{"id":6904,"date":"2017-05-16T14:50:00","date_gmt":"2017-05-16T21:50:00","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6904"},"modified":"2017-05-17T14:17:18","modified_gmt":"2017-05-17T21:17:18","slug":"recent-releases-tuesday-albums-from-paul-galbraith-marc-teicholz-and-koen-claeys","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-paul-galbraith-marc-teicholz-and-koen-claeys\/","title":{"rendered":"Recent Releases Tuesday: Albums from Paul Galbraith, Marc Teicholz, and Koen Claeys"},"content":{"rendered":"

Here\u2019s our bi-weekly listing of some of the CDs that have come into the\u00a0Classical Guitar<\/em>\u00a0office recently.<\/p>\n

If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n

Classical Guitar
\n501 Canal Blvd. suite J
\nRichmond, CA 94804-3505<\/p>\n

Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0buying<\/em>\u00a0anything you like!<\/p>\n

To see our previous listings, scroll to the bottom of the page.<\/p>\n

\u00a0<\/em> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n

\"\"
\nAllemande
\n<\/em><\/strong>Paul Galbraith
\n<\/em><\/strong>Guitar Coop<\/p>\n

Once you get past the visual of Scottish guitarist Paul Galbraith<\/a>‘s unusual style of playing\u2014like a cello, his David Rubio-designed eight-string “Brahms Guitar” (as he calls it; you can read why on his website<\/a>) has an endpin, and the instrument sits between his legs, nearly upright\u2014you’re left with a world-class musician who is an extraordinarily mellifluous interpreter of classical music from many eras, though I think it’s fair to say that Bach and Mozart are two of his specialties. Indeed, he’s put out three previous CDs of Bach alone, and \u00a0another with both Bach and Mozart pieces on them. With its “extra” strings, his instrument is able to bring out sonorities unavailable to conventional guitarists and it gives his arrangements an extraordinary richness and sonic depth: The famous “Prelude” from the Bach Cello Suite in G<\/em> is just one example that benefits from these deep resonances. But the whole CD is a delight; how could it not<\/em> be? The Brazilian Guitar Coop label (Galbraith lived in Brazil for many years, but now resides in Switzerland) is proving to be an extremely reliable source of wonderful guitar music!<\/p>\n

Allemande from Lute Suite in Em, BMV996<\/em> (Bach); Allemande in Cm (trans. Em) from Baroque Suite in C, K399<\/em> (Mozart); Keyboard Sonata in Bb (trans. E), K570<\/em> (Mozart); Lute Suite in Gm (trans. Am), BWV995<\/em> (Bach); Cello Suite in G (trans. D), BWV1007\u00a0<\/em>(Bach)<\/p>\n

To purchase of download of the album click here<\/a>. \u00a0And watch Galbraith play some Mozart from the disc:
\n\u00e9