{"id":6232,"date":"2017-02-24T16:00:20","date_gmt":"2017-02-25T00:00:20","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6232"},"modified":"2017-02-24T16:00:20","modified_gmt":"2017-02-25T00:00:20","slug":"video-pick-of-the-week-the-moller-fraticelli-guitar-duo-plays-justo-tomas-morales-sensual-milonga-argentina","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-the-moller-fraticelli-guitar-duo-plays-justo-tomas-morales-sensual-milonga-argentina\/","title":{"rendered":"Video Pick of the Week: The M\u00f6ller-Fraticelli Guitar Duo Plays Justo Tom\u00e1s Morales&#8217; Sensual &#8216;Milonga Argentina&#8217;"},"content":{"rendered":"<p>Here&#8217;s a piece you may not know which will undoubtedly get your blood pumpin&#8217;:\u00a0<em>Milonga Argentina<\/em> by the great Argentine composer Justo Tom\u00e1s Morales\u00a0(1877\u20131953), as performed by the duo of Sweden&#8217;s Johannes\u00a0M\u00f6ller and Argentina&#8217;s Laura Fraticelli. You may know this occasional duo from their 2014 Naxos CD <a href=\"http:\/\/amzn.to\/2lOCSH8\">Johann Kaspar Mertz: Guitar Duets<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a piece you may not know which will undoubtedly get your blood pumpin&#8217;:\u00a0Milonga Argentina by the great Argentine composer Justo Tom\u00e1s Morales\u00a0(1877\u20131953), as performed by the duo of Sweden&#8217;s Johannes\u00a0M\u00f6ller and Argentina&#8217;s Laura Fraticelli. You may know this occasional duo from their 2014 Naxos CD Johann Kaspar Mertz: Guitar Duets.<\/p>\n","protected":false},"author":11,"featured_media":6234,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5,7],"tags":[],"class_list":["post-6232","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/02\/duo.jpg?fit=800%2C531&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6232","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=6232"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/6234"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=6232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=6232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=6232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}