{"id":7671,"date":"2017-08-18T11:33:14","date_gmt":"2017-08-18T18:33:14","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=7671"},"modified":"2017-08-18T11:46:41","modified_gmt":"2017-08-18T18:46:41","slug":"video-pick-of-the-week-mak-grgic-plays-francesco-da-milanos-fantasia-xiii-on-a-meantone-guitar","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-mak-grgic-plays-francesco-da-milanos-fantasia-xiii-on-a-meantone-guitar\/","title":{"rendered":"Video Pick of the Week: Mak Grgi\u0107 Plays Francesco da Milano&#8217;s &#8216;Fantasia XIII&#8217; on a Meantone Guitar"},"content":{"rendered":"<p>OK, I&#8217;m not a guy who can talk intelligently about &#8220;meantone temperament&#8221; and the unusually fretted necks like the one on the 1976 Daniel Friederich &#8220;experimental meantone guitar&#8221; in this video. That&#8217;s why God (or somebody) invented Wikipedia\u2014better yet, do the deep dive into John Schneider&#8217;s spectacularly detailed book <a href=\"http:\/\/amzn.to\/2wXSqf1\" target=\"_blank\" rel=\"noopener\"><em>The Contemporary Guitar,<\/em><\/a>\u00a0or watch the fascinating and helpful three-part discussion between Schneider and Guitar Salon International president David Collett on <a href=\"https:\/\/www.guitarsalon.com\/store\/p5169-1976-daniel-friederich-quotmeantonequot-cdin.html\" target=\"_blank\" rel=\"noopener\">GSI&#8217;s website<\/a>.<\/p>\n<p>My own musical shortcomings aside, I know what I like, and I was really struck by this wonderful performance of <em>Fantasia XIII<\/em> by Italian lutenist and composer Francesco da Milano (1497\u20131543), played by the fine Slovenian guitarist <a href=\"http:\/\/www.makgrgic.com\/?page_id=33\" target=\"_blank\" rel=\"noopener\">Mak\u00a0Grgi\u0107<\/a> at GSI&#8217;s Santa Monica, California, headquarters. \u00a0<em>\u2014Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>OK, I&#8217;m not a guy who can talk intelligently about &#8220;meantone temperament&#8221; and the unusually fretted necks like the one on the 1976 Daniel Friederich &#8220;experimental meantone guitar&#8221; in this video. That&#8217;s why God (or somebody) invented Wikipedia\u2014better yet, do the deep dive into John Schneider&#8217;s spectacularly detailed book The Contemporary Guitar,\u00a0or watch the fascinating and helpful three-part discussion between Schneider and Guitar Salon International president David Collett on GSI&#8217;s website. My own musical shortcomings aside, I know what I [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":7674,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-7671","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/grgic.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=7671"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7671\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/7674"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=7671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=7671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=7671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}