{"id":7750,"date":"2017-08-26T08:00:38","date_gmt":"2017-08-26T15:00:38","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=7750"},"modified":"2017-08-25T11:19:51","modified_gmt":"2017-08-25T18:19:51","slug":"hands-on-the-barcelona-guitar-trio-and-percussionist-play-michael-jacksons-billie-jean-on-a-single-guitar","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/hands-on-the-barcelona-guitar-trio-and-percussionist-play-michael-jacksons-billie-jean-on-a-single-guitar\/","title":{"rendered":"Hands On! The Barcelona Guitar Trio and Percussionist Play Michael Jackson&#8217;s &#8220;Billie Jean&#8221; on a Single Guitar"},"content":{"rendered":"<p>A fun little trifle for your weekend pleasure: The Barcelona Guitar Trio (Xavier Coll, Luis Robisco, and Manuel Gonz\u00e1lez) and their percussionist friend\u00a0Paquito Escudero, recently worked up a nifty arrangement of Michael Jackson&#8217;s smash hit &#8220;Billie Jean&#8221; using just a single guitar! Check it out!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A fun little trifle for your weekend pleasure: The Barcelona Guitar Trio (Xavier Coll, Luis Robisco, and Manuel Gonz\u00e1lez) and their percussionist friend\u00a0Paquito Escudero, recently worked up a nifty arrangement of Michael Jackson&#8217;s smash hit &#8220;Billie Jean&#8221; using just a single guitar! Check it out!<\/p>\n","protected":false},"author":11,"featured_media":7753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-7750","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/BGT.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7750","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=7750"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/7750\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/7753"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=7750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=7750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=7750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}