{"id":5928,"date":"2017-01-24T15:07:21","date_gmt":"2017-01-24T23:07:21","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5928"},"modified":"2017-01-31T11:34:37","modified_gmt":"2017-01-31T19:34:37","slug":"recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin\/","title":{"rendered":"Recent Releases Tuesday: CDs by Fabio Zanon, Marcelo Kayath, David Norton &#038; Cindy Spell, and Jeff Gosselin"},"content":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like!<\/p>\n<p>To see our previous listings, scroll to the bottom of the page.<\/p>\n<p><em>\u2014Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5933\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kayath-300x300.jpg?resize=300%2C300\" alt=\"kayath\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kayath.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kayath.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kayath.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kayath.jpg?w=450&amp;ssl=1 450w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Suites &amp; Sonatas<br \/>\n<\/em><\/strong><strong>Marcelo Kayath<br \/>\n<\/strong>(GuitarCoop)<\/p>\n<p>Brazilian guitarist Kayath retired from the stage in the early 1990s, this is also his first recording in 25 years\u2014and it\u2019s a solid one, with assured versions of pieces by Bach, Weiss, Sor, and Castelnuovo-Tedesco. The last is particularly strong; it\u2019s the composer\u2019s homage to Boccherini, so it fits well with the works by the earlier composers. As with everything I\u2019ve heard from this record label, the recording quality is outstanding. Kayath plays a pair of Hauser I guitars on the disc and they are warm and resonant.<\/p>\n<p><em>Lute Suite BWV 997 in A Minor<\/em> (Bach); <em>Suite in F Major<\/em> (Weiss); <em>Sonata Op. 15B in C Major<\/em> (Sor); <em>Sonata Op. 77<\/em> (Castelnuovo\u2013Tedesco)<\/p>\n<p>Purchase through <a href=\"http:\/\/www.guitarsalon.com\/store\/p5049-marcelo-kayath-suites-amp-sonatas.html\" target=\"_blank\">Guitar Salon International<\/a>.<\/p>\n<p><em>Below, Kayath plays the &#8220;Gigue&#8221; and &#8220;Double&#8221; from the album&#8217;s Bach Lute Suite:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/sHi3e8zCOHE\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5930\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/gosselin-300x264.jpg?resize=300%2C264\" alt=\"gosselin\" width=\"300\" height=\"264\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/gosselin.jpg?resize=300%2C264&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/gosselin.jpg?w=404&amp;ssl=1 404w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Notes from Existence<a href=\"http:\/\/www.jeffgosselinguitar.com\/discography\"><br \/>\n<\/a><\/strong><\/em><strong>Jeff Gosselin<\/strong><br \/>\n(jeffgosselinguitar.com)<\/p>\n<p>Ten years ago, this Regina, Saskatchewan (Canada)\u2013native put out a CD some of his favorite Spanish pieces. A decade later he\u2019s released an entire CD of his own compositions, a concept album with the rather lofty goal of tracing \u201ca musical journey across the lifespan of a human being, from conception to death. The peaks and valleys present in the notes are reflective of significant stages, or milestones along the way.\u201d Be that as it may, there\u2019s lots of range evident in the short pieces, with styles moving from what I would call American pastoral, folk-inspired outings, to more classically oriented numbers. The sweet <em>Butterfly &amp; the Boogeyman<\/em> and <em>Five Preludes<\/em> are ones that jumped out on first listen.<\/p>\n<p><em>Night of the Tarantula<\/em>; <em>Notes from Existence: Spark of Life, The Chamber, Butterfly &amp; the Boogeyman, Burning Bright, The Divide, Crystal &amp; Sage, The Watchmaker<\/em>; <em>Sentinels<\/em>; <em>Lost in Delirium<\/em>, <em>Nucleus<\/em>; <em>BWV J.S.Baroque<\/em>; <em>Five Preludes<\/em>; <em>Awakening (Lucidity)<\/em><\/p>\n<p>Available from Gosselin&#8217;s <a href=\"http:\/\/www.jeffgosselinguitar.com\/discography\" target=\"_blank\">website<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5934\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/davidnortoncindyspell_large-300x300.jpg?resize=300%2C300\" alt=\"davidnortoncindyspell_large\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/davidnortoncindyspell_large.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/davidnortoncindyspell_large.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/davidnortoncindyspell_large.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/davidnortoncindyspell_large.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Avenues<\/strong><\/em><br \/>\n<strong>David Norton &amp; Cindy Spell<\/strong><br \/>\n(self-released)<\/p>\n<p>Here&#8217;s a truly lovely album by an American duo who have freely mixed charming &#8220;old&#8221; pieces from Elizabethan England, Carulli, and Sor, with a scattering of works by contemporary composers such as Beno\u00eet Albert, Laurent M\u00e9neret, Andrew York, Andrew Shiels, and Miroslav\u00a0Lon\u010dar. The remarkable accomplishment of this CD is that the modern pieces Norton and Spell have chosen\u2014all but the Lon\u010dar listed as premiere recordings\u2014fit in so beautifully with the historical works in both approach and feeling.\u00a0The centuries melt away with ease. Really, it isn&#8217;t until the final piece by Lon\u010dar that any of the tension so common in \u00a0&#8220;modern&#8221; pieces intrudes, but even that work has clear nods to the past. The Albert features Spell solo; the Shiels has Norton solo.<\/p>\n<p><em>Four Duos, from &#8216;M\u00e9thode Compl\u00e9te&#8217;<\/em> (Carulli); <em>Poloniase Concertante, Op. 137 No. 2<\/em> (Giuliani); <em>Les 4 Saisons<\/em> (Albert); <em>Lesson for Two Lutes, La Rossignol, Drewries Accordes<\/em> (all three anonymous English Renaissance pieces); <em>The Flatt Pavin<\/em> (Johnson); <em>Gaillard to the Flatt Pavin<\/em> (Johnson); <em>Sur les traces de Don Quichotte<\/em> (M\u00e9neret); <em>Little Suite for Guitar<\/em> (Shiels); <em>Who Is Eve?<\/em> (Lon\u010dar)<\/p>\n<p>You can sample and purchase the album through <a href=\"http:\/\/www.cdbaby.com\/cd\/davidnortoncindyspell\" target=\"_blank\">CDBaby<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5946\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=225%2C225\" alt=\"zanon\" width=\"225\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?w=225&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\n<em><strong>The Romantic Guitar<\/strong><\/em><br \/>\n<strong>Fabio Zanon<\/strong><br \/>\n(GuitarCoop)<\/p>\n<p>One of the best performances I heard at last year&#8217;s GFA in Denver was Fabio Zanon&#8217;s electrifying rendition of the<em>\u00a0Grande Polonaise <\/em>by the semi-obscure Polish composer Jan Nepomucen Bobrowicz. It was stunning! Now, that\u00a0piece (a world premiere recording) and seven other pieces from the Romantic era are presented in this superbly played and recorded collection from the spellbinding Brazilian guitarist (who, like Kayath above, is on the Brazil-based GuitarCoop label). Add in pieces by great guitar composers Napol\u00e9on Coste and J.K. Mertz, and mainstream Romantic giants Mendelssohn, Schumann, and Liszt, and you&#8217;ve got a sensational lineup of works of varying moods which Zanon delivers about as perfectly as anyone could hope for.<\/p>\n<p><em>La Source du Lyson, Op.47<\/em> (Coste); <em>Adieu!\/Nach Osten<\/em> (von Weyrauch); <em>Introduction et Caprice, Op. 23<\/em> (Regondi), <em>2 Lieder ohne W\u00f6rte<\/em> (Mendelssohn); <em>Bardenkl\u00e4nge, Op. 13,\u00a0Lied ohne W\u00f6rte<\/em> (Mertz); <em>Kindersonate, Op. 118A<\/em> (Schumann); <em>Grande Polonaise, Op. 24<\/em> (Bobrowicz); <em>Andantino, S. 192, Nuage Gris<\/em> (Liszt)<\/p>\n<p>Purchase through the <a href=\"http:\/\/www.guitarcoop.com.br\/en\/downloads\/download-romantic-guitar-fabio-zanon\/\" target=\"_blank\">GuitarCoop website<\/a>.<\/p>\n<p><em>Prepare to be blown away! Here is Zanon playing Bobrowicz&#8217;s <\/em>Grande Polonaise<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/3cuj-EPDZKo\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Previous New CD Listings:<\/strong><\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque (and Bojidara Kouzmanova) Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a> Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/\" target=\"_blank\">December 13<\/a>:\u00a0Zs\u00f3fia Boros, Andrea Bissoli, Philippe Sly &amp; John Charles Britton, Carlos Dorado, and Steven Joseph<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-joao-carlos-victor-frank-wallace-simon-thacker-justyna-jablonska\/\" target=\"_blank\">December 27:<\/a> \u00a0Jo\u00e3o Carlos Victor, Frank Wallace, Simon Thacker &amp; Justyna Jablonska<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-alberto-la-rocca-jeffrey-mcfadden-michael-kolk-and-stefan-koim\/\" target=\"_blank\">January 10:<\/a>\u00a0Alberto La Rocca, Jeffrey McFadden &amp; Michael Kolk, Stefan Koim<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5942,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5928","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/fabio.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5928"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5928\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5942"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}