-more\/\">November 8<\/a>\u00a0and <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-print-music-from-mauro-giuliani-stephen-goss-joao-luiz-giorgio-signorile-and-more\/\" target=\"_blank\">November 22<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5624\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/rodrigo2-225x300.jpg?resize=225%2C300\" alt=\"rodrigo2\" width=\"225\" height=\"300\" \/><br \/>\n<strong>Joaqu<\/strong><strong>\u00edn Rodrigo, edited by Fr<\/strong><strong>\u00e9d<\/strong><strong>\u00e9ric Zigante<br \/>\n<\/strong><em><a href=\"https:\/\/www.halleonard.com\/product\/viewproduct.action?itemid=50600721&amp;lid=1510&amp;subsiteid=1&amp;instrument=Guitar&amp;amp;style=Classical&amp;amp;\" target=\"_blank\">The Best of Joaquin Rodrigo: 16 Pieces for [Solo] Guitar<\/a><br \/>\n<\/em>Hal Leonard\/MGB, 10 pp.<\/p>\n<p>Comprehensive volume contains Rodrigo\u2019s best-known solo guitar pieces, including <em>Zarabanda lejana<\/em>, <em>En los trigales<\/em>, <em>Tres piezas espa<\/em><em>\u00f1iolas<\/em>, <em>Invocaci<\/em><em>\u00f3n y danza<\/em>, and others. Oh, and also a 1988 extract from the famous Adagio of the <em>Concierto de Aranjuez<\/em>, titled <em>Aranjuez, ma pens<\/em><em>\u00e9e<\/em>. Advanced.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5626\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/meneret-229x300.jpg?resize=229%2C300\" alt=\"meneret\" width=\"229\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/meneret.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/meneret.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><br \/>\n<strong>Laurent M\u00e9neret<\/strong><br \/>\n<em><a href=\"http:\/\/www.productionsdoz.com\/en\/empressions\" target=\"_blank\">Impressions<\/a><\/em> (solo guitar)<br \/>\nLes Productions D&#8217;Oz, 4 pp.<\/p>\n<p>Attractive and varied piece by prolific French composer (b. 1963). Markings include &#8220;Energico,&#8221; &#8220;libre et chantant,&#8221; and &#8220;lento.&#8221; Intermediate. Another recent D&#8217;Oz release from M\u00e9neret is called <a href=\"http:\/\/www.productionsdoz.com\/en\/mississippi-blues\" target=\"_blank\">Mississippi Blues<\/a>; it&#8217;s for four guitars and is listed as easy.<\/p>\n<p><em>Here&#8217;s a video of M\u00e9neret\u00a0 playing this piece:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/N64K1AgnruI\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5625\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carulli-223x300.jpg?resize=223%2C300\" alt=\"carulli\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carulli.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carulli.jpg?w=445&amp;ssl=1 445w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><br \/>\n<strong>Ferdinando Carulli, edited by Fabio Rizza<\/strong><br \/>\n<em><a href=\"http:\/\/www.utorpheus.com\/product_info.php?products_id=3251&amp;language=en\" target=\"_blank\">3 Fantaisies avec Variations Op. 95<\/a> <\/em>(solo guitar)<br \/>\nUt Orpheus, 44 pp.<\/p>\n<p>There is no accompanying information in this book giving date or context for these three fantasias by \u00a0groundbreaking Italian composer (and guitar-method creator) Carulli (1770\u20131841). This work is believed to have been composed around 1811, a year after his first &#8220;method&#8221; book was published.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5630\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/marchelie-225x300.jpg?resize=225%2C300\" alt=\"marchelie\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/marchelie.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/marchelie.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/p>\n<p><strong>\u00c9rik\u00a0Marchelie<\/strong><br \/>\n<a href=\"http:\/\/www.productionsdoz.com\/en\/a-deux-c-est-encore-mieux\" target=\"_blank\"><em>\u00c0 deux, c\u2019est encore mieux!<\/em> <\/a>(for two guitars)<br \/>\nLes Productions D&#8217;Oz, 16 pp.<\/p>\n<p>The title translates as &#8220;For two, it is even better!&#8221; Appropriate considering \u00a0this book contains 11 short &#8220;very easy&#8221; pieces for two guitars, most just a page long, bearing evocative titles such as &#8220;Les cloches du village&#8221; (&#8220;The bells of the village&#8221;), &#8220;Toi et moi,&#8221; &#8220;Danse joyeuse,&#8221; etc . Marchelie (b. 1957) is from southwestern France.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5627\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/LMP135ByLindisfarne-212x300.jpg?resize=212%2C300\" alt=\"lmp135bylindisfarne\" width=\"212\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/LMP135ByLindisfarne.jpg?resize=212%2C300&amp;ssl=1 212w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/LMP135ByLindisfarne.jpg?w=283&amp;ssl=1 283w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/p>\n<p><strong>Steve Marsh<\/strong><br \/>\n<em><a href=\"http:\/\/lathkillmusic.co.uk\/cds\/Solo_Guitar\/Steve_Marsh\/832\" target=\"_blank\">By Lindisfarne <\/a><\/em>(solo guitar)<br \/>\nLathkill Music<\/p>\n<p>OK, this isn&#8217;t quite so recent, but we wanted to include it because it&#8217;s a beautiful, pastoral guitar piece by the always reliable Steve Marsh, and because it feels especially appropriate around Christmastime: As Marsh notes, it &#8220;was written for my beautiful wife, Nadia, as a 2015 Christmas present (hence the final section, which I wanted to sound &#8216;Christmas-like.&#8217;)&#8221;<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5632\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/Raul-224x300.jpg?resize=224%2C300\" alt=\"raul\" width=\"224\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/Raul.jpg?resize=224%2C300&amp;ssl=1 224w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/Raul.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/p>\n<p><strong>Ra\u00fal<\/strong>\u00a0<strong>Maldonado<\/strong><br \/>\n<em><a href=\"http:\/\/www.productionsdoz.com\/en\/suite-venezoleando\" target=\"_blank\">Suite Venezoleando<\/a><\/em> (for four guitars)<br \/>\nLes Productions D&#8217;Oz, 36 pp. plus parts<\/p>\n<p>Born in in Argentina in 1937, Maldonado settled in France in 1965. This piece was written in honor of some close Venezuelan friends who helped Maldonado through some rough times in the late 1960s, when he was living in Paris&#8217; Latin Quarter. Intermediate.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5633\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/mertz-223x300.jpg?resize=223%2C300\" alt=\"mertz\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/mertz.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/mertz.jpg?w=445&amp;ssl=1 445w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/p>\n<p><strong>Johann Kaspar Mertz<\/strong><br \/>\n<em><a href=\"http:\/\/www.utorpheus.com\/product_info.php?products_id=2988&amp;language=en\" target=\"_blank\">Barden-Kl\u00e4nge for Guitar, Vol. 2<\/a><\/em><br \/>\nUt Orpheus, 28 pp.<\/p>\n<p>Edited and fingered by Piero Viti and with an introduction by Angelo Gilardino, this volume collects six of of 30 pieces by Romantic guitar giant Mertz (1806\u20131856) published as <em>Bardenkl\u00e4nge,<\/em> all but two\u00a0between 1847 and 1852. The different pieces all evoke different moods. Two of these, &#8220;Gondoliera&#8221; and &#8220;Tarantelle,&#8221; were inspired by a trip to Italy, one by traveling in Germany, and another is described by Gilardino as &#8220;based on introspection, both amatory and mystical.&#8221; he goes on to note that Mertz was &#8220;always in search of a full and passionate revelation \u00a0of the invisible-inexpressible-unknowable.&#8221; Advanced.<\/p>\n<p><em>Below, German guitarist Juliane Bergemann plays a sparkling version of Mertz&#8217;s &#8220;Tarantelle&#8221;:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/RjSvY-RvIUY\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year. So, just as we are now listing new classical guitar CD releases every other Tuesday here, we\u2019re now going use the Tuesdays in between those to announce new print music releases. As [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5638,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/rodrigoface.jpg?fit=660%2C365&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5622"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5622\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5638"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}