{"id":8120,"date":"2017-10-25T13:28:39","date_gmt":"2017-10-25T20:28:39","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8120"},"modified":"2017-10-25T14:55:30","modified_gmt":"2017-10-25T21:55:30","slug":"recent-releases-albums-from-lukasz-kuropaczewski-paul-psarras-and-james-akers-gabriella-di-laccio","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-releases-albums-from-lukasz-kuropaczewski-paul-psarras-and-james-akers-gabriella-di-laccio\/","title":{"rendered":"Recent Releases: Albums from Lukasz Kuropaczewski, Paul Psarras, and James Akers &#038; Gabriella Di Laccio"},"content":{"rendered":"<p>Most weeks we take a peak at recent albums or sheet music releases. Here are three of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of the albums we talk about online will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like! Obviously we cannot research and report every outlet or online business where these albums are sold, so check your favorite places that sell CDs and downloads!<\/p>\n<p>To see our previous listings, scroll to the bottom of the page.<\/p>\n<p><em>\u00a0<\/em><em>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8122\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/Lukasz-300x266.jpg?resize=300%2C266\" alt=\"\" width=\"300\" height=\"266\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/Lukasz.jpg?resize=300%2C266&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/Lukasz.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Lukasz<\/strong><\/em><br \/>\n<strong>Lukasz Kuropaczewski<\/strong><br \/>\nTonar Music<\/p>\n<p>There are four substantial multi-movement pieces on this fine album from Polish guitarist <a href=\"http:\/\/www.lukaszguitar.com\/\" target=\"_blank\" rel=\"noopener\">Lukasz Kuropaczewski <\/a>(pronounced koo-ro-pa-shev-ski). Antonio Jos\u00e9&#8217;s\u00a0 <em>Sonata Par Guitarra<\/em> is more than just a nod to the guitar&#8217;s Spanish roots\u2014Jos\u00e9, a highly regarded composer who was executed by fascist forces at the age of 33 during the Spanish Civil War, was no mere Spanish nationalist composer, but rather one with considerable modernist tendencies. Listen the startling opening of the &#8220;Finale&#8221; of this exceptional piece for confirmation of that. The other three works here are by Polish composers, two of them by Alexandre Tansman\u2014His 1950 <em>Cavatin<\/em>a, dedicated to Segovia, has been popular among contemporary guitarists for some time, though more often than not guitarists don&#8217;t play all five movements (the concluding &#8220;Danza Pomposa&#8221; seems to be the most popular). But Lukasz does, and it makes for a very rewarding listen, as Tansman artfully plays off various Baroque tropes while adding contemporary touches. I find the &#8220;Sarabande&#8221; particularly affecting. The other Tansman work is the seven-part <em>Suite &#8220;In Modo Polonico&#8221; <\/em>from 1962 which Tansman explained was &#8220;inspired by the ancient court dances of Poland. Some of them&#8230; have counterparts elsewhere in Europe; others are typically Polish [such as the concluding mazurka]&#8230;. I have avoided any voluntary stylization or modernization.&#8221; It&#8217;s a wonderful suite, with plenty of variety. The seven Witold Lutoslawski <em>Folk Songs<\/em> (from an original collection of 12 written for piano in the mid-1940s) are also a varied lot rhythmically and tonally, and with a couple of exceptions feel more like sketches (four are under a minute long) than full-blown songs; but they are still interesting.<\/p>\n<p>Look for the Winter 2017 issue of <em>Classical Guitar<\/em> (out in mid-November) for an interview with Lukasz K., in which he talks about the album, his studies with Manuel Barrueco, and other subjects.<\/p>\n<p><em>Sonata Para Guitarra<\/em> (Jos\u00e9); <em>Cavatina<\/em> (Tansman); <em>7 Folk Songs<\/em> (Lutoslawski); <em>Suite &#8220;In Modo<\/em> <em>Polonico&#8221;<\/em> (Tansman)<\/p>\n<p>The album can sampled and purchased through <a href=\"http:\/\/amzn.to\/2yNFMC8\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>,\u00a0<a href=\"https:\/\/www.tonarmusic.com\/pages\/cds\/388\/lukasz\" target=\"_blank\" rel=\"noopener\">Tonar Music,\u00a0<\/a>and <a href=\"https:\/\/itunes.apple.com\/us\/album\/lukasz\/id1281064484\" target=\"_blank\" rel=\"noopener\">iTunes<\/a>.<\/p>\n<p><em>\u00a0Here&#8217;s Lukasz performing the Preludio of Tansman&#8217;s <\/em>Cavatina<em> several years ago:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/A_-0azp5uCI\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8133\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/psarras-1-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/psarras-1.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/psarras-1.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/psarras-1.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/psarras-1.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Cascade<\/strong><\/em><br \/>\n<strong>Paul Psarras<br \/>\npaulpsarras.com<br \/>\n<\/strong><\/p>\n<p>A Greek guitarist who studied at the San Francisco Conservatory of Music with the likes of S\u00e9rgio Assad, David Tanenbaum, Marc Tiecholz, and others, <a href=\"http:\/\/www.paulpsarras.com\/\" target=\"_blank\" rel=\"noopener\">Paul Psarras<\/a> has put together an album that is, in his words, &#8220;a collection of Baroque and Renaissance transcriptions and contemporary guitar works that especially resonated with me during my studies at the SFCM from 2005 to 2011.&#8221; The guitarist covers much ground on the CD: Among the handful of pieces from the distant past come a wonderful Baroque lute sonata by Weiss, a Renaissance lute piece by Marco Dall&#8217;Aquila, John Dowland&#8217;s appropriately titled <em>A Dream, <\/em>and two from the little-known Ennemond Gaultier, including the fetching title track, a chaconne arranged by Psarras and Tanenbaum.\u00a0The modern era is nicely represented by Du\u0161an Bogdanovic&#8217;s <em>Jazz Sonatina <\/em>(love that percussive third movement!) and the contrasting moods of S\u00e9rgioAssad&#8217;s\u00a0<em>Three Greek Letters<\/em>. Stylistically in-between the Baroque\/Renaissance and very contemporary works sits Eduardo Sainz de la Maza&#8217;s lovely tremolo piece\u00a0<em>Campanas del Alba<\/em>, which Psarras handles quite nicely. Sonically, it&#8217;s a fairly ambient recording (most of it captured at the SFCM Recital Hall), which particularly suits the earlier music well and brings out both the subtleties and s;parkle in Psarras&#8217; assured playing. There&#8217;s lots to like here.<\/p>\n<p><em>Sonata for Lute in D Minor<\/em> (Weiss); <em>Ricercare<\/em> (Dall&#8217;Aquilla) ; <em>La Traditora<\/em>\u00a0(Dall&#8217;Aquilla); <em>A Dream<\/em> (Dowland); <em>Baza de Contrapunto <\/em>(de Narvaez) ; <em>Jazz Sonatina<\/em> (Bogdanovic); <em>Companas del Alba <\/em>(E. Sainz de la Maza);\u00a0<em>Three Greek Letters<\/em> (Assad) ; <em>Le Langtok <\/em>(Gaultier); <em>La Cascade<\/em> (Gaultier)<\/p>\n<p>The album can be previewed and purchased through <a href=\"https:\/\/store.cdbaby.com\/cd\/paulpsarras5\" target=\"_blank\" rel=\"noopener\">CDBaby<\/a> and <a href=\"https:\/\/itunes.apple.com\/au\/artist\/paul-psarras\/id432576199\" target=\"_blank\" rel=\"noopener\">iTunes,\u00a0<\/a>and heard through <a href=\"https:\/\/open.spotify.com\/album\/6WnMQVjLdAsQBI1nUN5olp\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>, Apple Music, and piecemeal on <a href=\"https:\/\/www.youtube.com\/results?search_query=Paul+Psarras+cascade\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>.<\/p>\n<p><em>From the album, Psarras plays John Dowland&#8217;s\u00a0<\/em>A Dream<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/jy7uZ_dUc6g\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8126\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/akers-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/akers.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/akers.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/akers.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/akers.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Ombre Amene<\/strong><\/em><br \/>\n<em><strong>James Akers (guitar) and Gabriella Di Laccio (soprano)<\/strong><\/em><br \/>\nDrama Musica<\/p>\n<p>This is the third album involving Scottish guitarist\u00a0 <a href=\"http:\/\/jamieakers.com\/\" target=\"_blank\" rel=\"noopener\">Akers<\/a> that has come my way in the past year alone, each boasting a different approach and musical thrust, but all charming, tasteful and beautifully executed. (The other two are the solo-guitar <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-james-akers-duo-amaral-and-chris-fossek\/\" target=\"_blank\" rel=\"noopener\"><em>The Soldier&#8217;s Return: Guitar Works Inspired by Scotland<\/em><\/a> and <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-james-akers-gary-branch-karol-samuelcik-josef-mazan-and-john-lehman-haupt\/\" target=\"_blank\" rel=\"noopener\"><em>Classical Vienna: Music for Guitar and Piano<\/em><\/a>, duets with pianist Gary Branch.) For this outing, Akers\u201421st century replicas of 19th century Stauffer and Panormo guitars at the ready\u2014teams up with Brazilian-Italian soprano <a href=\"http:\/\/www.gabrielladilaccio.com\/\" target=\"_blank\" rel=\"noopener\">Gabriella Di Laccio<\/a> for a program of works by contemporaries Mauro Giuliani (1781\u20131829) and Fernando Sor (1778\u20131839), dubbed &#8220;Ariette, Seguidillas, Cavatine &amp; Guitar works.&#8221; Two sets of six songs by Giuliani (in Italian) bookend the project: The <em>Sei Ariette<\/em>, Akers&#8217; helpful liner notes tell us, were inspired by Giuliani&#8217;s friend, the great opera composer Rossini, and they cover several different moods, from dramatic to jovial, all very Italian in character, I&#8217;d say. Giuliani&#8217;s <em>Sei Cavatine<\/em>\u00a0, based on six Italian love poems by unknown authors, are more to my taste, though I couldn&#8217;t tell you why (perhaps a bit more rooted in Classical-period motifs, less in the Italian operatic tradition?). But my favorite of three vocal sets is from the Spaniard Sor, whose <em>Six Seguidillas<\/em> are filled with drama, pathos, and characteristically Spanish-sounding guitar accompaniment that asks more of Akers than most of the Italian songs.<\/p>\n<p>Fans of Akers&#8217; always-impeccable playing will also be thrilled by the three solo guitar pieces\u2014two by Sor (I love <em>Meditacion<\/em>!), and Giuliani&#8217;s wonderful <em>Grand Overture, Op. 61<\/em>, which sounds quite a bit different, but perhaps even more exquisite, played on a period-style guitar (and no doubt is closer to how Giuliani heard it). The CD package, besides containing richly detailed historical notes, also includes lyrics for all 18 vocal pieces in Spanish or Italian along with with English translations.<\/p>\n<p><em>Sei Ariette, Op. 95<\/em> (Giuliani); <em>Medtacion<\/em> (Sor); <em>Etude 17, Op. 28<\/em> (Sor); <em>Six Seguidillas<\/em> (Sor); <em>Grand Overture, Op. 61<\/em> (Giuliani); ,\u00a0<em>Sei Cavatine, Op. 39<\/em> (Giuliani)<\/p>\n<p>The album can be previewed and purchased through Amazon, <a href=\"https:\/\/itunes.apple.com\/us\/album\/ombre-amene\/id1242373735\" target=\"_blank\" rel=\"noopener\">iTunes<\/a>, and <a href=\"http:\/\/www.drama-musica.com\/OmbreAmene_artists.html\" target=\"_blank\" rel=\"noopener\">Drama Musica<\/a> (outside U.S.), and heard through <a href=\"https:\/\/open.spotify.com\/album\/4gPonhXIDV8SSBW1NI2ssB\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>, Apple Music, and there are extracts on\u00a0<a href=\"https:\/\/www.youtube.com\/results?search_query=james+akers+gabriella+di+laccio+ombre+amene\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>.<\/p>\n<p><em>Listen to Akers and Di Laccio playing the final piece of the <\/em>Sei Cavatina<em> by Giuliani, titled &#8220;G\u00eda presso al termine&#8221;:<\/em><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/Re8CwQyvD_8\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Previous New Album Listings:<\/strong><\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque and Bojidara Kouzmanova, Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a>\u00a0Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 13<\/a>:\u00a0Zs\u00f3fia Boros, Andrea Bissoli, Philippe Sly &amp; John Charles Britton, Carlos Dorado, Steven Joseph<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-joao-carlos-victor-frank-wallace-simon-thacker-justyna-jablonska\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 27:<\/a>\u00a0\u00a0Jo\u00e3o Carlos Victor, Frank Wallace, Simon Thacker &amp; Justyna Jablonska<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-alberto-la-rocca-jeffrey-mcfadden-michael-kolk-and-stefan-koim\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 10:<\/a>\u00a0Alberto La Rocca, Jeffrey McFadden &amp; Michael Kolk, Stefan Koim<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 24:<\/a>\u00a0Fabio Zanon, Marcelo Kayath, David Norton &amp; Cindy Spell, Jeff Gosselin<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-the-canadian-guitar-quartet-mats-bergstrom-john-sargent-and-dimitris-kotronakis\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 7<\/a>:\u00a0Canadian Guitar Quartet, Mats Bergstr\u00f6m, John Sargent, Dimitris Kotronakis<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-james-akers-gary-branch-karol-samuelcik-josef-mazan-and-john-lehman-haupt\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 21<\/a>:\u00a0James Akers &amp; Gary Branch, Karol Samuel\u010d\u00edk, Josef Mazan, John Lehman-Haupt<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-meng-su-raphaella-smits-michaela-hrabankova-gabriel-bianco-and-mark-westling\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 7:<\/a>\u00a0Meng Su, Raphaella Smits, Michaela Hrabankova &amp; Gabriel Bianco, Mark Westling<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-sabrina-vlaskalic-ozan-saritepe-and-simon-cheong\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 21:<\/a>\u00a0Sabrina Vlaskalic, Ozan Saritepe, Simon Cheong<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-james-akers-duo-amaral-and-chris-fossek\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 4<\/a>:\u00a0James Akers, Duo Amaral, Chris Fossek<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-pepe-romero-vicente-coves-carlos-walter-and-david-harenstam-et-al\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 18<\/a>: Pepe Romero, Vicente Coves &amp; Extremadura Orchestra; Carlos Walter; David H\u00e4renstam (et al.)<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-kaiser-schmidt-guitar-duo-montreal-guitare-trio-and-nazrin-rashidova-slanislav-hvartchilkov\/\">May 2<\/a>:\u00a0Kaiser Schmidt Guitar Duo, Montr\u00e9al Guitare Trio, Nazrin Rashidova &amp; Slanislav Hvartchilkov<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-paul-galbraith-marc-teicholz-and-koen-claeys\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 16<\/a>:\u00a0Paul Galbraith, Marc Teicholz, Koen Claeys<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-albums-by-michal-svoboda-and-izhar-elias\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 3o<\/a>:\u00a0Michal Svoboda, Izhar Elias<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-eliot-fisk-beasers-guitar-concerto-duo-salmona-valette-and-evgeny-beleninov\/\" target=\"_blank\" rel=\"noopener noreferrer\">June 13<\/a>: Eliot Fisk, Duo Salmona-Valette, Evgeny Beleninov<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-xavier-jara-schneiderman-yamaya-duo-and-detlev-bork\/\" target=\"_blank\" rel=\"noopener\">July 11: <\/a>Xavier Jara, Schneiderman-Yamaya Duo, Detlev Bork<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-cristiano-poli-cappelli-duo-villa-lobos-and-giancarlo-dipierro\/\" target=\"_blank\" rel=\"noopener\">July 25:\u00a0<\/a>Cristiano Poli Cappelli, D\u00fao Villa-Lobos, Giancarlo DiPierro<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-sharon-isbin-isabel-leonard-boyd-meets-girl-and-silvana-saldana\/\" target=\"_blank\" rel=\"noopener\">August 1:<\/a> Sharon Isbin &amp; Isabel Leonard, Boyd Meets Girl, Silvana Salda\u00f1a<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-brasil-guitar-duo-maria-camitz-leif-hesselberg-and-duo-bohemico\/\" target=\"_blank\" rel=\"noopener\">August 8: <\/a>Brasil Guitar Duo,\u00a0 Maria Camitz &amp; Leif Hesselberg, Duo Bohemico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-albums-by-kenneth-meyer-flamenco-pacifico-and-jonathan-richards\/\" target=\"_blank\" rel=\"noopener\">August 22: <\/a>Kenneth Meyer, Flamenco Pacifico, Jonathan Richards<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-hamish-strathdee-thanos-mitsalas-plays-assad-chamber-works-and-tony-romano\/\" target=\"_blank\" rel=\"noopener\">September 12<\/a>:\u00a0Hamish Strathdee, Thanos Mitsalas Plays Assad Chamber Works, Tony Romano<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-quatuor-eclisses-michael-kolk-plays-nick-peros-and-yuri-liberzon-plays-piazzolla\/\" target=\"_blank\" rel=\"noopener\">October 11:<\/a>\u00a0Quatuor Eclisses, Michael Kolk\/Nick Peros, Yuri Liberzon<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most weeks we take a peak at recent albums or sheet music releases. Here are three of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of the albums we talk about online will be reviewed in the magazine, some not. But we want to at least mention them here. You can listen to some [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8160,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,5],"tags":[],"class_list":["post-8120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-stories"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/Kuropaczewski.jpg?fit=962%2C615&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8120","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8120"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8120\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8160"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8120"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8120"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8120"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}