{"id":6422,"date":"2017-03-17T11:15:18","date_gmt":"2017-03-17T18:15:18","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6422"},"modified":"2017-03-17T11:15:18","modified_gmt":"2017-03-17T18:15:18","slug":"video-pick-of-the-week-brasil-guitar-duo-play-marco-pereiras-bate-coxa","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-brasil-guitar-duo-play-marco-pereiras-bate-coxa\/","title":{"rendered":"Video Pick of the Week: Brasil Guitar Duo Play Marco Pereira&#8217;s &#8216;Bate-Coxa&#8217;"},"content":{"rendered":"<p>Here&#8217;s a number to put a little pep in your step: the fabulous <a href=\"https:\/\/www.brasilguitarduo.org\/\" target=\"_blank\">Brasil Guitar Duo<\/a> (Jo\u00e3o Luiz and Douglas Lora) performing the infectious &#8216;Bate-Coxa,&#8217; by fellow Brazilian <a href=\"http:\/\/www.marcopereira.com.br\/\" target=\"_blank\">Marco Pereira<\/a>. The tune, which Periera has published in solo guitar and two-guitar arrangements (both available through his <a href=\"http:\/\/www.marcopereira.com.br\/shop\" target=\"_blank\">website&#8217;s shop<\/a>) has been a cornerstone of the Duo&#8217;s live repertoire for some time; a guaranteed crowd-pleaser! in the video, that&#8217;s\u00a0Jo\u00e3o on the left, Douglas on the right.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a number to put a little pep in your step: the fabulous Brasil Guitar Duo (Jo\u00e3o Luiz and Douglas Lora) performing the infectious &#8216;Bate-Coxa,&#8217; by fellow Brazilian Marco Pereira. The tune, which Periera has published in solo guitar and two-guitar arrangements (both available through his website&#8217;s shop) has been a cornerstone of the Duo&#8217;s live repertoire for some time; a guaranteed crowd-pleaser! in the video, that&#8217;s\u00a0Jo\u00e3o on the left, Douglas on the right.)<\/p>\n","protected":false},"author":11,"featured_media":6424,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,7],"tags":[],"class_list":["post-6422","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/BGD.jpg?fit=600%2C365&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=6422"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6422\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/6424"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=6422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=6422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=6422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}