{"id":6999,"date":"2017-05-26T08:26:16","date_gmt":"2017-05-26T15:26:16","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=6999"},"modified":"2017-05-26T08:26:16","modified_gmt":"2017-05-26T15:26:16","slug":"video-pick-of-the-week-carlos-barbosa-lima-larry-del-casale-and-percussionist-duduka-da-fonseca-play-the-brazilian-pop-classic-delicado","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-carlos-barbosa-lima-larry-del-casale-and-percussionist-duduka-da-fonseca-play-the-brazilian-pop-classic-delicado\/","title":{"rendered":"Video Pick of the Week: Carlos Barbosa-Lima, Larry Del Casale, and Percussionist Duduka Da Fonseca Play the Brazilian Pop Classic &#8216;Delicado&#8217;"},"content":{"rendered":"<p>Leave to a phenomenal guitarist\/arranger like <a href=\"https:\/\/en.wikipedia.org\/wiki\/Carlos_Barbosa-Lima\" target=\"_blank\" rel=\"noopener noreferrer\">Carlos Barbosa-Lima<\/a> to work up a splendid new version of the oft-covered early 1950s Brazilian pop number &#8220;Delicado,&#8221; penned by Waldir Azevedo (1923\u20131980), initially as an instrumental (Azavedo played a wicked\u00a0<em>cavaquinho<\/em>, the small four-string popular in South American folk music), but which by 1952 had acquired lyrics by Jack Lawrence, leading to several hit vocal versions. In this new video, Barbosa-Lima is joined in the studio by his long-time duo partner Larry Del Casale and percussionist Duduka Da Fonseca (multitracked on a host of shakers and such) for a lively outing. Those are <a href=\"http:\/\/prenkertguitars.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Prenkert guitars<\/a>. (You can read <em>Classical Guitar<\/em>&#8216;s interview with Barbosa-Lima and Del Casale from the Fall 2016 issue <a href=\"http:\/\/classicalguitarmagazine.com\/carlos-barbosa-lima-creating-magic-with-the-songs-of-mason-williams\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Leave to a phenomenal guitarist\/arranger like Carlos Barbosa-Lima to work up a splendid new version of the oft-covered early 1950s Brazilian pop number &#8220;Delicado,&#8221; penned by Waldir Azevedo (1923\u20131980), initially as an instrumental (Azavedo played a wicked\u00a0cavaquinho, the small four-string popular in South American folk music), but which by 1952 had acquired lyrics by Jack Lawrence, leading to several hit vocal versions. In this new video, Barbosa-Lima is joined in the studio by his long-time duo partner Larry Del Casale [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":7001,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,7],"tags":[],"class_list":["post-6999","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-stories","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/carlos.jpg?fit=1024%2C618&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=6999"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/6999\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/7001"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=6999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=6999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=6999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}