{"id":6939,"date":"2017-05-19T12:33:35","date_gmt":"2017-05-19T19:33:35","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6939"},"modified":"2017-05-19T12:33:35","modified_gmt":"2017-05-19T19:33:35","slug":"video-pick-of-the-week-stephanie-jones-plays-william-waltons-bagatelle-no-2","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-stephanie-jones-plays-william-waltons-bagatelle-no-2\/","title":{"rendered":"Video Pick of the Week: Stephanie Jones Plays William Walton&#8217;s &#8216;Bagatelle No. 2&#8217;"},"content":{"rendered":"<p>A few weeks ago in this space we shared <a href=\"http:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-karmen-stendler-plays-rodrigos-en-los-trigales\/\" target=\"_blank\" rel=\"noopener noreferrer\">a piece by Rodrigo<\/a> played by\u00a0Karmen \u0160tendler of the Weimar Guitar Quartet. Well, this one comes from another member of that fine group of young virtuosos, <a href=\"https:\/\/stephaniejonesguitar.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Stephanie Jones<\/a>. Currently pursuing a Master&#8217;s in Classical Guitar Performance with Thomas M\u00fcller-Pering at the University of Music Franz Liszt in Weimar (central Germany), she received her earlier guitar training in her native Australia, where she studied with Tim Kain and Minh Le Hoang (both of whom play in Australia&#8217;s fine <a href=\"http:\/\/classicalguitarmagazine.com\/letter-from-down-under-guitar-trek-australias-premier-guitar-quartet-reflect-on-classical-guitar-there\/\" target=\"_blank\" rel=\"noopener noreferrer\">Guitar Trek<\/a> guitar quartet). Her most recent album was the 2015 release<a href=\"https:\/\/stephaniejonesguitar.com\/discography\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Colours of Spain<\/a>, which contains pieces spanning five centuries, from Luis de Narv\u00e1ez and Gaspar Sanz to Francisco T\u00e1rrega and Joaqu\u00edn Turina.<\/p>\n<p>William Walton (1902\u20131983) was one of the most productive British composers of the 20th century, turning out a couple of symphonies, a major opera, film soundtracks, ballet scores, concertos and other orchestral works, chamber pieces, incidental music, vocal pieces in various instrumental settings, keyboard works&#8230; and a solitary work for solo guitar, <em>5 Bagatelles<\/em>, written in 1971\u201372 for Julian Bream; it seems to have become increasingly popular in recent years, especially &#8220;No. 1.&#8221; Here, Jones play the beautifully lyrical &#8220;No. 2.&#8221; \u00a0<em>\u2014Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A few weeks ago in this space we shared a piece by Rodrigo played by\u00a0Karmen \u0160tendler of the Weimar Guitar Quartet. Well, this one comes from another member of that fine group of young virtuosos, Stephanie Jones. Currently pursuing a Master&#8217;s in Classical Guitar Performance with Thomas M\u00fcller-Pering at the University of Music Franz Liszt in Weimar (central Germany), she received her earlier guitar training in her native Australia, where she studied with Tim Kain and Minh Le Hoang (both [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":6950,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,7],"tags":[],"class_list":["post-6939","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/jones.jpg?fit=900%2C600&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=6939"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6939\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/6950"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=6939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=6939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=6939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}