{"id":5670,"date":"2016-12-13T10:49:35","date_gmt":"2016-12-13T18:49:35","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5670"},"modified":"2016-12-13T13:40:22","modified_gmt":"2016-12-13T21:40:22","slug":"recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/","title":{"rendered":"Recent Releases Tuesday: CDs from Zs\u00f3fia Boros, Andrea Bissoli; Philippe Sly &#038; John Charles Britton; Carlos Dorado, and Steven Joseph"},"content":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of these will be reviewed in the magazine, some not. But we want to at least mention them all. You can listen to a lot of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like!<\/p>\n<p><em>\u2014Blair Jackson<\/em><\/p>\n<p>To see our previous listings:<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque (and Bojidara Kouzmanova) Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a> Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5687\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/local-objects-300x300.jpg?resize=300%2C300\" alt=\"local-objects\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/local-objects.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/local-objects.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/local-objects.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/local-objects.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Local Objects<\/strong><\/em><br \/>\n<b>Zs\u00f3fia Boros<br \/>\n<\/b>(ECM)<\/p>\n<p>A Hungarian guitarist living in Vienna, <a href=\"http:\/\/www.zsofia-boros.com\/\" target=\"_blank\">Zs\u00f3fia Boros<\/a>\u00a0has recorded an\u00a0inspired second album, with plenty of variety and stirring textures. A great take on Carlo Domeniconi&#8217;s suddenly popular\u00a0<em>Koyunbaba s<\/em>uite and Franghiz Al-Zadeh&#8217;s <em>Fantasie<\/em> are just two of the fascinating and exotic pieces here. Look for the lead review of this CD in the Spring 2017 issue of <em>Classical Guitar<\/em>, out in February.<\/p>\n<p><em>Nocturne<\/em> (Duplessy); <em>Celebra\u00e7\u00e3o<\/em> (Gismonti), <em>Koyunbaba<\/em> (Domeniconi); <em>Milonga<\/em> (Cardosa); <em>Vertigo Shadow<\/em> \u00a0(Di Meola); <em>Fantasie<\/em> (Ali-Zadeh); <em>Inspira\u00e7\u00e3o<\/em> (Sardinh); <em>Gothenburg<\/em> (Pinter)<\/p>\n<p>Sample and buy through <a href=\"http:\/\/amzn.to\/2hJWMhh\" target=\"_blank\">Amazon<\/a>\u00a0or <a href=\"https:\/\/itunes.apple.com\/us\/artist\/zsofia-boros\/id176924653\" target=\"_blank\">iTunes<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5674\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/joseph-300x298.png?resize=300%2C298\" alt=\"joseph\" width=\"300\" height=\"298\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/joseph.png?resize=300%2C298&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/joseph.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/joseph.png?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/joseph.png?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Firewire<br \/>\n<\/em><\/strong><strong>Steven Joseph<br \/>\n<\/strong>(self-released)<\/p>\n<p><em>Felicidade<\/em> (Jobim); <em>Hinchinbrook Riffs<\/em> (Westlake); <em>Nuages<\/em> (Reinhardt), <em>Railroad<\/em> (Ryan); <em>Firewire<\/em> (Ward); <em>Whirler of the Dance<\/em> (Rivera); <em>Variations on a Catalan Folk Song<\/em> (Duarte); <em>Voyager <\/em>(Joseph)<\/p>\n<p>Interesting and diverse collection of very well-performed modern pieces in many styles from English guitarist. Jobim\u2019s <em>Felicidade <\/em>and Django\u2019s <em>Nuages<\/em> both feature Roland Dyens\u2019 wonderful arrangements. Also particularly notable are Gary Ryan\u2019s <em>Railroad<\/em>, Nigel Westlake\u2019s wonderful <em>Hinchinbrook Riffs<\/em>, and Joseph\u2019s own Windham Hill-ish <em>Voyager<\/em>.<\/p>\n<p>You can sample and buy a download of the album through <a href=\"http:\/\/amzn.to\/2gKwAmC\">Amazon<\/a>, or buy a CD through Steven\u2019s <a href=\"https:\/\/www.stevenjosephguitar.com\/shop\/firewire-steven-joseph-cd\">website<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5673\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/bissoli-300x255.jpg?resize=300%2C255\" alt=\"bissoli\" width=\"300\" height=\"255\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/bissoli.jpg?resize=300%2C255&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/bissoli.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Villa-Lobos: The Complete Guitar Manuscripts<br \/>\n<\/em><\/strong><strong>Andrea Bissoli<\/strong>, guitar (plus various singers, ensembles and orchestras)<br \/>\n(Naxos)<\/p>\n<p>Historically important set contains all of the well-known solo guitar pieces, of course, but also rare and recently discovered works, including guitarist Bissoli\u2019s \u201ccompletion\u201d of an unfinished concerto. Solo pieces are joined by others featuring small ensembles, an orchestra, and few with two different sopranos. Splendid recording and energetic playing throughout; several world premieres.<\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.573115\">Disc 1<\/a>: <em>Guitar Concerto<\/em>; <em>Simples<\/em>; <em>Valse-Choro<\/em>; <em>Cirandas: No 1<\/em>; <em>Cirandas: No. 14<\/em>; <em>Floresta do Amazonas: Can<\/em><em>\u00e7\u00e3o Amor<\/em>; <em>Floresta do Amazonas: Veleiros<\/em>; \u00a0<em>Can<\/em><em>\u00e7\u00e3o do poeta do s<\/em><em>\u00e9colo XVIII<\/em>; <em>Serestas: No. 5<\/em>; <em>Valsa<\/em>; <em>Motivos Gregos<\/em>; <em>Bachianas Brasilieras No. 5<\/em><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.573116\">Disc 2<\/a>: <em>Dime perch<\/em><em>\u00e8<\/em>; <em>Valsa Concerto No. 2<\/em>; <em>Sexteto m<\/em><em>\u00edstico<\/em>; <em>Introdu<\/em><em>\u00e7\u00e3o aos Choros<\/em>; <em>Choros No. 1<\/em>; <em>Choros No. 6<\/em>; <em>Can<\/em><em>\u00e7\u00e3o do Amor<\/em><\/p>\n<p><a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.573117\">Disc 3<\/a>: <em>Tarantela<\/em>; <em>Douze <\/em><em>\u00c9tudes<\/em>; <em>14 folksong arrangements from Guia pr<\/em><em>\u00e1tico<\/em>; <em>O papagaio do moleque<\/em><\/p>\n<p>Click on disc numbers above for Naxos info on each disc and for streaming and buying. Or purchase through <a href=\"http:\/\/amzn.to\/2hxdEM9\">Amazon<\/a>.<\/p>\n<p><em>Below, Bissoli shows his mastery of Villa-Lobos on <\/em>Choros No. 1<em>, from Disc 2:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/N3bCTOaZkuc\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5680\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carlos-2-300x264.jpg?resize=300%2C264\" alt=\"carlos-2\" width=\"300\" height=\"264\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carlos-2.jpg?resize=300%2C264&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/carlos-2.jpg?w=522&amp;ssl=1 522w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Aqua Blue<\/strong><\/em><br \/>\n<strong>Carlos Dorado<\/strong><br \/>\n(Acoustic Music)<\/p>\n<p>An Argentina-born guitarist and composer living in Switzerland since 1989, <a href=\"http:\/\/www.guitarfestival.ch\/wordpress\/?page_id=37\" target=\"_blank\">Carlos Dorado <\/a>crafts gorgeous melodies that tap into folk and jazz influences on this latest CD of ten short pieces. His tone is exquisite, his playing immaculate. Dorado&#8217;s son Lucas offers some interesting vibraphone coloring to a pair of tracks, and percussion to another. Carlos also plays charango on one piece for a nice change of pace, and adds his own Argentinean-style percussion to a couple more. A truly lovely outing from top to bottom.<\/p>\n<p><em>South Wind<\/em>; <em>Suburbio<\/em>; <em>But Beautiful <\/em>(Van Heusen and Burke); <em>Berlin\u00e9s<\/em>; <em>Las Gaviotas<\/em>; <em>Danza del Ma\u00edz Maduro <\/em>(Yupanqui); <em>Manuel<\/em>; <em>Pampa<\/em>; <em>Aqua Blue<\/em>; <em>A Long Winter<\/em><\/p>\n<p>Available from <a href=\"https:\/\/itunes.apple.com\/us\/album\/aqua-blue\/id1162618009\" target=\"_blank\">iTunes<\/a>, \u00a0<a href=\"http:\/\/amzn.to\/2hJMfTu\" target=\"_blank\">Amazon<\/a>, and from the <a href=\"http:\/\/www.acoustic-music.de\/Carlos-Dorado-Aqua-Blue\/en\" target=\"_blank\">Acoustic Music<\/a> label.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5675\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert-300x300.jpg?resize=300%2C300\" alt=\"2 1234_Couvert\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?resize=768%2C766&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?resize=1024%2C1021&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/schubert.jpg?w=1429&amp;ssl=1 1429w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Schubert Sessions: Leider with Guitar<br \/>\n<\/em><\/strong><strong>Philippe Sly (bass-baritone) and John Charles Britton (guitar)<br \/>\n<\/strong>(Analekta)<\/p>\n<p>French-Canadian singer Sly and Texas-raised guitarist Britton take on 16 German <em>lieder<\/em>\/songs written by Franz Peter Schubert (1797\u20131826), in arrangements by Britton. These are more commonly heard as piano-voice pieces, but Britton\u2019s guitar matches the voice here beautifully. There are dark tunes and sweet lullabies, but an appealing lyricism throughout. Check out the deep version of the famous <em>Erlk\u00f6nig.<\/em><\/p>\n<p><em>Auf dem Wasser zu singen<\/em> (To Sing on the Water); <em>Alinde<\/em>; <em>Du bist die Ruh<\/em> (Thou Art \u00a0in Repose); <em>An Sylvia<\/em> (Who is Sylvia?); <em>Erlk\u00f6nig<\/em> (The Erlking); <em>An die Musik<\/em> (To the Art of Music); <em>St\u00e4ndchen<\/em> (Serenade); <em>Wohin?<\/em> (Where\u00a0to?); <em>Der Mu\u0308ller und der Bach<\/em> (The\u00a0Miller\u00a0and\u00a0the\u00a0Brook); <em>Der Leiermann<\/em> (The Hurdy-Gurdy Man); <em>Der Doppelg\u00e4nger<\/em> (The Spirit Double); <em>Der Lindenbaum<\/em> (The Linden Tree); <em>Der J\u00fcngling an der Quelle<\/em> (The\u00a0Youth\u00a0by\u00a0the\u00a0Spring); <em>Du liebst mich nicht<\/em> (You Do not Love Me); <em>Des Fischers Liebesglu\u0308ck<\/em> (The Fisher&#8217;s Joy in Love); <em>Der Tod und das M\u00e4dchen<\/em> (Death\u00a0and\u00a0the\u00a0Maiden)<\/p>\n<p>Stream the album on Spotify or purchase through <a href=\"https:\/\/www.analekta.com\/en\/album\/?sly-philippe-schubert-sessions-lieder-with-guitar.1825.html\">Analekta<\/a> or <a href=\"http:\/\/amzn.to\/2gFlLF5\">Amazon<\/a>.<\/p>\n<p><em>Below, Philippe Sly and John Charles Britton perform Schubert&#8217;s\u00a0<\/em>St\u00e4ndchen<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/WfnrNr-8dy0\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of these will be reviewed in the magazine, some not. But we want to at least mention them all. You can listen to a lot of these on various of streaming services, but we always encourage you to support [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5688,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/12\/zsofia.jpg?fit=700%2C570&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5670"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5688"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}