{"id":5969,"date":"2017-01-31T08:00:36","date_gmt":"2017-01-31T16:00:36","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=5969"},"modified":"2017-01-27T15:58:56","modified_gmt":"2017-01-27T23:58:56","slug":"recent-releases-tuesday-sheet-music-from-jonathan-jackson-roddy-ellias-nejc-kuhar-joseph-v-williams-ii-and-more","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-jonathan-jackson-roddy-ellias-nejc-kuhar-joseph-v-williams-ii-and-more\/","title":{"rendered":"Recent Releases Tuesday: Sheet Music from Jonathan Jackson, Roddy Ellias, Nejc Kuhar, Joseph V. Williams II, and More"},"content":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year.<\/p>\n<p>So, just as we are now listing new classical guitar CD releases every other Tuesday here, we now use the Tuesdays in between those to announce new print music releases. As with the CDs, these are not reviews (some\u00a0<em>will<\/em>\u00a0be reviewed in the magazine, but frankly most will not), but we think it\u2019s important to at least get the word out about what\u2019s being offered to guitarists out there. Where possible, we\u2019ve linked the titles to the publisher\u2019s website or some other outlet where it can be purchased, and stated the degree of difficulty (if provided by the publisher or it\u2019s obvious).\u00a0\u00a0<em>\u2014Blair Jackson<\/em><\/p>\n<p>Here is a link to our previous listings from\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more\/\">October 25<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-sergio-assad-atanas-ourkouzounov-niccolo-paganini-olivier-bensa-and-more\/\">November 8<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-print-music-from-mauro-giuliani-stephen-goss-joao-luiz-giorgio-signorile-and-more\/\">November 22<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-joaquin-rodrigo-raul-maldonado-laurent-meneret-ferdinando-carulli-and-others\/\" target=\"_blank\">December 6<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-fernando-sor-frederic-hand-alban-berg-daniel-asia-and-others\/\" target=\"_blank\">December 20<\/a>, <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-osvaldo-golijov-manuel-blasco-de-nabra-carlos-wernicke-and-more\/\" target=\"_blank\">January 3<\/a>, and <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-bach-faure-claudio-maccari-paul-coles-and-jean-michel-coquery-plus-manus-noble-on-tremolo\/\" target=\"_blank\">January 17<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5972\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/jackson.jpg?resize=216%2C248\" alt=\"jackson\" width=\"216\" height=\"248\" \/><br \/>\n<strong>Jonathan Jackson<\/strong><br \/>\n<em><strong><a href=\"http:\/\/www.eurasianeditions.com\/guitarsolo.html\" target=\"_blank\">24 Preludes<\/a> <\/strong><\/em>(solo guitar)<br \/>\nEurasian Editions, 24 pp.<\/p>\n<p>According to a review of this piece by British composer Jackson posted on the Eurasian Editions website, &#8220;<span class=\"C-11\">The association with the Villa-<wbr \/>Lobos cycle [<em>12 Etudes<\/em>] is\u00a0so well-connected\u00a0with the purpose of this work that the<em> 24 Preludes<\/em> make for a most impressive workout for intermediate instrumentalists\u2026\u00a0<\/span><span class=\"C-11\">Especially [as] they deal with issues not often addressed in guitar etudes and provide useful work as concert literature. They could be listed here as: polyrhythms, the independent conduct of three voices, reading notes in flats, etc. Above all, the series is a kind of compendium of a\u00a0knowledge of harmony.&#8221; Some free samples of the sheet music are available <a href=\"http:\/\/www.eurasianeditions.com\/24%20preludes%20(free%20download)%20-%20Jonathan%20Jackson.pdf\" target=\"_blank\">here<\/a>. Jackson has also written for guitar duo, harpsichord, h<span class=\"C-13\">arp, and chamber ensemble.<\/span><\/span><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5993\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/ellias-223x300.jpg?resize=223%2C300\" alt=\"ellias\" width=\"223\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/ellias.jpg?resize=223%2C300&amp;ssl=1 223w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/ellias.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><br \/>\n<strong>Roddy Ellias<\/strong><br \/>\n<a href=\"http:\/\/www.productionsdoz.com\/en\/at-peace\" target=\"_blank\"><em><strong>At Peace<\/strong> <\/em><\/a>(solo guitar)<br \/>\nLes Productions D&#8217;Oz, 2 pp.<\/p>\n<p>Quebecois guitarist\/composer Ellias wrote this short, moving elegy in memory of Montreal keyboardist, teacher,\u00a0and choral conductor\u00a0Christopher Jackson (1948\u20132015). In the video below it&#8217;s played by Jordanian guitarist Tariq Harb:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/EWoXmN4A0nk\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5974\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/easy-pieces-229x300.jpg?resize=229%2C300\" alt=\"easy pieces\" width=\"229\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/easy-pieces.jpg?resize=229%2C300&amp;ssl=1 229w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/easy-pieces.jpg?w=270&amp;ssl=1 270w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/p>\n<p><strong>Dowland, Giuliani, Mertz, Carulli,et al<\/strong><br \/>\n<em><strong><a href=\"https:\/\/en.schott-music.com\/easy-concert-pieces-guitar-volume-3\/\" target=\"_blank\">Easy Concert Pieces 3<\/a>\u00a0<\/strong><\/em>(solo guitar)<br \/>\nSchott, \u00a044 pp.<\/p>\n<p>Edited by Peter Ansorge and Bruno Szordikowski, this compendium of &#8220;easy&#8221; pieces (requiring about three years of guitar study) presents 40 short works spanning five centuries of guitar (and lute) music in many different styles, and includes composers such as John Dowland, Bach, Robert de Vis\u00e9e, Gaspar Sanz, Mauro Giuliani, J.K. Mertz, Mozart, Chopin, all the way up to a 1960 Francis Poulenc <em>Sarabande<\/em> dedicated to the great Ida Presti. A helpful CD containing performances of the pieces by Martin Hegel (plus tuning notes) is included in the book.<\/p>\n<p><em>Here&#8217;s a video of the aforementioned Poulenc <\/em>Sarabande<em>, played by Izhar Elias, who knocked us out at last year&#8217;s GFA in Denver:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/TjOlC_F3ySc\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5991\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kuhar-225x300.jpg?resize=225%2C300\" alt=\"kuhar\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kuhar.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/kuhar.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\n<strong>Nejc Kuhar<\/strong><br \/>\n<em><strong><a href=\"http:\/\/www.productionsdoz.com\/en\/trio-no-5465798\" target=\"_blank\">Trio No. 5465798<\/a><\/strong><\/em> (for flute, violin, and guitar)<br \/>\nLes Productions D&#8217;Oz, 19 pp. plus parts<\/p>\n<p>Here&#8217;s something cool you don&#8217;t see every day: A video of a composer (in this case Slovenian guitarist Nejc Kuhar) writing out the first movement (&#8220;Neo-beauty&#8221;) of this engaging advanced trio piece in real-time, fast-forwarded to match the music. It&#8217;s a fine piece, too, with attractive melodies, some moody passages, and plenty for each of the three players to do. You can hear the second movement\u2014the spry, active, but more dissonant &#8220;Dance&#8221;\u2014on <a href=\"https:\/\/www.youtube.com\/watch?v=p6uw90Hl-As\" target=\"_blank\">YouTube<\/a>. And no, we have no idea what the number in the title signifies.<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/vyTyNZn6FD4\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5978\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/Isabel-225x300.jpg?resize=225%2C300\" alt=\"Isabel\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/Isabel.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/Isabel.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\n<strong>Joseph V. Williams II<\/strong><br \/>\n<a href=\"http:\/\/www.productionsdoz.com\/en\/isabel\" target=\"_blank\"><em><strong>Isabel<\/strong> <\/em><\/a>(for guitar and flute)<br \/>\nLes Productions D&#8217;Oz, 11 pp. plus part<\/p>\n<p>Striking and quite dramatic guitar-flute duo from Austin, Texas\u2013based American composer. According to Williams, it was inspired by &#8220;the tragic history of Isabel de los Olivos y L\u00f3pez, a Sephardic woman who lived during the Spanish Inquisition.&#8221; She converted to Christianity as required, but was discovered to be a Jew, was tortured, and later took her own life in an act of martyrdom. It draws in part on an old Sephardic folk tune.<\/p>\n<p><em>Below, the Cavatina Duo (Denis Azabagic and Eugenia Moliner), who recorded <\/em>Isabel<em> on their <\/em>Sephardic Journey<em> CD, perform the piece live in Austin:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/k87zhln1MuE\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year. So, just as we are now listing new classical guitar CD releases every other Tuesday here, we now use the Tuesdays in between those to announce new print music releases. As with [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":5997,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-5969","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/roddy.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5969","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=5969"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/5969\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/5997"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=5969"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=5969"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=5969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}