{"id":7114,"date":"2017-06-13T16:22:57","date_gmt":"2017-06-13T23:22:57","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=7114"},"modified":"2017-06-13T16:28:16","modified_gmt":"2017-06-13T23:28:16","slug":"recent-releases-tuesday-albums-from-eliot-fisk-beasers-guitar-concerto-duo-salmona-valette-and-evgeny-beleninov","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-eliot-fisk-beasers-guitar-concerto-duo-salmona-valette-and-evgeny-beleninov\/","title":{"rendered":"Recent Releases Tuesday: Albums from Eliot Fisk (Beaser&#8217;s &#8216;Guitar Concerto&#8217;), Duo Salmona-Valette, and Evgeny Beleninov"},"content":{"rendered":"<p>Here\u2019s our bi-weekly listing of some of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like!<\/p>\n<p>To see our previous listings, scroll to the bottom of the page.<\/p>\n<p><em>\u00a0<\/em><em> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-7117\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/beaser-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/beaser.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/beaser.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/beaser.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/beaser.jpg?w=522&amp;ssl=1 522w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Robert Beaser: Guitar Concerto<\/strong><\/em><br \/>\n<strong>Eliot Fisk, Royal Scottish National Orchestra<\/strong><br \/>\nLinn Records<\/p>\n<p>This fascinating disc of works by American composer Robert Beaser (b.1954) is dominated by album premieres of two works for guitar (one a concerto, the other solo), both written for Beaser&#8217;s former Yale classmate (and friend of more than 40 years), Eliot Fisk. On the 28-minute <em>Guitar Concerto<\/em> (written in 2010) Fisk fronts the Royal Scottish National Orchestra, conducted by the prolific and much-honored (45 Grammy nominations!) Jos\u00e9 Serebrier. This\u00a0multi-textured three-movement work is full of bold, exciting, even jarring turns, as well as many quieter passages, and some extraordinarily difficult guitar runs, which Fisk somehow manages to handle with apparent ease. As the noted composer John Corigliano writes in the lead essay in the CD&#8217;s informative booklet, \u00a0Beaser&#8217;s concerto &#8220;is symphonic in scale with virtuoso passages that only a master could write&#8221;; adding, &#8220;Beaser is one of the only composers I know that really understands how to use harmony in unique and unpredictably beautiful ways.&#8221; Fisk himself says the concerto &#8220;demands of the soloist a demonic intensity, a polished elegance, and dramatic sweep that push the capacities of the guitar into a new dimension.&#8221; It will be interesting to see if this concerto starts to pop up in more symphony programs (though there better be a great guitarist available to play it!). The other piece featuring Fisk is a 1980 solo guitar work called &#8220;Notes on a Southern Sky,&#8221; which Beaser says was influenced by Latin American (particularly Venezuelan) folk music; it offers an amazing range of tempi and tonal colors over the course of around 12 minutes. Again, Fisk is right <em>on it<\/em> every second.<\/p>\n<p>The remaining two pieces are orchestral works sans guitar with the finale particularly moving: <em>Ground O<\/em>\u00a0(that&#8217;s &#8220;O&#8221; not &#8220;zero,&#8221; for some reason) was inspired by and written very shortly after the 9\/11 tragedy in New York. (It would make an emotional companion piece to John Adams&#8217; brilliant meditation on that event, <em>On the Transmigration of Souls<\/em>.)<\/p>\n<p><em>Guitar Concerto: Chains and Hammers, Tombeau, Phrygian Pick<\/em>; <em>Notes on a Southern Sky<\/em>; <em>Evening Prayer<\/em>; <em>Ground O<\/em><\/p>\n<p><em>To hear samples of all the pieces on the CD and to purchase through Linn Records <a href=\"http:\/\/linnrecords.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">click here<\/a>; it can also be bought through <a href=\"http:\/\/amzn.to\/2sltONy\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a>. Below is a short video in which Beaser and Fisk talk about their collaboration on this project and Fisk plays a bit, solo:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/SHwZh1ejppU\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-7118\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/retratos300-300x269.jpg?resize=300%2C269\" alt=\"\" width=\"300\" height=\"269\" \/><br \/>\n<em><strong>Retratos<\/strong><\/em><br \/>\n<strong>Benjamin Valette (guitar) Juliette Salmona (cello)<\/strong><br \/>\nAd Vitam<\/p>\n<p>I hadn&#8217;t really thought much about the combination of guitar and cello until I was knocked out by David Leisner and Zuill Bailey&#8217;s wonderful\u00a0<em>Arpeggione<\/em>\u00a0CD last year. That disc primarily consisted of works by European composers (Schubert, Saint-Sa\u00ebns, Paganini, Gluck, de Falla), whereas this fine disc by a pair of excellent French musicians is devoted entirely to repertoire by Brazilians active in the late 19th and\/or the first half of the 20th century: Radam\u00e9s Gnatalli (whose <em>Sonate pour Guitare et Violoncelle<\/em> was the jumping-off point for this musical partnership); Ernesto Nazareth, Francisco Mignone (actually Italian, but he grew up in Brazil), Alberto Nepomuceno, and, of course, the omnipresent Heitor Villa-Lobos. (<em>Arpeggione<\/em> does share one piece with this disc\u2014Villa-Lobos&#8217; much-performed <em>Bachianas Brasileiras No. 5<\/em>; always a good choice.) Guitarist Valette wrote the transcriptions for the pieces other than the Gnatalli <em>Sonate<\/em>, and did a superb job of sharing the instrumental load between the two instruments, though as often seems to be the case with this combination, the cello, with its singing, sonorous voice, takes on the main melodies more than the guitar does. These two are marvellously sympathetic players and the choice of so \u00a0many attractive and tuneful pieces is certain to appeal to many listeners.<\/p>\n<p><em>Suite Retratos: Chiquinha Gonzaga, Anacleto de Medeiros<\/em> (Gnatalli); <em>Odeon<\/em> (Nazareth); <em>Chanson de Cristal<\/em> (Villa-Lobos); <em>Valse de Esquina No. 4<\/em> (Mignone); <em>Carioca<\/em> (Nazareth);\u00a0<em>Valse de Esquina No. 5<\/em> (Mignone); <em>Bachianas Brasileiras No. 5<\/em> (Villa-Lobos); <em>Fon-Fon<\/em> (Nazareth); <em>Sonate pour Guitare et Violincelle<\/em> (Gnatalli); <em>Noturno, Op. 33<\/em> (Nepomuceno); <em>Melodia Sentimental<\/em> (Villa-Lobos)<\/p>\n<p>For samples or to purchase the disc, go the <a href=\"https:\/\/www.advitam-records.com\/catalogue\/52-retratos\" target=\"_blank\" rel=\"noopener noreferrer\">Ad Vitam Records site<\/a>. It is also available as an MP3 download from <a href=\"http:\/\/amzn.to\/2slufHx\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon<\/a>. The entire album can also be heard piecemeal on <a href=\"https:\/\/www.youtube.com\/results?search_query=Juliette+salmona+and+Benjamin+Valette+retratos\" target=\"_blank\" rel=\"noopener noreferrer\">YouTube<\/a>.<\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-7124\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/evgeny-300x262.jpg?resize=300%2C262\" alt=\"\" width=\"300\" height=\"262\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/evgeny.jpg?resize=300%2C262&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/evgeny.jpg?resize=768%2C672&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/evgeny.jpg?w=823&amp;ssl=1 823w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Paris Buenos Aires<\/strong><\/em><br \/>\n<strong>Evgeny Beleninov<\/strong><br \/>\nbeleninov.com<\/p>\n<p>This Russian-born guitarist living in Germany isn&#8217;t exactly breaking new ground by performing\u00a0Villa-Lobos&#8217; <em>12 Etudes <\/em>and Piazzolla&#8217;s <em>Four Seasons:\u00a0<\/em>I&#8217;ve heard four different CDs of the former in the past year alone, and several featuring one or more movements of the latter. Still, Beleninov is clearly a highly skilled guitarist and he brings spirit and sensitivity\u00a0to his interpretations of these mostly well-traveled numbers. I was particularly struck by the juxtaposition of the delicately beautiful <em>Invierno Porte\u00f1o<\/em> (the final Piazzolla) with Villa-Lobos&#8217; flowing and mellifluous first <em>Etude in e minor<\/em>. The playing is crisp and confident throughout (check out the <em>tr\u00e8s anim\u00e9<\/em> Etude VII!), so even if you&#8217;ve heard all this before, you might still be impressed by a young player who clearly feels this music deep inside and is able to communicate both its complexities and its nuances.<\/p>\n<p><em>Las Cuatro Estaciones Porte\u00f1as<\/em> (Piazzolla); <em>Douzes\u00a0\u00c8tudes de Concert<\/em> (Villa-Lobos)<\/p>\n<p>The album can be ordered through the <a href=\"http:\/\/www.beleninov.com\/index.php\/cd\" target=\"_blank\" rel=\"noopener noreferrer\">guitarist&#8217;s website<\/a>, or through <a href=\"https:\/\/www.amazon.de\/dp\/B06XXN8XXJ\/ref=cm_sw_r_sms_awd_xs_UyH4ybA1T3XQG\" target=\"_blank\" rel=\"noopener noreferrer\">German Amazon<\/a>. Alas, so far I do not see a American distributor, though the German company <a href=\"https:\/\/www.jpc.de\/jpcng\/classic\/detail\/-\/art\/paris-buenos-aires\/hnum\/6741731\" target=\"_blank\" rel=\"noopener noreferrer\">JPC <\/a>will ship to the U.S.<\/p>\n<p><em>Here&#8217;s a video teaser for the album in which the guitarist talks about the project and also plays parts of a couple of pieces:<\/em><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/TJXjk7ct8js\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Previous New CD Listings:<\/strong><\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque and Bojidara Kouzmanova, Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a> Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 13<\/a>:\u00a0Zs\u00f3fia Boros, Andrea Bissoli, Philippe Sly &amp; John Charles Britton, Carlos Dorado, Steven Joseph<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-joao-carlos-victor-frank-wallace-simon-thacker-justyna-jablonska\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 27:<\/a> \u00a0Jo\u00e3o Carlos Victor, Frank Wallace, Simon Thacker &amp; Justyna Jablonska<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-alberto-la-rocca-jeffrey-mcfadden-michael-kolk-and-stefan-koim\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 10:<\/a>\u00a0Alberto La Rocca, Jeffrey McFadden &amp; Michael Kolk, Stefan Koim<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 24:<\/a>\u00a0Fabio Zanon, Marcelo Kayath, David Norton &amp; Cindy Spell, Jeff Gosselin<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-the-canadian-guitar-quartet-mats-bergstrom-john-sargent-and-dimitris-kotronakis\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 7<\/a>:\u00a0Canadian Guitar Quartet, Mats Bergstr\u00f6m, John Sargent, Dimitris Kotronakis<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-james-akers-gary-branch-karol-samuelcik-josef-mazan-and-john-lehman-haupt\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 21<\/a>:\u00a0James Akers &amp; Gary Branch, Karol Samuel\u010d\u00edk, Josef Mazan, John Lehman-Haupt<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-meng-su-raphaella-smits-michaela-hrabankova-gabriel-bianco-and-mark-westling\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 7:<\/a>\u00a0Meng Su, Raphaella Smits, Michaela Hrabankova &amp; Gabriel Bianco, Mark Westling<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-sabrina-vlaskalic-ozan-saritepe-and-simon-cheong\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 21:<\/a>\u00a0Sabrina Vlaskalic, Ozan Saritepe, Simon Cheong<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-james-akers-duo-amaral-and-chris-fossek\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 4<\/a>:\u00a0James Akers, Duo Amaral, Chris Fossek<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-pepe-romero-vicente-coves-carlos-walter-and-david-harenstam-et-al\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 18<\/a>: Pepe Romero, Vicente Coves &amp; Extremadura Orchestra; Carlos Walter; David H\u00e4renstam (et al.)<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-kaiser-schmidt-guitar-duo-montreal-guitare-trio-and-nazrin-rashidova-slanislav-hvartchilkov\/\">May 2<\/a>:\u00a0Kaiser Schmidt Guitar Duo, Montr\u00e9al Guitare Trio, Nazrin Rashidova &amp; Slanislav Hvartchilkov<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-paul-galbraith-marc-teicholz-and-koen-claeys\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 16<\/a>:\u00a0Paul Galbraith, Marc Teicholz, Koen Claeys<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-albums-by-michal-svoboda-and-izhar-elias\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 3o<\/a>:\u00a0Michal Svoboda, Izhar Elias<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here\u2019s our bi-weekly listing of some of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of these will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":7119,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-7114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/06\/fisk-2.jpg?fit=1000%2C751&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=7114"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7114\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/7119"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=7114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=7114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=7114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}