{"id":6678,"date":"2017-04-18T15:17:24","date_gmt":"2017-04-18T22:17:24","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6678"},"modified":"2017-04-18T16:55:23","modified_gmt":"2017-04-18T23:55:23","slug":"recent-releases-tuesday-albums-from-pepe-romero-vicente-coves-carlos-walter-and-david-harenstam-et-al","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-pepe-romero-vicente-coves-carlos-walter-and-david-harenstam-et-al\/","title":{"rendered":"Recent Releases Tuesday: Albums from Pepe Romero, Vicente Coves &#038; Extremadura Orchestra; Carlos Walter; and David H\u00e4renstam (et al.)"},"content":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like!<\/p>\n<p>To see our previous listings, scroll to the bottom of the page.<\/p>\n<p><em>\u00a0<\/em><em> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-6681\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503-300x297.jpg?resize=300%2C297\" alt=\"\" width=\"300\" height=\"297\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?resize=300%2C297&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?resize=768%2C762&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?resize=1024%2C1015&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/NX3503.jpg?w=2340&amp;ssl=1 2340w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Torroba: Guitar Concertos 2<br \/>\n<\/em><\/strong><strong>Pepe Romero, Vicente Coves (guitars); Extremadura Symphony Orchestra<br \/>\n<\/strong>Naxos<\/p>\n<p>Spanish composer Federico Moreno Torroba (1891\u20131982) is probably best known in the guitar world for the solo pieces he penned for Andr\u00e9s Segovia beginning in the 1920s, but later in life Torroba wrote several major works for guitar and orchestra, three of which are presented here on the second volume of a Naxos&#8217; series: two are played by Pepe Romero fronting the Extramadura Symphony Orchestra, led by Manuel Coves, and one by Romero protege Vicente Coves (the conductor&#8217;s brother) with that same orchestra. \u00a0Two date from the early \u203260s, one from the early \u203270s, but all three are lushly Romantic in character, redolent with Spanish personality throughout, and each contains multiple cadenzas that afford the guitarist many opportunities to flex his creative muscles, whether it&#8217;s through rasgueado strumming, tremolo passages, flashy runs, or beautiful, heart-piercing melodic flights. Movement to movement there&#8217;s tremendous variety, but the essential lyricism never really leaves for a second, whether it&#8217;s a sweeping orchestral statement or a quiet moment of introspection.<\/p>\n<p><em>Homenaje a la seguidilla<\/em>; <em>Tonada Concertante<\/em>; <em>Concierto de Castilla<\/em><\/p>\n<p>Purchase through <a href=\"http:\/\/naxosdirect.comn\/items\/moreno-torroba-guitar-concertos-vol.-2-392450\" target=\"_blank\">Naxos<\/a>, <a href=\"http:\/\/amzn.to\/2opMLsB\" target=\"_blank\">Amazon<\/a>, or other retailers. The entire album can also be heard (in individual movements) on YouTube.<\/p>\n<p><em>Check out the varied textures of first movement of the <\/em>Homenaje a la seguidilla<em>, featuring Pepe Romero at his best:<\/em><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/fJNKd8fu3L4?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-6680\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/Calendario_do_Afeto-300x267.jpg?resize=300%2C267\" alt=\"\" width=\"300\" height=\"267\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/Calendario_do_Afeto.jpg?resize=300%2C267&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/Calendario_do_Afeto.jpg?w=396&amp;ssl=1 396w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Calend<\/em><\/strong><strong><em>\u00e1rio do (a)feto<br \/>\n<\/em><\/strong><strong>Carlos Walter<br \/>\n<\/strong>carloswalter.com\/br<\/p>\n<p>The Portuguese title of Brazilian guitarist Carlos Walter\u2019s appealing debut album is a play on words: \u201cafeto\u201d translates as \u201caffection,\u201d but <em>feto<\/em> alone (or set off subtly as it is on the cover) means \u201cfetus,\u201d and this CD is an evocation and celebration (and a &#8220;calendar&#8221;) of the nine-month gestation of his first child. It is unmistakably Latin\/Brazilian in flavor, and each &#8220;month&#8221; has its own rhythmic character. It&#8217;s an interesting and original concept that is nicely achieved by the skilled guitarist.<\/p>\n<p><em>1\u00b0<\/em><em> m\u00eas: Terna eriade<\/em> (valsa), <em>2<\/em><em>\u00b0<\/em><em> m\u00eas: Uh!&#8230;beraba<\/em> (salsamba); 3\u00b0 m\u00eas: <em>Sui generis<\/em> (fantasia: choro atipico); <em>4<\/em><em>\u00b0<\/em><em> m\u00eas: Unl\u00e3o XV<\/em> (marcha-tango); <em>5<\/em><em>\u00b0<\/em><em> m\u00eas: Acrobata<\/em> (bal\u00e3o ligereiro: semifrevo);\u00a0 <em>6<\/em><em>\u00b0 <\/em><em>m\u00eas: S<\/em><em>\u00e3o Miguel<\/em> (bossa nova); <em>7\u00b0 <\/em><em>m\u00eas: Mariana, sinos e afins <\/em>(fusion); <em>8\u00b0 <\/em><em>m\u00eas: Pal<\/em><em>\u00e3o<\/em> (bai\u00e3o); 9\u00b0 m\u00eas: <em>Champagnat<\/em> (choro)<\/p>\n<p>The CD can be heard in its entirety on Spotify, sampled and purchased digitally on iTunes; and heard performed on YouTube (type: carlos walter affection), complete with spoken introduction (in Portuguese; click the \u201ccc\u201d box for English captioning). Below is a video of of the <em>6th month<\/em>, billed as a bossa nova.<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/tCtBJ3Ui7JQ?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-6679\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/paganini-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/paganini.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/paganini.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/paganini.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/paganini.jpg?w=630&amp;ssl=1 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Paganini: The Complete Works for Violin\/Viola, Cello, and Guitar<br \/>\n<\/em><\/strong><strong>David H<\/strong><strong>\u00e4renstam (guitar), Nils-Erik Sparf (violin\/viola), Andreas Brantelid (cello)<br \/>\n<\/strong>Proprius<\/p>\n<p>This wonderful disc features three top players from Sweden performing trios written by the great Niccol\u00f2 Paganini (1782\u20131840). String players Nils-Erik Sparf and Andreas Brantfield perform on period instruments (Stradivarius violin and cello respectively; viola by 18th-century Swedish luthier Johann\u00a0\u00d6hlberg), while guitarist David\u00a0H\u00e4renstam (whose last solo CD, <em>Recital<\/em>, was reviewed in the fall 2016 issue of <em>CG<\/em>) manages just fine with a 2014 double-top made by Australian luthier Jim Redgate. The first piece, from 1808 (composed for Paganini&#8217;s sister&#8217;s wedding) is textbook Classical-era writing; the other two, from 25 years later, sound as though are edging into the Romantic era somewhat. In general, I&#8217;d say the violin and cello dominate, but there are still <em>many<\/em> passages where the guitar takes over, and even in its more supportive role, it is always well-represented by Paganini&#8217;s writing (and\u00a0H\u00e4renstam&#8217;s playing). \u00a0Indeed, in the liner notes, Walter Aaron Clark and William Craig Krause note of the <em>Terzetto in D major<\/em>: &#8220;It is apparent at all times how well [Paganini, a genius violinist] knew how to compose for the guitar, as well as the cello, giving all three instruments challenging and beautiful solo parts. In 1834, Paganini, along with his duo partner guitarist Luigi Legnani and a cellist whose name is not known today, took this work on tour to much success in Italy.&#8221;<\/p>\n<p><em>Serenata in C major<\/em>; <em>Terzetto in D major<\/em>; <em>Terzetto Concertante<\/em><\/p>\n<p>The album can be sampled and purchased on\u00a0<a href=\"http:\/\/amzn.to\/2o11EWY\" target=\"_blank\">Amazon<\/a>, bought through <a href=\"http:\/\/www.prestoclassical.co.uk\/r\/Proprius\/PRCD2078\" target=\"_blank\">Presto Classical<\/a>, and also heard in its entirety on <a href=\"https:\/\/www.youtube.com\/watch?v=aD0aArsbjkk&amp;list=PLtS0x_LhDHJUUHyoZNK8YM9va7faKSaGY\" target=\"_blank\">YouTube<\/a>, as with this first movement of the <em>Serenata in C Major<\/em>:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/aD0aArsbjkk?list=PLtS0x_LhDHJUUHyoZNK8YM9va7faKSaGY?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Previous New CD Listings:<\/strong><\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque and Bojidara Kouzmanova, Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a> Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/\" target=\"_blank\">December 13<\/a>:\u00a0Zs\u00f3fia Boros, Andrea Bissoli, Philippe Sly &amp; John Charles Britton, Carlos Dorado, Steven Joseph<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-joao-carlos-victor-frank-wallace-simon-thacker-justyna-jablonska\/\" target=\"_blank\">December 27:<\/a> \u00a0Jo\u00e3o Carlos Victor, Frank Wallace, Simon Thacker &amp; Justyna Jablonska<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-alberto-la-rocca-jeffrey-mcfadden-michael-kolk-and-stefan-koim\/\" target=\"_blank\">January 10:<\/a>\u00a0Alberto La Rocca, Jeffrey McFadden &amp; Michael Kolk, Stefan Koim<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin\/\" target=\"_blank\">January 24:<\/a>\u00a0Fabio Zanon, Marcelo Kayath, David Norton &amp; Cindy Spell, Jeff Gosselin<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-the-canadian-guitar-quartet-mats-bergstrom-john-sargent-and-dimitris-kotronakis\/\" target=\"_blank\">February 7<\/a>:\u00a0Canadian Guitar Quartet, Mats Bergstr\u00f6m, John Sargent, Dimitris Kotronakis<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-james-akers-gary-branch-karol-samuelcik-josef-mazan-and-john-lehman-haupt\/\" target=\"_blank\">February 21<\/a>:\u00a0James Akers &amp; Gary Branch, Karol Samuel\u010d\u00edk, Josef Mazan, John Lehman-Haupt<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-meng-su-raphaella-smits-michaela-hrabankova-gabriel-bianco-and-mark-westling\/\" target=\"_blank\">March 7:<\/a>\u00a0Meng Su, Raphaella Smits, Michaela Hrabankova &amp; Gabriel Bianco, Mark Westling<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-sabrina-vlaskalic-ozan-saritepe-and-simon-cheong\/\" target=\"_blank\">March 21:<\/a>\u00a0Sabrina Vlaskalic, Ozan Saritepe, Simon Cheong<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-james-akers-duo-amaral-and-chris-fossek\/\" target=\"_blank\">April 4<\/a>:\u00a0James Akers, Duo Amaral, Chris Fossek<\/p>\n<h1 class=\"entry-title cb-entry-title cb-title\"><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s our bi-weekly listing of some of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":6691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-6678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/04\/Rodrigo-Concierto-de-Aranjuez-Pepe-Romero.jpg?fit=1200%2C661&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=6678"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6678\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/6691"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=6678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=6678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=6678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}